Real world test shots & sample footage. The Panasonic LUMIX S1R Mark 2 is here, and it’s epic. The latest addition to the S Series lineup and a much anticipated one at that. The rumours were really flying on this one! I’ve only had the camera since last week so I didn’t get a chance to produce anything specifically for the release this time. No time! But I did manage to pull it out on a couple of client shoots over the last few days. So I thought I’d share some real world test shots and sample footage that you might like to see. First impressions are super impressive. There’s a lot about this camera to like. 8.1K up to 30p. 5.9K 50/60p and C4K at 100/120p, full frame, and with no crop. Internal ProRes and ProRes RAW. 8.1K open gate is coming in a future firmware update. 14 stops of dynamic range, and a beautifully cinematic image straight out of the box. Not to mention 44MP stills and a whole host of improvements for both stills and video, right across the board. Is this this best hybrid camera ever made? More to come on this one, so stay tuned. Check out our colour grading LUT packs here: https://rowe-films.sellfy.store Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2025 MB01JC85ZPNOXFZ

A quick look at the 75mm T1.5 by TTArtisan, with my thoughts and some test footage. I don't really do lens reviews on this channel, but when this particular lens was announced, I was really interested to give it a try. Based on the iconic Zeiss Biotar design, the lens combines vintage aesthetics with modern manufacturing, and at an extremely budget price. If lenses with character, quirks and personality are your thing, you definitely want to check this one out. It's a great halfway house between vintage and modern lenses, and would sit well in any filmmaker's toolkit. And yes, it renders very interesting swirly bokeh! Thanks to TTArtisan for sending one over. All footage shot on the Panasonic LUMIX S5IIX. Check out our new ‘TEYLU’ grading pack for an awesome cinematic look: https://rowe-films.sellfy.store/p/teylu-custom-grading-luts/ Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 MB01TMCZKMNH4T5

Check out the new 'TEYLU' color grading LUT Pack by Rowe Films! 'Teylu' means 'Family' in the ancient Celtic language, Kernewek [Cornish]. The look is inspired by the stunning light and colour that the county of Cornwall, in the far southwestern peninsula of Britain, is renowned for. This is a beautiful cinematic look with complimentary colours that truly pop. Available for purchase now: https://rowe-films.sellfy.store/p/teylu-custom-grading-luts/ Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 MB01NVCSVLIPPHJ

Wise words from one of the greatest creative minds to ever grace the planet, David Bowie. I believe the creative mindset is both a blessing and sometimes a curse. We’re always resisting a world that seems to constantly try to pull us in different directions. And not always the right ones. Speaking for myself, I know I’m often having to remind myself what made me start this filmmaking journey in the first place. The love of the craft 🖤 Tommy Rowe is a proud Musicbed Ambassador. Sign up for a free account to listen for yourself! #creativecommunity #cinematographer #filmmakerslife #artists #creativeprocess #videoproduction MB01TUJZLABLKCM

Testing out the Focus Pro system by @DJI As someone that’s never used camera based autofocus systems, always focusing manually and normally on manual lenses, I’ve always wanted to maintain full control over focus as a creative tool, just like any other setting or aspect of shooting. As awesome as in camera PDAF systems are getting, I’ve never liked the idea of handing control over to a camera to do for me and I’ve never really got on well with AF. However, when you’re running solo or in small teams as I often am, there are those times where assistance is necessary and I’m always interested in tech solutions that might just make things a little bit easier. The focus pro seems to work like magic. The LiDAR locks on, and sticks like shit, performing faster and more complex moves more accurately than I can on my own. The subject recognition works very well, and all the settings are adjustable. But most importantly for me, you still have full control over the focus using the wheel, and can override the autofocus at any moment. When you let go, it locks straight back onto the subject again instantly. This is awesome. The tactile feedback you get from the wheel feels very intuitive too. It integrates into the wider DJI ecosystem. The handle setup is super comfy when rigged up, and the focus motor itself is also better than any other I’ve ever used in the past. I use a lot of vintage lenses, with older and stiffer focus mechanisms, and motors I’ve used previously have sometimes struggled. The DJI motor is super powerful with stacks of torque and it handles all of my vintage lenses perfectly. I may have found my new run and gun focus solution! Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 MB01NX1TKZOVE9G

Winter is here. Well, just about, it's technically still autumn. But we recently had our first snows of the season here in Devon, UK. We managed to get out to enjoy it for a bit. Our good mates the Bishops were working, and their two lads were off school, so we took them with us as they hadn't been sledging on the moors before. Dartmoor is a super special place in winter! Shot on the LUMIX S5IIX with Sirui Saturn Anamorphic 50mm. Music by Musicbed. Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 MB01GFX83HJSQ7V

Remember, remember, the fifth of November! An experimental cinematic film from Guy Fawkes Night here in the UK. 419 years after the infamous Gunpowder Plot of 1605, the villagers of Ottery St Mary in Devon still carry out the famous 'Flaming Tar Barrels' tradition, every year on November the 5th. This year I went along to the tar barrels event which is just up the road from me. I took the LUMIX S5IIX with me, with just one lens, but had no plans to actually create anything from it this year. It's just one of those events that's super cool (if not incredibly challenging) to shoot. I love a bit of fire. It's a pretty mad event when you think about it. Thousands of people crammed into a small rural village, with people running around through the crowds with burning barrels of tar. You've got to keep your whits about you, as if you don't pay attention, you'll end up with a face full of fire (as you will see from this film). Gotta love Britain's historic traditions! Anyway a few days later, I found myself randomly watching the movie ‘V For Vendetta’ on TV. I'm personally not a big fan of comic book movie adaptions as a genre, but I’ve always liked that one. I feel it's aged rather well, and appears to become more relevant with each passing year. The character of 'V', superbly performed by Huge Weaving, is pretty iconic. As I watched the movie I found myself wondering; what would Guy Fawkes, Catesby and the other plotters make of modern society today? Especially so with the whole of Britain still celebrating the event many centuries later. What would they make of it all? I then remembered I had some footage from Tar Barrels sitting on a drive. So I thought it might be fun to stitch a stylised little film together, based around that concept, featuring some of the footage I captured at Tar Barrels. This was a really fun piece to get creative with. Part experimental film inspired by the movie ‘V For Vendetta’, part documentation of the awesome Tar Barrels event and wider November 5th celebrations here in the UK. Can you guess who's behind the mask!? Hope you enjoy it! Production stuff: All footage shot on the Panasonic LUMIX S5IIX, with the 75mm Sirui Saturn anamorphic lens. Recorded in ProRes 422 to SSD. I decided to go for a 35mm Kodak 2383 film emulation on this one, using Dehancer Pro. Music by Musicbed. Tommy Rowe is a proud Musicbed Ambassador. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 MB01VHOGOI5CSVT

I recently realised the last reel I put together was back in 2021, so it was time for an update. Here's the Rowe Films 2024 Creative Cinematography Reel. Edited by Tommy Rowe. Music by Musicbed. Tommy Rowe is a proud Musicbed Ambassador. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 MB01N21CVLJTOZG

A little short produced for the LUMIX Official IG page, featuring a few Rowe Films productions shot with Panasonic LUMIX cameras. Thought I'd upload it on here too! Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 #shorts #lumix #cinematography

There's something magical about a fishing port at this time of day. Just the sound of the waves and gulls, and nobody about except boat crews heading out to sea, as they’ve done from this spot for hundreds of years. Special 🌅⚓️🎣 🎥 Mavic 3 Classic Filmed in Brixham, Devon, UK Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 #cinematography #mavic3classic #dronevideo #shorts MB01TCKZQC3UJGO

One epic night at Chepstow Castle for the @krisbarrasband sellout show. What a place for it, within the ruins of one of the oldest stone fortifications in Britain. Kris and the lads were on top form and this was up there with the very best of performances I’ve seen from them. Always a real pleasure getting to work with these guys, and great to work alongside my main man Tozey, and Deni B. Awesome night! Kris asked me to put together a little highlight film of the night, and I attempted to get across the energy in that space, which proved pretty impossible to do as it was quite simply another level. Featuring the bangers ‘With You’, ‘Savages’ and ‘Fall To Fly’ from their official UK top 5 album ‘Halo Effect’ available via @earacherecords 🔥 Camera ops: Tommy Rowe & Alex Toze Cameras: LUMIX S5IIX, S5II & GH6 Drone: DJI Mavic 3 Classic Edit by Tommy Rowe Stills photography: Deni Barras Music copyright: Kris Barras Band, Earache Records #lumix #krisbarrasband #livemusic #liveshow #concertfilm #videoproduction Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024

A few shots from a commercial production this week. The shoot was to obtain promo for an entertainment agency act which included some pretty cool LED shows. I thought I'd share a bit of test footage as it shows what Panasonic LUMIX cameras are capable of in low light conditions. Cameras used - LUMIX S5IIX, S5II, GH6 & GH5S Conditions were really pushing the limits of low light performance as the lighting was a massive balancing act to make sure the LED show was effective and not overpowered by light levels. The cameras performed brilliantly in what were very tricky conditions. Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 MB0175LXXPCMOQD

Dubrovnik Old Town, Croatia. The location used as the capital Kings Landing in Game of Thrones. You can see why they picked it. What a stunning place! Lumix S5IIX + 35mm f/1.8 Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 MB01IKK4SIIF1YF #shorts #gameofthrones #dubrovnik

Some BTS from a recent commercial shoot with Scarlett Entertainment. 3 days, several sets, countless lighting setups, a fantastic team and one cat = epic scenes, a lot of fun 🔥 (+ aches and pains). Check out the result here: https://www.youtube.com/watch?v=vwo0f6LDPtg 🎥 LUMIX S5IIX & GH6 Atomos Ninja V+ Lighting by @Aputure @Nanlite and @Smallrig Music by @Musicbed #videoproduction #filmmaking #cinematography Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 MB01TYAU3A7LCOE

Behind The Scenes from the epic 'Unbreakable' Music Video Shoot. Filmed in Bristol, UK. Artist - @KrisBarrasBand Label - @earacherecords DoP - Tommy Rowe Editor - Kris Barras #shorts #musicvideoshoot #musicvideoproduction #videoproduction

A little Behind The Scenes from the Kris Barras Band 'Hourglass' Official Music Video Shoot. Check it out at @earacherecords DoP - Tommy Rowe Director & Editor - Kris Barras #shorts #musicvideoshoot @KrisBarrasBand Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024

The Panasonic LUMIX GH7 is here, and it is absolutely phenomenal. For the announcement of this epic camera, I decided to create a short film with a poignant (and timely) message about the power of art and creativity to bring people together in times of conflict and crisis. With only 3 or 4 days to do it, it was tough but I'd wanted to put this piece together for some time. It's my little tribute to both the incredible talent I am blessed to have all around me, as well as a great man from across the pond, whose words couldn't be more apt today, more than 60 years later. My initial thoughts on the camera - The GH7 produces a truly beautiful image. The footage is genuinely stunning. It performed totally flawlessly during the production of this film and that's pretty much it in a nutshell. Could this be LUMIX’ best filmmaker's camera to date? I think it might be and look forward to getting to know it more. Production Info & Credits: Shot exclusively on the LUMIX GH7 in ProRes RAW. A huge, huge thank you to my friends and family that made this happen in such a short amount of time. We managed to plan, shoot, edit, score, and post the piece in just 3 or 4 days, and I have the people around me to thank for that. Bespoke score 'Stillness Speaks (Reimagined)' produced by CJ Rowe (AKA Life In Colour). Voiceover - White House Audio Collection, John F. Kennedy Presidential Library and Museum. Camera: Panasonic LUMIX GH7 Settings: ProRes RAW (internal) - 5.7K 25p & 4K DCI 50p Lenses: Shot entirely on Canon FD & Helios vintage lenses Rigging and hardware: SmallRig, Atomos Ninja V+ (monitoring only) Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024

Epic scenes from an intense 3 day commercial shoot for Scarlett Entertainment, global entertainment specialists that collaborate with incredible talent to create unforgettable experiences for international clients at events worldwide. DP'd and edited by Tommy Rowe of Rowe Films. It was an absolute pleasure to work with such a talented cast and crew. All footage shot on the Panasonic LUMIX S5IIX and GH6. Lenses: Vintage Canon FD - 24mm, 35mm, 50mm Sirui Saturn 1.6x Anamorphic - 35mm, 50mm, 75mm Panasonic Leica 25-50mm Lighting fixtures used in various scenes: Aputure Nova P600c Aputure 600x Pro x 2 SmallRig 450D x 2 Nanlite Pavotubes x 4 All music by Musicbed. Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024 MB01SKDTJYTLG1T @aputure @NanliteGlobal @LUMIX

The opening night of the Kris Barras Band UK Tour, and their hometown show in Torquay, Devon. What an epic night! Kris brought me in to capture the night and create this short little highlight film. They absolutely smashed it out of the park. Tickets for the remaining UK tour dates can be purchased via Earache Records; https://earache.com/collections/tickets Featuring 'Unbreakable' and 'Savages' from the brand new KBB album 'Halo Effect' - © Kris Barras Band, Earache Records. Shot entirely on the Panasonic LUMIX S5 Mark II X, and the LUMIX GH6. The show included some pretty tricky lighting conditions (including a couple of stage pars and strobe that flickered no matter what I did), but the cameras bossed it. These conditions are a true test for any camera. Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024

This has been many weeks, in fact months, in the making. My very first stab at a proper narrative film, and an ambitious one at that. It's a story written and produced by myself and my brother, a huge collaboration between Rowe Films and music-for-film composer Connor Rowe (AKA Life In Colour). We hope many of you guys will connect with it, and be able to relate to it in some way. Can't wait to show you more! We're pleased to produce this short film in collaboration with our partners Sirui Optics and SmallRig lighting. Shooting entirely on the Panasonic LUMIX S5IIX and Sirui anamorphics, via the Atomos Ninja V+. There's also going to be a pretty comprehensive Behind The Scenes / Making Of Feature to follow, so watch this space. You don't want to miss this one! Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2024

Exciting things are happening! Here's a teaser for my short film currently in production, the most ambitious Rowe Films / Life In Colour collaboration to date. 'BLACKOUT', written and produced by Tommy Rowe & CJ Rowe, is coming soon. Things are getting dark. But the light always persists! Stay tuned for more. Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2023

A feel good, Christmas themed commercial produced by Rowe Films for our good friends and their lush little business here in Devon, UK. David and Faye recently booked us to produce a promo/commercial for their shop, and with Xmas rapidly approaching, I suggested we make use of the festive period to put something warm and fuzzy together. They loved the pitch, so with time very much of the essence, we managed to smash this out in just a couple of days. We decided to focus the theme on community, because it's something that's important to them both, it's the time of year for it, and everybody needs a community around them. Hope you like it and as always, feel free to stick questions down below. Production Info: The film was shot on the Panasonic LUMIX S5IIX, in 5.9K ProRes RAW via the Atomos Ninja V+. Dave was good enough to allow me complete creative control, so I decided to shoot the piece anamorphic with a film emulation, for that lovely filmic look and feel. Sirui Saturn 1.6x T2.9 anamorphic lenses - 35mm, 50mm & 75mm. Now available here; https://bit.ly/3Gqrbi0 Lighting - Aputure & Nanlite. Edited in FCPX and graded using Dehancer Pro: Film stocks - Kodak 250D, 250T + 2383 print emulation. Music sourced via Musicbed. Tommy Rowe is a proud Musicbed Ambassador. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2023 MB01DXHNEK0GXKR

Sample footage shot with the new 50mm Sirui Saturn anamorphic lens. Check out a real world commercial film shot with the Saturn lenses here: https://www.youtube.com/watch?v=QgINWdnh-h8 The 75mm test footage here: https://www.youtube.com/watch?v=cWr98Golyl4 I'm really impressed with this Saturn line of anamorphic lenses from Sirui and have been enjoying them more than I thought I would. The 35mm, 50mm and 75mm work together very nicely and the look is really nice. I will actually be using them on an upcoming narrative short film which I'm really excited about, so watch this space! Footage shot on the Panasonic LUMIX S5IIX & Atomos Ninja V+ in ProRes RAW. Film emulation & grade using Dehancer Pro. Sirui Saturn lenses now available here; https://bit.ly/3Gqrbi0 Music from Musicbed! Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2023 MB01SKHRLTVDAIW

A test of the new 75mm Saturn T2.9 1.6x anamorphic lens by Sirui. I wanted to test the 50mm also, but no way was I going to expose my sensor in these conditions, with sand and sea spray blowing absolutely everywhere! I'll give the 50 a test soon, so stay tuned for that one. I'm very impressed by these new Saturn lenses. The 35mm, 50mm and 75mm make a great combo especially with the now constant 1.6x squeeze. A big improvement. In my opinion we're finally getting some proper anamorphic character from lenses at the budget end. If the anamorphic look is your thing, there's no doubt these lenses are incredible value. The neutral flares are great, nicely controlled, and the bokeh looks nice. The pin cushion distortion doesn't bother me all that much either. Great job on some cracking lenses Sirui! Shot on the LUMIX S5IIX / S5 Mark II X + Atomos Ninja V+ 5.9K 25p + 4.1K 50p ProRes RAW Film Emulation & Grading - Dehancer Pro Sirui Saturn lenses now available here; https://bit.ly/3Gqrbi0 Get 10% off Dehancer Pro for FCPX using the Promo Code: ROWEFILMS Check it out here: https://www.dehancer.com/store/video/final_cut Music featured is 'Solus' by @lifeincolour Follow Rowe Films: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2023

In the midst of the darkness, life persists 🌖🌗🌘🌑 #rowefilms #lifeincolourmusic #filmcollaboration #shorts

A promo film produced for Ferrari, showcasing the exclusive UK launch event for the newest prancing horse - the Ferrari Roma Spider. A bit of Italian pedigree.... Shot in ProRes RAW on the Panasonic LUMIX S5IIX and GH6, via the Atomos Ninja V+ Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2023

I was recently privileged to get my hands on a pre-release set of Mercury Series anamorphic lenses by Atlas Lens Co. With the release of the Panasonic S5IIX also happening, I wanted to pair them up. This must be a world first for this specific camera/lens combo. Massive thanks to the Bish family and my partner Del, for allowing me to stick a camera on them yet again. You guys are the best, and I love you all. Thanks to the late, great Alan Watts for the words of wisdom. Additional thanks to Panasonic LUMIX Europe, @AtlasLensCo , @SmallRigGlobal and CVP, for supplying me with the bits I needed to throw together a workable rig in such a short amount of time. Camera: Panasonic LUMIX S5 mark II X Lenses: Atas Lens Co Mercury Series anamorphic lenses - 36mm T2.9, 42mm T2.9, 72mm T2.9. Monitor/Recorder: Atomos Ninja V+ Rigging: SmallRig Mount: PL to L Mount adapter from cinegearpro.co.uk 12 bit ProRes RAW recorded externally via the Atomos Ninja V+ 5.9K 23.98p 4K DCI 60p Film emulation & grade: Dehancer Pro - Kodak 250D + 2383 print stock Aspect Ratio 2.66:1 - Image has not been cropped as I wanted to show the entire image you get with a 1.5x squeeze factor shooting in 16:9 formats on a full frame sensor. Super wide, but looks great. Open gate would be the other option, but I wanted to be able to shoot RAW @ 60p into the Ninja. Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2023 MB01YEFKXITPQKA

A few highlights and favourite moments from a recent wedding film I produced for my friend Sophie and her new husband, Alex. An epic day at Pynes House in Devon, UK. Shot on the LUMIX GH6 and GH5S. Music sourced for Musicbed. Tommy Rowe is a proud Musicbed Ambassador. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2023 MB01WP5IEUCMYU3

Recreating the iconic opening and ending sequences of 1917, at the actual locations used in the movie. I’ve actually been sat on this for over two years now, so I thought it was about time I put something together! When you work in video production full time, sometimes work takes over and you end up with less time for fun. I’ve always believed it’s important to make time to do things not just for clients, but also play time for YOU, in order to keep the flame burning and basically remind yourself what it is you love so much about filmmaking. When it comes to movies, I’m a proper geek, as this little thing aptly demonstrates. I love travelling to real movie locations and walking in the footsteps of those that inspire me. It's a fun thing to do. So back in April 2021 myself and my pals Alex and Sean took a trip to the actual location used to shoot both the opening and ending of the epic Universal Pictures movie, 1917. Having spent a pretty ridiculous amount of time trying to actually find the real location they used here in southern England, I managed to twist Alex and Sean’s arms into taking a trip to the lone tree, in order to do our own recreation of the iconic ending sequence. Armed with just a Panasonic BGH1 and Ronin gimbal, we tried to get as close as we could with what we had. Of course we'd never be able to replicate it frame for frame, but I'd be happy if we could get even remotely close to the world class cinematography seen in the movie. This was just a really fun day. A great experience, and I even learnt a thing or two, too. It also goes without saying but if you haven’t seen the movie ‘1917’ before, I highly recommend it. It is a genuine filmmaking and storytelling masterpiece. This content is a bit different for the Rowe Films channel, so if you enjoy it, please do let me know in the comments because I have other ideas, and would love to do more of it! Disclaimer: All 1917 footage and audio excerpts featured in this video are property of Universal Pictures and its affiliates. Music is audible from The official motion picture soundtrack “Come Back To Us” by Thomas Newman. The content is featured under fair use, for the purposes of reviewing the movie production and studying how it was created from a technical perspective. 1917 Behind The Scenes Featurette: https://www.youtube.com/watch?v=3hSjs2hBa94 Follow Me: YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com 00:00 A Mad Idea 02:30 Finding the location 04:27 To the tree we go! 10:20 Our Intro Sequence Recreation 11:48 Getting the Ending Right 15:15 The Ending Recreation

A few test shots & footage from the Panasonic Lumix S5 mark II X launch event in London, UK a couple of days ago. A huge thanks to Lumix for the invite and putting on an awesome event! Special shoutout to my man @JoshCameron who lost his bet. Sorry chap, better luck next time 😝 All shot on the brand new LUMIX S5II X. I didn't get too much footage on the night because, well, let's just say the drinks were flowing. First impressions; Super impressed with the low light performance, color, and dynamic range. The IBIS is fantastic too. This footage was all shot at the high native 4000ISO, and it came out super clean. Pretty impressive given the (very) dark venue used for the launch event. It turned out to be a very good test and it will make for a fantastic music video and live event camera, that's for sure. More to come on this one and something exciting lined up, so stay tuned! Tommy Rowe is a partner and ambassador for Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2023 MB01K2XSDBKNTJT

If you haven’t seen my full review and overview of Dehancer Pro yet, check it out here; https://www.youtube.com/watch?v=aWvbUWQ4Hxw&t=479s Get 10% off Dehancer Pro for Final Cut Pro X using promo code ‘ROWEFILMS’ https://www.dehancer.com/store/video/final_cut Dehancer Pro is now available for Final Cut Pro X, bringing powerful cinematic colour grading and film emulation tools to FCPX. In a nutshell, this is the most powerful film emulation plugin I’ve ever used, with the most convincing results I’ve ever seen. Get an analog film look for your films and videos using Dehancer Pro! Rowe Films Color Grading LUT's available here: https://rowe-films.sellfy.store Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2023 MB01Z9AL3NSY7OZ

Dehancer Pro is a cinematic film emulation plugin and color grading tool now available for Final Cut Pro X. Here’s my little review of the product, giving a general overview of it as well as my thoughts. I can highly recommend this one! As a filmmaker I’ve always been a lover of the analog film look. There’s something magical about it that’s hard to put your finger on, something that can sometimes be slightly lacking in the digital equivalent. This is how to get the film look! In my experience, Dehancer Pro is easily the most powerful film emulation and filmic colour grading tool that I’ve ever personally used. One plugin that gives you all the tools you could want or need to emulate a genuinely convincing and authentic ‘film look’ in your films and videos. The plugin includes features such as over 60 different film negatives, print emulation including the popular Kodak 2383, film compression, analog CMY color correction, grain, halation, bloom, vignette, gate weave, film breath, LUT export and more. When you pump your footage through this pipeline, it genuinely looks incredible. Without a doubt, this is the closest to the look of true analog film that I have ever been able to get with my own images. It’s genuinely fantastic that these powerful tools are now available from within Final Cut Pro. So if like me, you use Final Cut and like to emulate analog film characteristics in your digital video footage, you will definitely want to check this one out. Get 10% off Dehancer Pro for FCPX using the Promo Code: ROWEFILMS Check it out here: https://www.dehancer.com/store/video/final_cut Their awesome blog: https://blog.dehancer.com/articles/ Rowe Films Color Grading LUTs available here: https://rowe-films.sellfy.store Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: Store: https://rowe-films.sellfy.store YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2023 MB0146KLKBZCWGC 0:00 - Example Footage 3:09 - Introduction to Dehancer Pro 7:06 - Plugin Features & Settings 12:12 - My Thoughts & Promo Code

Editing all day yesterday and looked out the window to see the sky turning. When you gotta go, you gotta go! A rapid trip out with the Mavic 3 Classic. Shot in Exmouth, Devon, UK. Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2023 #shorts #djimavic3classic MB019OZGM9CYZEC

Something a bit different from me. Anyone that knows me personally knows that filmmaking aside, my other massive love/passion in life is music. I don't really make much of that side of me on this channel, but I've been in a covers band here in the UK now for over half of my life. I helped form this particular band when I was 15 years old, to be exact. Music has played a huge part in my life, even earlier than that, since I was just a wee lad. Prior to 2020, we were a band that did 60+ gigs and shows per year, so it was somewhat of a way of life for me. Pretty much every weekend, out with some of your best pals, having a laugh, drinking too much, but doing something you love doing productively and getting paid for it. Let's just say it ticked a lot of boxes for me, for many years, and I've missed it. After a bit of a hiatus, we've now built this band back from the ground up, and are finally ready to get back on the road again. It's taken a lot of time and effort from all involved, basically starting again, but I literally can't wait to get back behind the kit and performing live again. To coincide with the announcement of our return to live performances, we decided to produce a live performance video. Something a bit fun and not too serious, and something that would give those that follow us around here in England a little glimpse of what's to come in what will hopefully be a new chapter. Those that do know me personally also know that I'm a bit of a nerd when it comes to film, TV series, movies etc. It all massively inspires my film work, as Im sure you know. I happen to be a big fan of the Netflix series 'Stranger Things' (beautiful filmmaking and I always love 80's vibes). When I heard them do a cinematic remix of Journey's 'Separate Ways' in the last season, I had an idea. That song is one of my favourite Journey tracks ever, so I proposed it to the lads. Thankfully they are top guys and extremely tolerant of my geeky ways, so they agreed to put our own spin on the track, inspired by Stranger Things. The 'cinematic' style intro you hear, I produced myself in Logic Pro X. Using digital instruments, I put together a backing piece with the same vibe as the Stranger Things remix of the track, and I would trigger that live, using the Roland SPD-SX. The rest of the track after the intro sequence, we perform fairly close to Journey's original, but in our own little way. Of course the band's video production falls in my lap, however it's pretty tricky to be both behind the kit and the cameras at the same time. So once again I called in the help of my good mate and fellow camera guy Alex Toze, to operate for me on the shoot. Video wise, I'm sure you will see some of the inspiration I've taken from the show. The titles were animated myself in Final Cut Pro. All in all, this was a really fun little project that combines my two loves in life, and I'm pretty happy with how it came out. The track was performed completely live (excluding the pre-produced intro soundscape I made) and recorded at Tazma Studios in Exeter, UK. As a bit of a side note this time (for a change), we shot all of this footage using both the Panasonic LUMIX S5II, GH6, and GH5S, side by side. As you can see, they work wonderfully together, and cut together beautifully. A fantastic little setup, and great for music video work. Anyway, I hope you enjoy this video and if you have any questions about the work that went into putting this together (there was quite a lot of it!), feel free to smash them in the comments. Oh. We do intend to do more stuff like this going forward and have some big ideas, so if that's your thing, and you'd like to follow the band, please do, that would be totally awesome; @eventineband Thanks guys! Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2022

Some test footage from my very first trip out with the DJI Mavic 3 Classic. Thanks to DJI for getting in touch! Stay tuned for more to come. This is just a very quick piece thrown together from my initial flight. My first impressions of this drone are....fantastic. Not only is the functionality incredible, but for me, we are now finally getting to the point where "the drone look" isn't so much of a thing anymore. The footage out of this camera looks generally incredible, and will match well with ground based cameras. Overall the colours, dynamic range, and feel of the footage have improved massively from previous models, and the price represents amazing value too. So these are my very first test shots captured with the Mavic 3 Classic. Myself and Mr Toze took a trip out early on a cold and foggy morning to a local spot that I love. Lawrence Castle in Devon, UK. A 17th century tower built atop of a hill, surrounded by forest. It's an epic spot that gets some awesome weather conditions. Perfect for giving this new drone a test run. Follow: YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2022

A stylised, filmic short piece from a winter's day last month, here in the UK. Shot on the new LUMIX S5 mark II, I decided to take a heavily stylised approach to this little piece, in terms of the overall filmic look and heavy film grain emulation. Dare I say, "cinematic"? I also shot it all with one single lens, the vintage 35mm f/2 FD, which is a real beauty and probably my favourite lens that I personally own. Beautifully imperfect! All in all I’ve used a combination of things here that create a look that I personally love. Putting this piece together really helped me test out the new Panasonic camera fully, properly push it around a bit, and see what it's really capable of. I feel like with any new camera, it takes you a while to really get to know it. For me, I find I need to get out and shoot with it, numerous times, in the real world, and in a range of different conditions, before I can really pass judgement. That actually happens to be my only problem with many traditional "reviews", many of which are often limited to studios, with very limited time hands on, and yet findings are often presented as conclusive. That's just not the reality of my experience. Personally I feel like I've got to know the S5II quite well now, and what a great camera it is. Genuinely a fantastic all rounder. The images are beautiful, and so versatile. You really can push it around big time, as I have done in this film, and it holds up beautifully. The images are extremely clean, even in low light, so much so that I find myself actually wanting to rough it up a bit. But that's often the way with me! Anyway I hope you enjoy this little piece. Myself and my mate Mr Toze decided to take some time out and make the most of the wintry conditions by hitting Dartmoor for a hike. One of my favourite things to do. Also happened to provide great conditions to test the camera. Specifically dynamic range, as it was super harsh light and the light/colour changed literally every 30 seconds. Some info below. And as always, feel free to smash any questions in the comments. Camera: Panasonic LUMIX S5 Mark 2 Lens: Canon FD 35mm f/2 Settings: 4K DCI 24p & 60p 10 bit 422, VLog picture profile Follow: YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2022

Just a quick one. Driving home yesterday through some local woods, the last of the day’s light was looking quite nice, and there’s no more of it on the cards here, for a while now, so I decided to pull over to catch the last of it. I had some gear with me, including the new LUMIX S5 Mark II so I thought I’d try it out with another vintage lens, this time the Helios 44M. I was on my own and didn’t have a subject to film, so I just had to use the van, otherwise, it’s just trees 😂! This was just a quick test before getting home for dinner, but I got some interesting results, so thought I’d drop some of the footage on here as a quick upload, in case anybody finds it interesting. One of my favourite things to do with any new camera is pair it up with different lens combinations, especially my vintage collection. You can get so many unique and interesting looks with old glass and its always good to see how different cameras handle the more vintage film look that results from using them. It's also sometimes nice to think that I might be the first, and only one to have tried this specific combination, so far. That way you never know what to expect! The Helios is a little diamond in the rough. I’m sure most of you know of it, but for those that don't its an old Soviet era lens that’s famous for it’s interesting character and swirly bokeh. For me, the best thing about vintage lenses is the unique looks you can get. Every single lens is different. Often technically imperfect, but with so much character. And character is what I'm all about. This is very different to what you usually get with many modern lenses, with their optical 'advancement' and superior coatings. Vintage lenses aren't suitable for all commercial work of course, but perfect for those times when you want to get a little more arty, which for me, is pretty often. Like. All the time. This particular lens cost me about 100 smackers all in, and thats including a few mods I’ve made such as an EF conversion, gears, 80mm cine ring, a clean and re-grease. For that money, it really is ridiculous what you’re getting and I recommend you pick one up if you’re interested in dipping your toe into the vintage lens world. If a stylised, characterful film-like look is your thing, this little lens is hard to beat. So I'm pleased to say the S5II + Helios combo works great. Lovely colour. The bokeh looks amazing too, very painterly, and to me its a stronger effect on the full frame sensor, as opposed to what you get with m43 cameras. Another thing I noticed is when the lens is opened right up, it doesn’t just flare wildly, but you also get an interesting light leak too. You don’t get this in the same way on m43 bodies. I reckon this could be quite aesthetically pleasing, used at the right time and in the right way! A nice little test. Hopefully more to come. Feel free to smash questions in the comments. Cheers! Camera: Panasonic LUMIX S5 Mark 2 Lens: Helios 44M 58mm f/2 Filter: Freewell VND Settings: C4K 24p, 10 bit 422, VLog Edited in FCPX and a quick grade using Dehancer Pro film emulation (more on this to come soon!). Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2022 MB01QO4MT4VHARD

A few quick test shots/footage from the new Panasonic LUMIX S5 Mark 2. I didn't have time to produce anything more substantial this time, but I did manage to pick it up a couple of times over the holidays, so here's a quick one! All footage shot on the LUMIX S5ii, in Vlog, 24p and 60p. Edited in FCPX and graded with film emulation (video to come on this soon). Lenses wise, most of these shots were on the Canon FD 55mm f/1.2, because I'm all about the vintage look, with all of its character and imperfection. The reason I've always shot Panasonic Lumix, is because footage from their cameras always has character. A few shots at the beginning, everything up to 0:36, were on the Panasonic 20-60mm. Despite not really being my bag in terms of general look (modern, very sharp and clinical), I decided to include a few shots as I know many shooters like the clean and sharp, contemporary look. It is a great lens if that's your thing. I haven't had much hands on time with the camera yet, but here's my initial thoughts and feelings; Everything that was great about the original S5, plus more. Amazing image. Extremely versatile image quality, allowing you to dial in your look as desired. Fantastic dynamic range. Impressive low light performance. Very good IBIS with the new 'active' system. I need to play with this more to get my head around how it performs in different settings. Impressively small and light form factor for a body that has a full frame sensor crammed into it. Clever incorporation of a cooling fan in the EVF housing. No worries about overheating then. Auto Focus is not my thing as I prefer to focus manual lenses, however I did try it out. To my eyes, the new Phase Detect system performs extremely well. The shots at the beginning of the dancing and dogs were shot using human and animal tracking. It locked on and stayed with them. Despite not being a priority for me, I'm sure there will be lots of happy people out there. The big one for me is the price. It's a lot of camera for the money. The most important thing for me being image quality, which at this price point, is seriously top notch. Perhaps even unrivalled. So fair play to Panasonic for making such a fantastic product accessible to more people. I look forward to spending some more time with the camera and getting to know it better. As always, any questions, feel free to smash them in the comments. Oh, and happy new year everyone! 🤙 Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2022 MB01QTYIANJWPJP

I haven't shared a wedding film for some time, so thought I'd drop this one! A couple of days before Christmas, I had the pleasure of shooting the Celtic inspired wedding of Lizzie, and fellow Cornishman, James, on the stunning Westcountry coast. As a chap with Celtic blood myself, this was right up my street. All the vibes! I don't shoot many weddings these days, but I've been thoroughly enjoying using the LUMIX GH6 on those that I have worked on. It really is the perfect wedding cinematography camera. For this film, I decided to go with a 2383 film emulation and generally filmic vibe, inspired by the good old days of cinema proper. A huge thanks to @XiomaraCrystal for allowing me to use her stunning track in this preview film. It really is perfect for what I needed. Check out her incredible talent here and please give her some love: https://www.youtube.com/@UCB63yRS4AUsSai1IjGR-3CQ All footage featured in this film was shot on the LUMIX GH6, and LUMIX GH5S. Lenses used: Panasonic Leica 25-50mm f/1.7 Panasonic 12-35mm f/2.8 II Panasonic 35-100mm f/2.8 As always, feel free to smash any questions in the comments section. Merry Christmas to all and Happy New Year! Follow: YT: https://youtube.com/@RoweFilms IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2022

Creative Colour Grading LUT's by Rowe Films! This one is 🔥 I have recreated the look from my short film 'Horizon' and it's now available to purchase here: https://rowe-films.sellfy.store #shorts #colorgrading #luts #colourgradingtutorial #cinematic #colorgrade #colourgrading Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2022 MB01LUX51NSZG7Z

🚨 Attention filmmakers! Get 'The Storm' look for your next project! Check it out on my online store: https://rowe-films.sellfy.store You asked for it, so here it is. Due to popular demand, I have now made available the unique colour grade I used in my short film 'The Storm', produced in collaboration with Panasonic for the release of the LUMIX GH6. It's a special look, and now you can use it too 🔥 #shorts #colorgrading #luts #colourgrading #cinematic Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2022

I don't shoot that many weddings these days, but I have done a handful since the release of the LUMIX GH6. So I thought I'd throw together a little montage of a few shots that I've captured during real wedding shoots, in case anyone would like to see how capable it really is. If there's any wedding filmmakers / cinematographers out there considering the GH6, all I can say is, it's pretty much perfect for weddings. So powerful, amazing imagery, and so much fun to use. No matter the conditions, it just performs. What more can you ask for? Any questions, feel free to smash them below. All footage shot on the LUMIX GH6 and recorded internally. Mostly 4K 60p 10 bit. I use quite a few lenses depending on how I'm feeling but pretty sure the glass used in these shots were mostly; Panasonic Leica 25-50mm f/1.7 Canon FD 55mm & 35mm Helios 44M Graded using my own custom LUTs and FilmConvert Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021

A short commercial I actually produced quite some time ago now. Almost two years ago in fact. For one reason or another, including the state of the world at the time, it never got shared. A lot has changed since then, including my filmmaking kit and set up, grading techniques and pretty much everything, but I thought it would still be worth a quick share! Produced on the LUMIX GH5S in 2020. A short narrative piece shot on Dartmoor National Park, UK. 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021 MB0135XQ4IQHNEH

The making of 'THE STAGE'. A full Behind The Scenes Feature and breakdown of my recent short film, shot on the LUMIX GH6 & Atomos Ninja V+. Produced in collaboration with Panasonic LUMIX and Atomos, for the release of new firmware opening up ProRes RAW shooting to this camera/recorder combo. In this video I breakdown the film and key moments of the production, to show how it was produced. I've tried to include as much detail and information as is possible without making the video hours long! If you have any questions not covered here, or want further details, please feel free to drop it below. 0:00 Intro 0:36 The Concept & Pre-Production 2:27 Scene Breakdown 10:15 Camera Settings 13:02 Post-Production 16:28 Final Thoughts 'The Stage' film produced by Tommy Rowe of Rowe Films, commissioned by Panasonic LUMIX. BTS footage shot by Sean Hodge & Alex Toze, on the LUMIX GH5 and GH5 mark II. 'THE STAGE' production info: Camera: LUMIX GH6 Recorder: Atomos Ninja V Plus Lenses used: Sirui 'Mars' Anamorphic 24mm T2.9 Sirui 'Mars' Anamorphic 35mm T2 Sirui 'Mars' Anamorphic 50mm T2 Sirui 'Mars' Anamorphic 75mm T2 Helios 44M Canon FD 55mm f/1.2 Canon FD 35mm f/2 Hardware: DJI Ronin S Tilta Nucleus N 8sinn & SmallRig rigging Lighting: Godox heads Nanlite Pavotubes Audio: Rode NTG5 & Tascam DR100 Mark III Camera Settings: 12 bit ProRes RAW 5.7K @ 24p & 60p 4K DCI @ 120p Edited in FCPX and graded manually using my custom LUTs, and then finished with FilmConvert. Sound design edited in Logic Pro. Tommy Rowe is a proud Musicbed Ambassador. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself: https://fm.pxf.io/c/3556316/1347628/16252 Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021 MB01S4WF8LYYHST

A short film produced in collaboration with Panasonic LUMIX & Atomos, for the release of firmware V2.0 opening up ProRes RAW to the LUMIX GH6 and Atomos Ninja V / V+. Check out the full Behind The Scenes and breakdown here: https://www.youtube.com/watch?v=Cy6V4UGG9Ro 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Having been released only a few months ago, the GH6 was already a powerhouse of a camera with specs pretty much unrivalled at its price point. But now it just got even more powerful again. 4K 120p in 12 bit RAW? Give me some of that! One recent feature film release in particular has made waves in the world of cinematography and like many others, I found myself massively inspired by it from a visual and creative perspective. So it was a bit of inspiration for certain aspects of this piece, in terms of the cinematic approach, how it was shot, and certain cinematography techniques. More on that in the BTS! Kit and settings: Shot on the LUMIX GH6 and Atomos Ninja V+ Settings: 12 bit ProRes RAW - 5.7K 24p, 5.7K 60p, 4K DCI 120p Lenses: Mostly anamorphic with some shots captured using vintage spherical lenses (more on that in the BTS). Sirui Mars anamorphic set; 24mm, 35mm, 50mm, 75mm Other lenses used; Cine-modded 58mm Helios 44M, Canon FD 55mm f/1.2 & 35mm f/2 The combination of modern anamorphic lenses and vintage sphericals seemed to work for me. It was also my first time shooting anamorphic on the GH series cams, so that was a nice change. Graded this one manually based on the Kodak 2383 look, and then finished with FilmConvert Super 35 film grain. Written, shot and edited by Tommy Rowe. Featuring lyrics written by Kris Barras for the Kris Barras Band. Production Assistants; Alex Toze, Sean Hodge Special thanks to Kris @KrisBarrasBand for being a total legend. Follow his band here you won't regret it: https://www.krisbarrasband.com © Rowe Films 2022 In partnership with Panasonic LUMIX & Atomos Global MB01S4WF8LYYHST

Get 'The Storm' custom LUT by Rowe Films here: https://rowe-films.sellfy.store/p/the-storm/ Check out my latest film produced in collaboration with LUMIX here: https://www.youtube.com/watch?v=FJPyiJn3Vbs It's finally here! The highly anticipated Panasonic LUMIX GH6. Here is my short film produced for the official announcement. After attending the pre-disclosure event in London at the beginning of the month, I've now had my hands on the camera for a couple of weeks and used it to put together this short film. It was a real pleasure to be involved in the announcement and release of this one, so thanks for the guys at LUMIX for giving me a shout. As soon as it arrived a couple of weeks ago, I shot some test footage and could instantly see that this camera and I are going to get on very well. What a powerhouse the GH6 is. Genuinely fire. The footage has a beautifully cinematic quality, filmic character, everything that I love about the LUMIX look. But more to come on that... As is the nature of this kind of work, I only had a couple of weeks to come up with an idea, plan, shoot, edit and deliver, ready for the announcement tonight. Initially it didn't look like there was much in the way of good shooting conditions for the foreseeable. But then my brother, music for film composer Life In Colour happened to mention he had a new composition in the works, titled 'The Storm'. Low and behold, a matter of hours after we floated the idea, the UK received its first two named storms, both of them in the same week (we actually had a third last night). So, the stars aligned, and it was meant to be. The film was shot entirely on the GH6. We had to brave some brutal (if not slightly treacherous) conditions. In doing so, shooting this piece I have genuinely put the camera through the ultimate test. Storm force winds, torrential rain, hail, angry seas and sea spray by the tonne. Of course the GH6 took it all in its stride, and managed it like an absolute boss. Speaks for itself! It was a lot of fun to produce. Very wet. Very cold. Pretty miserable and borderline savage at times. Working in these conditions is seriously hard work. But fun all the same. Some production info: Camera: Panasonic LUMIX GH6 Lenses: Panasonic Leica 10-25mm f/1.7 Panasonic Leica 25-50mm f/1.7 Panasonic LUMIX 35-100mm f/2.8 Canon FD 35mm f/2 Canon FD 55mm f/1.2 Metabones FD to m43 speedbooster Settings: All footage was shot internally on the LUMIX GH6 VLog 5.7K 24p (ProRes 422) 5.7K 60p C4K DCI 120p HD 240p Other kit used: Freewell Variable ND Tiffen Black Pro Mist Atomos Ninja V (as a monitor only) DJI Ronin S Most of the footage was shot handheld, with a handful of gimbal shots. Edited in FCPX. Graded using one of my custom LUTs and finished with FilmConvert. Featuring the brand new track 'The Storm' by Life In Colour. If you have any questions before my hands-on vid, feel free to smash them in the comments and I'll try to answer. Cheers! Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com Video Production: © Rowe Films 2022 Music: © Life In Colour 2022 Audio excerpt of weather forecast: © Crown copyright, UK Met Office

🔥Get 'The Horizon Look' for your next film or video! 🔥 The custom LUT developed by Tommy can now be purchased from the Rowe Films store here: https://rowe-films.sellfy.store/p/horizon/ Watch the film here: https://www.youtube.com/watch?v=izmAzcA2_Wk&t=3s Watch the full Behind The Scenes Feature here: https://www.youtube.com/watch?v=IksRypqFShM See my ProRes RAW color grading workflow here (very similar approach to how I color graded these scenes: https://www.youtube.com/watch?v=tt_Gbbo-4Kw 'Horizon' short film production info: Camera - LUMIX BS1H Monitor/Recorder - Atomos Ninja V Codec - ProRes RAW Settings - 5.9K 23.98p, 4K DCI 60p Lenses Used - LUMIX S 24-105mm f/4, LUMIX S PRO 50mm f/1.4, Canon FD 24mm f/2.8, Canon FD 35mm f/2, Canon FD 55mm f/1.2 Edited in FCPX and manually graded with my own custom LUTs. Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021

Behind The Scenes & Breakdown of the latest Rowe Films short film 'Horizon', produced in collaboration with Atomos & LUMIX. I tried to pack this one with as much info as possible, so be sure to watch until the end! 🔥Get 'The Horizon Look' for your next film or video! 🔥 The custom LUT developed by Tommy can now be purchased from the Rowe Films store here: https://rowe-films.sellfy.store/p/horizon/ 'Horizon' is a contemplative look at the recent journey of Royal Marine turned Filmmaker, Sean Hodge. Shot entirely on the LUMIX BS1H & Atomos Ninja V, in ProRes RAW. Watch the film here: https://www.youtube.com/watch?v=izmAzcA2_Wk In this BTS I dive deep into the production of the film, breaking down the scenes and showing exactly how we went about it, whilst also explaining how the BS1H & Ninja V made it all possible. Needless to say I'm impressed by the BS1H and Ninja, which together open up the power of Full Frame 5.9K 12 bit footage, in a RAW codec. Mega! One of the best things about this setup was the rigging possibilities. We even managed to rig the system onto an FPV drone platform, to create some seriously cool aerials. Plenty of good stuff in here! If you have any questions, smash them in the comments. 'Horizon' short film production info: Camera - LUMIX BS1H Monitor/Recorder - Atomos Ninja V Codec - ProRes RAW Settings - 5.9K 23.98p, 4K DCI 60p Lenses Used - LUMIX S 24-105mm f/4, LUMIX S PRO 50mm f/1.4, Canon FD 24mm f/2.8, Canon FD 35mm f/2, Canon FD 55mm f/1.2 Edited in FCPX and manually graded with custom LUTs. BTS footage shot on the LUMIX GH5 & Panasonic LUMIX 12-35mm f/2.8, by Alex Toze. BTS Feature edited by Tommy Rowe. Special thanks: Chris at Technical Films http://www.technicalfilms.com Alex drone ops: https://www.youtube.com/designtuneoperate https://www.instagram.com/alex.designtuneoperate/ Sean Hodge, Alex Toze, Lewis Hendrie & Jamie F Atomos Global & LUMIX UK Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021

A cinematic mini-documentary, produced in collaboration with Atomos & Panasonic. Shot on the ew LUMIX BS1H & Atomos Ninja V, in ProRes RAW. 🔥Get 'The Horizon Look' for your next film or video! 🔥 The custom LUT developed by Tommy can now be purchased from the Rowe Films store here: https://rowe-films.sellfy.store/p/horizon/ Watch the full Behind The Scenes Feature showing the making of this film here: https://www.youtube.com/watch?v=IksRypqFShM Sean Hodge left the UK Royal Marines in March 2020, to pursue his love for filmmaking. Shortly afterwards, the world turned upside down. During difficult times, Sean's release was his motorbike. This short film touches on his journey over the last couple of years. If you subscribe to my channel, you may well have seen Sean before, as a friend of mine and fellow LUMIX shooter himself, he has assisted me on various projects, including previous jobs with LUMIX and Atomos. I'm a big fan of his work and I'd like to say a huge thanks to him for allowing me to make this film all about him! I have a full 'Behind The Scenes' feature coming shortly, so keep an eye out for that. For now though, feel free to smash any questions in the comments. Shot entirely in 12 bit ProRes RAW, on the LUMIX BS1H and Atomos Ninja V. We went all out on this one and tried to step up the production value with some different tech solutions. Even going as far as mounting the setup on an FPV drone, taking the Ninja along for the ride. It required a custom build and a lot of fiddling to make it work. But as far as we're aware, it hasn't been done like this before, so that's cool. Pulling focus wirelessly from a drone was also a new experience for me, so that was fun! Credits: Director/DP - Tommy Rowe Talent - Sean Hodge Production Crew - Alex Toze, Lewis Hendrie, Jamie Farquharson Drone Operations by Technical Films Drone Pilot - Alex Johnston Drone Gimbal Operator - Chris Watts Drone Camera Operator & 1st AC - Tommy Rowe Special thanks to Paschoe House, Devon. And thanks also to Atomos, for continuing to provide us with such awesome filmmaking kit. Pleasure working with you as always! Tommy Rowe is a proud Musicbed Ambassador. The best music for film going! Check out the Rowe Films Playlist for my latest recommendations and sign up for your free account here: http://share.mscbd.fm/rowefilmsplaylist Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021

🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Just a short one. Made the effort to get out bright and early this morning to catch a sunrise. Took the LUMIX BS1H with me and grabbed a few shots. What a beaut of a morning! Tommy Rowe is a proud Musicbed ambassador. The place to go for the best music for film around. Sign up for your free account here: http://share.mscbd.fm/rowefilms Shot on the LUMIX BS1H & Atomos Ninja V in ProRes 422. LUMIX S PRO 50mm f/1.4 & Freewell VND mist. Camera settings: 5.9K 24p, V-Log Graded with manual adjustments & FilmConvert Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021 MB01TPUTQMA1JXE

🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store The Ottery St Mary Tar Barrels is an annual event here in Devon, UK. A tradition that has been going for literally hundreds of years, the exact origins are unknown, but every year on November 5th (Guy Fawkes Night to us Brits), locals get together to burn barrels of tar and parade them through the town. It certainly makes for fun shooting, that's for sure. The odd little burn here and there and everything 🔥 The best music for your videos - Sign up for your free account: http://share.mscbd.fm/rowefilms Poem credit: 'Do Not Go Gentle' by Dylan Thomas. Read by Tommy Rowe. Camera: LUMIX BS1H Lenses: LUMIX S 24-105mm f/4, LUMIX S PRO 50mm f/1.4 Recorder/Monitor: Atomos Ninja V Settings: Vlog, 60p & 24p, 10 bit ProRes 422 Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021 MB01YMK6UJH7WAQ

Here's the official Rowe Films cinematography showreel for 2021. Generally speaking I'm not a massive fan of reels, usually being little more than montages of random footage and pretty shots, and usually lacking in 'story' or narrative. It's tough to make it 'feel' something. So I tried to approach mine a little differently, to perhaps give it a bit more substance than just a montage. I dunno. But anyway, it's been a cracking year, and I've been blessed to take on some incredible projects. More to come of course and I'm hoping to add to this before the year is out, so watch this space 😉 Cheers Al! Voiceover by Alan Watts. 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store The best music for your videos - Sign up for your free account: http://share.mscbd.fm/rowefilms General Production info: Cameras featured in the footage, in order of approximate frequency: LUMIX GH5S LUMIX BGH1 LUMIX GH5 LUMIX S1H Blackmagic Pocket Cinema Camera 4K Fuji X-T4 LUMIX BS1H 🤫😉 Lenses featured are too numerous to list but mostly Canon FD vintage, Samyang cine and LUMIX native m43 lenses. Most of the footage featured was shot at 24p & 60p in 10 bit ProRes 422 and ProRes RAW, via the Atomos Ninja V monitor/recorder. All of the footage featured was lit, shot, edited and colour graded by Tommy Rowe of Rowe Films. Any questions about anything you see featured, smash it in the comments and I'll happily answer as soon as I can. Production credits for some of the featured footage: Panasonic Lumix & Atomos Global Studio In The Sticks, Devon Kris Barras Band & Mascot Label Group Life In Colour Music VSimulators & Exeter University Sharps Brewery UK Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021 MB015KS2BDUXNZW

🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Here's a futuristic styled commercial promo I produced earlier in the year, for a company called VSimulators in the UK. They wanted an edgy, dynamic edit and 'cinematic' feel for the promo, which was a lot of fun to put together! I don't have any BTS content for this one but smash any questions in the comments! Shot entirely on the LUMIX GH5S & Atomos Ninja V. Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021 MB013IAR3WLPH2W

Earlier in the year I was commissioned to produce some promo and advertising material for a new Sharp's Brewery product. Mostly for social media use. The project was called 'Cold River', and involved working underwater and also in the studio. It was fun and a nice change to work on something a bit different as I tend not to take on a huge amount of product videography work. So I thought I'd give it a share! Here's a couple of cuts. My own 'director's cut' and then the full length client deliverable follows immediately after. All footage was shot by myself in camera, no third party assets or stock footage. The brief was to focus on the elements and water - where the river meets the sea. So the imagery focused on quite abstract shots on location, and the edit needed to be dynamic. Quite a focus on sound design also. All the featured footage was shot in camera with no third party or stock assets used. Mostly on the LUMIX GH5S and BGH1, with a lot of the underwater work at 120 & 180 fps on the GH5S. There's a little bit of GH5 footage in there, and we also used a Sony FS7 for a couple of the studio shots. Oh and a Phantom 4 of course. I don't have any BTS stuff from this project unfortunately but as always questions welcome in the comments! 🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021

🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Thanks to Freewell for sending over their new magnetic variable ND filter system looked pretty innovative and I was interested to give it a try. Get yours here: https://www.indiegogo.com/projects/world-s-1st-versatile-magnetic-vnd-camera-filter/reft/13493183/rowefilms The Magnetic VND filter package is an all in one filter system that covers Variable Neutral Density, Circular Polariser and ‘Mist’ diffusion. There are lots of filter products on the market but this seems pretty unique in that it provides you with a solution for various filtration types, boasting 7 features and 20 different functions, plus its magnetic too. Personally I’ve always struggled with screw on ND filters. They can be fiddly and cumbersome, not to mention suffer with issues such as vignetting, colour shifts, and of course the dreaded X pattern. So how does this one stack up and is it something I will be making use of? Is this the best option out there for those that like to use screw on VND? In this video I provide my thoughts and provide some test footage. Full disclosure: Freewell did sent me the product for free, but they are not paying me for a review and will not be seeing it before posting. The best music for your videos - Sign up for your free account: http://share.mscbd.fm/rowefilms Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021 MB014DWCF3AJ6RU

🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store This is a special one for me. My own brother's very first official music video! CJ Rowe, AKA 'Life In Colour' (British spelling of course) is a brand new music for film project, composing cinematic scores for use by filmmakers in video production. His debut EP 'Flares' has just released and he's already working on the next one. So watch this space! Please help a brother out and give him a follow: IG: https://www.instagram.com/lifeincolourmusic/ YT: https://www.youtube.com/channel/UCwXuTUjSUAYl-o45KHubvpg FB: https://www.facebook.com/lifeincolourofficial So late last year we decided to shoot an official music video for the first single on the EP, 'Flares'. It's taken some time for the music to be ready for release, so it's a pleasure to finally be able to share it with you. We had a lot of fun on the shoot, but it was a huge challenge to pull everything together and shoot everything in just two days. If you'd like to see a Behind The Scenes feature for this music video production to see how we went about the shoot, let me know in the comments! Production Info: LUMIX GH5 & GH5S Atomos Ninja V Panasonic LUMIX, Samyang cine lenses. Shot in ProRes 422 10 bit VLog, at 24p & 60p. Edited in FCPX and graded using a custom Rowe Films LUT & FilmConvert Follow Rowe Films: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021

🔥 Like what you see? Check out my online store for custom LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Thanks to LUMIX for sending over a pre-production Panasonic Leica 25-50mm f/1.7 for me to try. This was a lens I was looking forward to getting my hands on. I managed to get out briefly yesterday for a mooch on the beach and brought it along with me to give it a test. It was a quick blast so I’ll try to put something more comprehensive together, but for now, I thought I’d share a bit of test footage and a few shots. My initial thoughts on the lens, in a nutshell: ✅ Perfect companion to the 10-25mm f/1.7 ✅ Very useful & versatile coverage at approx 50-100mm FF equivalent ✅ Smooth, clickless aperture ✅ Nice shallow DOF & compression at f/1.7 ✅ Very sharp and contemporary look ✅ Nicely controlled flaring ✅ Internal zoom that doesn’t extend ✅ Solid build quality and high quality feel ✅ Not heavy at all for what is a large unit ✅ Decent minimum focus at 0.92ft/28cm ✅ Minimal focus breathing 😬 Focus by wire, no hard stops, very short focus throw ❌ No IS, but really wasn’t needed with GH5 IBIS, even at 50mm Overall, the 10-25 paired with the 25-50 would be an amazing combo and you could even get away with using that as a two lens set up which could cover all bases. The 25-50 produces a very sharp, contemporary look, which is amazing if that’s your thing. Info: Camera: LUMIX GH5 Recorder: Atomos Ninja V Lens: Panasonic Leica DG Vario-Summilux 25-50mm f/1.7 ND: Freewell 6-9 stop VND Frame rates: 24p & 60p Codec: ProRes 422 Profile: V-Log L The best music for your videos - Sign up for your free account: http://share.mscbd.fm/rowefilms Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021 MB01B0VYNTVS40J

In Collaboration with Atomos & Panasonic Lumix, here's the 'Behind The Scenes' Feature for the short film 'Him', produced in ProRes RAW on the LUMIX GH5S & Atomos Ninja V. Watch the 'Him' Short Film here: https://www.youtube.com/watch?v=ayVYNv5Acy8 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store It was an absolute pleasure to work with the guys at Atomos & LUMIX again, this time to produce something for the release of new firmware enabling ProRes RAW recording on the GH5S paired up with the Ninja V. Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021 'Him' Short film production info: Camera - LUMIX GH5S Monitor/Recorder - Atomos Ninja V All footage shot in 12 bit ProRes RAW, 24p & 60p BTS production info: All BTS video footage & stills shot on the LUMIX GH5 BTS video content captured by Sean Hodge BTS stills photography content captured by Alex Toze Edited by Tommy Rowe in FCPX All content produced in partnership with Panasonic Lumix & Atomos Global. Music licensed via audiio. Use the following link and promo code SAVE100 to get $100 off your lifetime music membership: https://audiio.com/pricing?oid=1&affid=203

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Shot on the LUMIX BGH1 & Atomos Ninja V in ProRes RAW. A quick video thrown together from a recent trip to Dartmoor. Myself and a few local photographers hiked out into the middle of nowhere to visit the house used in Steven Spielberg's 'War Horse'. This is the location they used for the farm in the movie. It looks a little different to how it looks in the film, as the production added a thatched roof etc which is all gone now. But even so it was really cool to see the location that was used for some of the key scenes. After that we hiked up to a nearby Prehistoric monument. A stone row and burial mounds from the Stone Age. Pretty cool stuff. I had the BGH1 and Ninja V with me, so decided to grab some shots. At this point I was still playing with ProRes RAW as a codec so it was a good little test. So instead of letting the shots go to waste, I did a quick cut and grade, and threw this little video together. Camera: LUMIX BGH1 Recorder: Atomos Ninja V Lens: Samyang 35mm T1.5 cine (EF mount) Settings: 24p & 60p 12 bit ProRes RAW Grade: RAW to V-Log conversion, custom LUT & FilmConvert All shot handheld with SmallRig cage & accessories Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021 MB01S7CQNSYP2SR

A cinematic short film by Tommy Rowe in collaboration with Panasonic Lumix & Atomos Global. Shot in ProRes RAW on the LUMIX GH5S & Atomos Ninja V. See the 'Behind The Scenes' Feature here: https://www.youtube.com/watch?v=k1Iuxh9K8Dk 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store It was a pleasure to work with LUMIX and Atomos again, this time to produce some content for the release of new firmware opening up ProRes RAW to the mighty GH5S. I was lucky enough to get my hands on it a couple of weeks ago now and managed to put together this short film in what was a very very short period of time. I’ve been using the GH5 & GH5S for a few years now, and with this upgrade, the mighty GH5S is even mightier. A huge thanks to the guys at Atomos & LUMIX, for continuing to update their products with killer features. So what’s coming next? Well there’s the GH6 cameras of course. But for me, this update makes the GH5S a strong performer for a few more years yet! For this short film, I decided to go for a filmic, vintage look, to really show the versatility of the set up and demonstrate what can be achieved. I decided to shoot it all on Canon FD vintage lenses, for that lovely character you just don’t get with modern glass. Finishing with FilmConvert, I’m a massive fan of that nostalgic cinema, film-like look. I hope you like the short. Do stay tuned for the BTS feature coming up in the next few days. Music licensed via audiio. Use the following link and promo code SAVE100 to get $100 off your lifetime music membership: https://audiio.com/pricing?oid=1&affid=203 Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store The LUMIX BGH1 has slotted into my setup like a dream alongside the Blackmagic Pocket Cinema Camera 4K, GH5S and GH5. If you'd like to know more about the production of this video, let me know in the comments! I recently shot this music video with the BGH1 as my primary camera, backed up by the BMPCC. At the time I didn't plan on using it as my main camera, but I was surprised how well the BGH1 footage matched the Blackmagic, and the box format works so well rigged up as a 'cinema camera' when shooting in a controlled environment. Original music 'Damaged Reputation' by UK rockers Sons of Liberty: https://sonsoflibertyband.com Video shot in Bristol, UK. Cameras used: LUMIX BGH1 Blackmagic Pocket Cinema Camera 4K Monitor/Recorders used: Atomos Ninja V Lenses used: Panasonic Leica 10-25mm f/1.7 Panasonic 12-35mm f/2.8 II Panasonic 35-100 f/2.8 II Samyang 35mm T1.5 cine lens (EF mount) Settings: All shot in ProRes 422 10 bit, 24 & 60 fps V-Log & BM Film Lighting: Godox SL60W, SL200W Aputure LS Mini 20d Aputure AL-MC Nanlite Pavotube Edited and graded in FCPX using a custom LUT I produced to match the two cameras. Directed, shot and edited by Tommy Rowe with camera assistance from Alex Toze. Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Further to my last BTS video, here's how I colour graded the short film 'KERNOW', produced in partnership with Panasonic Lumix and Atomos, shot on the BGH1 & Ninja V, which now support ProRes RAW. This was my first time working with ProRes RAW footage, and it was an absolute dream. As someone who is used to working with normal ProRes codecs as well as Panasonic V-Log, I was surprised how familiar it felt, being able to quickly convert the RAW footage to V-Log/V-Gamut directly in the settings of Final Cut Pro X. Now I'm looking forward to doing more experimentation and working directly with the RAW footage, to see what results I can get without doing the Log conversion. It will be interesting to see if it changes my color grading workflow. The BGH1 produces a beautifully cinematic image, it's an absolute beast paired up with Ninja V and has slotted straight into my setup. 12 bit ProRes RAW, what more could you ask for? Watch the KERNOW short film here: https://www.youtube.com/watch?v=dhy-T87VjVU Behind The Scenes: https://www.youtube.com/watch?v=jiwnIPONK8M #ProResRAW #ColorGrading #Colourgrading #LUMIX #Atomos Footage shot on the LUMIX BGH1 and the Ninja V, BTS footage shot on the LUMIX GH5. All edited in FCPX. Music by audiio. * Get 10% off lifetime membership by using the link below and promo code ROWEFILMS10 https://audiio.com/pricing?oid=1&affid=203 Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021

Video sponsored by Panasonic LUMIX & Atomos Global. Here's a short set up video showing my Lumix BGH1 & Atomos Ninja V rig. Now capable of shooting in 12 bit ProRes RAW! Tidy. The Setup: LUMIX BGH1 Atomos Ninja V Angelbird Atom X SSD Panasonic LUMIX 35-100mm f/2.8 II SmallRig camera & monitor cages, mounts and side handle Shot on the LUMIX GH5S & GH5, Panasonic 12-35mm f/2.8 II & Panasonic 42.5mm f/1.7 Lighting - Godox SL-200W & P120L, Aputure LS Mini-20d, Aputure AL-MC Edited in FCPX & graded using a Rowe Films custom LUT 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021

I recently produced the short film ‘KERNOW’ for Panasonic LUMIX & Atomos, for the up coming release of new firmware that brings ProRes RAW to the LUMIX BGH1 & Ninja V. Here’s a short Behind The Scenes film, featuring some BTS footage from the shoot, as well as my general thoughts on working with ProRes RAW, the BGH1 and Ninja V. Colour grading video coming next, so stay tuned for that and be sure to subscribe so you don’t miss it! 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store When LUMIX & Atomos got in touch to discuss the production of a short film, I decided to take the kit to my home county of Cornwall, UK, to put it through its paces. The perfect place to throw some challenging shooting environments at it and also come up with some nice cinematic imagery to show what the set up can do. I now have a new favourite run and gun set up! Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2021 ‘KERNOW’ Short film production info: Camera - LUMIX BGH1 Monitor/Recorder - Atomos Ninja V SSD: Angelbird Atom X Lenses used: Panasonic Leica 10-25mm f/1.7, Panasonic Lumix 12-35mm f/2.8 II, Panasonic Lumix 35-100mm f/2.8 II Rigging: SmallRig Filters: Tiffen Black Pro Mist & Variable ND Gimbal: DJI Ronin S All footage shot in ProRes RAW, 12 bit VLogL, 24p & 60p ProRes RAW post-production workflow used standard RAW to VLog conversion and then graded as per my normal workflow, for SDR. Edited and colour graded in Final Cut Pro X using a custom LUT & finished with FilmConvert. Colour grading video coming soon. BTS production info: Music by 'Life in Colour' All BTS video footage & stills shot on the LUMIX GH5 BTS video content captured by Sean Hodge BTS stills photography content captured by Alex Toze Lenses used: Panasonic Leica 10-25mm f/1.7, Panasonic Lumix 12-35mm f/2.8 II, Panasonic 42.5mm f/1.7 Edited by Tommy Rowe in FCPX All content produced in partnership with Panasonic Lumix & Atomos Global. #ProResRAW #LUMIXBGH1 #AtomosNinjaV #RoweFilms #BehindTheScenes Life in Colour - https://www.instagram.com/lifeincolourmusic Sean Hodge - https://www.seanhodgeproductions.co.uk Alex Toze - https://www.alextoze.co.uk

Produced in partnership with Panasonic LUMIX & Atomos. ‘Kernow’ is a short film created by Tommy Rowe. A film about a part of the world that is very special. It was a true honour to work with the guys at Panasonic LUMIX & Atomos in the run up to the official announcement of new firmware that opens up ProRes RAW to the BGH1 & Ninja V. The already awesome BGH1, goes full on BEAST mode! Except the handful of drone shots, all footage was shot on the BGH1 and Ninja V in ProRes RAW. As a GH5 & GH5S shooter, I found this combo an absolute delight to use. As for my thoughts on working with ProRes RAW, well, I have more on this coming shortly in a Behind The Scenes video, plus other content, so stay tuned for all that good stuff. 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com Special thanks to Cornish Poet Clive Blake for allowing me to use his poem 'Cornwall Explored' in this piece. www.cliveblake.co.uk This production is sponsored by Panasonic UK & Atomos Global. © Rowe Films 2020

Thanks to audiio for sponsoring this video. 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Audiio are an up and coming music licensing platform helping filmmakers discover rising artists, awesome music and SFX to use in their work, at a genuinely incredible price. They recently reached out to collaborate on a short video. As a musician myself, music has always been a huge inspiration for me, so I decided to try and communicate that in this short film. It can quite literally trigger inspiration for new video projects, and it also completely sets the tone of any video. As you will see in this video, it’s a tale of two halves, so be sure to watch to the end. I recommend some headphones for this one and crank that volume to 11! Follow: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com Kit used: Lumix GH5S, GH5, Blackmagic Pocket Cinema Camera 4K Panasonic 12-35 f/2.8 II, Samyang cine 35mm T1.5, Olympus Pro 25mm f/1.2, Olympus Pro 45mm f/1.2, Olympus Pro 12mm f/2, Canon 50mm f/1.4 Atomos Ninja V DJI Ronin S Shot in 24/60p, 10 bit ProRes 422 Graded using custom Rowe Films LUT & FilmConvert, edited in FCPX © Rowe Films 2021

Cold. Wet. Brutal. Colourless. No music needed, just a representation of the savage elements. I hope you can feel it. Here's a very quick Valentine's Day short, from a locked down England. 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store I decided to go very minimalist with this short. No music and nothing fancy, just replicating what it truly looked and felt like out on the UK west coast today. Gale force winds and freezing cold rain, it was pretty much grey and colourless, so I have emphasised that in the grade, for almost a monochrome look. Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com Shot entirely handheld on the LUMIX GH5 and Atomos Ninja V. One lens used, the trusty all-rounder Panasonic 12-35mm f/2.8 II, and a Tiffen variable ND filter. Edited in FCPX, graded using one of my custom LUT's & FilmConvert. Settings: Picture profile: V-LogL 24 & 60p 10 bit ProRes 422 © Rowe Films 2021

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store You may have seen that I recently picked up a Blackmagic Pocket Cinema Camera 4K to add to my set up. I had a load of old gear knocking around so decided to have a clear out, trade it all in and pick one of these up. I was pretty sure I'd make good use of it and I've always been a fan of the Blackmagic look. As a MFT shooter, I decided the 4K was probably a better fit for me over the 6K. So far so good. Here's some test footage from my first trip out with the camera. I have a lot to say about it but my first impressions are great - I love the look of the footage, and I think we are going to get on very well. My good friend and I, Alex Toze (he's a Sony Photographer but we won't hold it against him), headed up to Dartmoor National Park during some wild wintry weather and it was a great opportunity for me to bring the Pocket along and shoot my very first shots with the camera. In a nutshell, I'm really glad I decided to pick one of these up. The cinema camera format seems to work well for me and I think it will slot into my LUMIX micro four thirds set up perfectly. I have to say, the Blackmagic Design look really is lovely. The colours are a bit different to what I'm used to grading, so I'm going to need a bit of time doing tests and getting used to how the footage behaves before I'll be happy with the look. I'll be tweaking my custom LUT's but for a quick first attempt, this will do. Let me know what you think in the comments! Settings: ProRes 422, 24 & 60 fps Edited in FCPX and graded with one of my custom LUT's. Lenses: Samyang 35mm T1.5, Olympus Pro 25mm f/1.2, Olympus Pro 45mm f/1.2 Tiffen Black Pro Mist & VND IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2020 MB01TSQLWAUMWIY

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store A short film shot on the LUMIX GH5 with Atomos Ninja V. Episode 2 of my cinematic video diary series, perhaps? I'm not really too sure of the purpose of these films, all I know is I enjoy producing them. A break away from client work and back to back edit sessions. I recently took an evening walk with my better half to a place called Bellever Forest, Dartmoor National Park in the UK. I decided to bring the GH5 along with me and I'm glad I did, because we had some incredible conditions - beautiful golden light and a stunning mist descended in the valley and above the river. Those who follow my work know how much I love Dartmoor and there are so many spots I want to explore over the winter, so more like this to come I'm sure. Shot on the LUMIX GH5, all handheld. 24/60fps 10 bit ProRes 422, V-Log, Atomos Ninja V. Samyang 35mm T1.5 (EF mount), Tiffen VND & Black Pro Mist Edited in FCPX, graded with custom LUT & FilmConvert The best music for your videos - Sign up for your free account: http://share.mscbd.fm/rowefilms Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2020 MB012YSJYZTBQGN

The LUMIX GH5S shows off its low light muscles in this short teaser trailer I produced for the awesome Kris Barras Band. Kris wanted a highly cinematic trailer for his upcoming 'Kris-Mas' show, an online ticketed event. Using some footage we shot at one of his live shows last year, plus a little impromptu night shoot in Torquay, England, I put together this little promo for him. As the shoot was quite last minute, we had very little in the way of lighting to make use of, apart from a couple of little Aputure MC's, so it was all about finding some good practical lights on location. The trailer video is all about hyping up the show, which I hope it does. Anyway, I hope you like it. As always, questions and comments most welcome. All footage shot on the LUMIX GH5S. If you're interested, you can find out more about the Kris Barras Band, plus info and tickets for the upcoming live event, at krisbarrasband.com 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2020 Camera: LUMIX GH5S Lenses: Panasonic 12-35mm f/2.8 II, Panasonic 35-100mm f/2.8 II, Samyang 35mm T1.5 cine lens, Canon 50mm f/1.4 USM Filters: Tiffen Black Pro Mist Edit: Final Cut Pro X Grading: Rowe Films' Custom LUTs MB01HEVVVKGR5ZH

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Here's a cinematic trailer I produced for the upcoming debut EP 'FLARES' by Life In Colour. Watch to the end for a sneaky peak at some of the Official Music Video footage we've shot! Years in the making, this is the start of a new story for an amazingly talented, up and coming music film composer, who also just so happens to be my brother. I know I might be a little biased, but his music is insanely good. So we produced this short trailer/mini-documentary for the release of his very first official release, which is coming soon. Official Music Video and buckets of BTS content also coming very soon! Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2020 Footage predominantly shot on the LUMIX GH5S and GH5. Edited in FCPX and graded with my own custom LUT's. Enjoy. TR

It's a wrap! I have a full BTS feature for the production of the 'Life In Colour' Official Music Video coming really soon, to show you all everything that went into producing it. We've just wrapped up the location shooting and we proper smashed it. Post production is in full swing and it's coming on beautifully. It's been an absolute pleasure to direct and produce this video project and one of the best things has been working with an amazing little crew of incredibly creative people. Missing them all already. Here's a sneak peak at what's to come. Stay tuned as you don't want to miss this! 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2020

Work continues on the first official 'Life In Colour' music video. An up and coming music for film composer who just also happens to be my extremely talented brother. I can now tell you that the track in question is called 'Flares'. I've been in my absolute element producing this music video. An epic piece of cinematic music with hints of post rock, a strong story, amazing actor, and insane visuals. My idea was to make it a bit more than just a music video, a bit of a short film at the same time. I think you're going to love it! Be sure to subscribe if you haven't already, as the official video will land soon, along with stacks of behind the scenes content. I intend to share a full behind the scenes feature, possibly in two parts, with the second being for the video/film people out there and those who want to know how we went about it all. Watch this space! 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2020

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store I've been working on a very exciting project. An awesome music video production and I can't wait to show you because we've gone all out and the visuals are truly epic. I also have a ton of Behind The Scenes content, so I intend to share a fully in depth BTS feature along with it. Let's just say this one is quite special, as it's a true 'Rowe' collaboration. I think you're going to love it. Watch this space! The first Official Music Video for music-for-film artist 'Life in Colour' - Coming Soon! Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2020

So I thought I'd start doing a little cinematic video diary now and then. Let me know in the comments if you'd like to see more. Here's episode 1, October 2020. A mega chill day bopping about on my friend's boat off the coast of south west England. We went looking for dolphins, as Mike has seen them several times over the summer. Sadly wasn't to be this time, but still amazing to be out on the water, where I feel at home. Enjoy lads and lasses. 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2020 Shot on the Lumix GH5 with Atomos Ninja V. Shot predominantly 4K 60p 10 bit, ProRes 422. MB017SBGEIP4FRG

Filming weddings during the pandemic of 2020. It's been an extremely challenging year, to say the least. But last weekend I had the pleasure of shooting two incredible weddings, brought forward last minute to avoid yet more changes to the rules, with only a few days to do it. So here's a bit of a video diary if you like, a little sneak peak at my weekend with a few words of reflection from me. Featuring the awesome Rockbeare Manor and Harefield Barn in Devon UK, complimented with incredible music from my brother 'Life in Colour', an up and coming music for film composer. 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Follow me: https://facebook.com/rowefilms https://instagram.com/rowefilms Music: https://www.instagram.com/lifeincolourmusic/ Production Info: Cameras used: LUMIX GH5 & GH5S Lenses: Panasonic 12-35mm f/2.8 mark II, 42.5mm f/1.7, 35-100mm f/2.8 II, Canon 50mm f/1.4, Samyang 35mm T1.5 cine lens Filters: Tiffen Variable ND & Black Pro Mist diffusion Hardware: DJI Ronin S & Phantom 4 My Voiceover Microphone: RODE NTG5 © Rowe Films 2020 https://rowefilms.com Disclaimer: All government guidelines were strictly enforced and followed by all.

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Here's a video I've been meaning to do for a while - a few cinematic test shots using the Lumix GH5 paired up with the Atomos Ninja V monitor/recorder. The perfect combo to supercharge the GH5 and get that lovely 4K60 in 10 bit 422. Recorded in Devon, UK earlier today. Giving this footage a quick edit once again reminded me how good the GH5 still is, still holding its own against much newer and more expensive competition. Camera: Lumix GH5 Recorder: Atomos Ninja V Lenses: Panasonic 12-35mm f/2.8L II, Canon 50mm f/1.4 & Viltrox EF/MFT speedbooster Filters: Tiffen Black Pro Mist 1/4, Tiffen Variable ND Settings: 4K UHD, 24p & 60p, 10 bit, ProRes 422 All Shot handheld Edited in FCPX Graded with Custom LUT and FilmConvert © Rowe Films 2020 https://rowefilms.com MB01FTIBVFZFXYH

Here's a cinematic preview of Sergei & Ksenia's unbelievably amazing elopement on Dartmoor National Park, in Devon, UK. Their day was just the best. It felt soooo good to be back in the wedding game, shooting my first since February. Trekking across the moors is one of my favourite things to do so I was in my element. I hope you like this short preview! [English Subtitles] Venue: Bovey Castle Production Info: Shot on the Lumix GH5S and GH5 Panasonic 12-35mm f/2.8 II Panasonic 42.5mm f/1.7 DJI Ronin S Tiffen Black Pro Mist Tascam DR-10L Rode Videomic Pro Plus DJI Phantom 4 Edited in FCPX Color Graded using custom LUT and FilmConvert 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store © Rowe Films 2020 https://rowefilms.com MB01GWGYPMABFWM

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store So you may have seen that I recently managed to get my hands on the Fujifilm XT-4 for a couple of weeks. I've got a few videos planned for this camera, including a review specifically from a filmmaking/video perspective. Here's the first of three, some real world cinematography / cinematic test shots from the Fuji XT4, put together into a little short film. Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com At the weekend we took a trip out with Bish and his family, to the stunning North Devon coast in the UK, and I brought it along to put it through its paces. It was a stunning day but the wind was quite extreme, so it was pretty tough to think straight let alone produce some nice looking cinematography. But still, it came out well. Helped by some nice lighting conditions. Here's a few cinematic test shots from the Fuji. I'm quite impressed so far, the Fujifilm colour certainly living up to its name! I have two more videos coming shortly. I'll do a filmmaker's review of the camera, and a separate video comparing it directly to the Lumix GH5 and GH5S, my current main cameras of choice. A bit of a shoot out, if you like. So let me know in the comments if there's anything you'd like me to cover in those videos! Settings: Camera: Fujifilm XT-4 Lenses: Fujinon 16-55mm f/2.8 & 56mm f/1.2 Tiffen Variable ND Filter All shot in F-Log 4K DCI, 60fps, 10 bit All shot handheld with IBIS on Edited in FCPX with a custom LUT and FilmConvert I went for a filmic look with this one, as the Fuji colours suited it perfectly! The footage graded very nicely, but more on that in my upcoming review. MB01IZNGOBGWUCG © Rowe Films https://rowefilms.com

The Power of a Story | Rowe Films Cinematography What is wedding filmmaking all about? Stories. There’s nothing in the world more powerful than a good story. Nothing can stop it. No enemy can defeat it. I think having the opportunity to film a wedding, which is a celebration of love, the greatest of all the emotions and the deepest human connection you can possibly have. I honestly think thats a huge privilege, and I’m just so grateful for every opportunity I get to do what I love. Rowe Films Wedding & Elopement Cinematography. Based in Devon UK, available for bookings worldwide. Subscribe to my channel for all things filmmaking; cinematography tutorials, wedding films, music videos, gear chat, behind the scenes content. 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com © Rowe Films 2020 MB01XHNLJPF7EMH

Want to create epic cinematic images with the DJI Osmo Pocket? Here’s a tutorial to show you how I created the cinematic footage in my popular Osmo Pocket ‘4K Test Footage’ videos. A thorough walkthrough of settings to use, and how to colour grade your footage. This is my first video in a series to come, dedicated to the subject of colour grading. As my Osmo Pocket videos were so popular, I thought I’d start with this one before delving deeper into more advanced techniques! My Custom LUT’s used in this video are available here: https://sellfy.com/rowe-films/p/mfxtq7/ Price reduced for a very short time only! This color grading workflow can be adapted to work in any editor including Final Cut Pro X, Premiere Pro, DaVinci Resolve, and others. It’s much easier than you might think, so whether you’re a beginner or seasoned pro, I hope you find it useful. Take special notice of the tools I use and the order in which I do apply them, and then apply that to your choice of editing software. All featured footage in this video was shot exclusively on the DJI Osmo Pocket. Follow Me! Instagram: https://instagram.com/rowefilms Facebook: https://facebook.com/rowefilms Vimeo: https://vimeo.com/rowefilms Purchase the awesome Osmo Pocket here: https://amzn.to/3fJnlkU ND Filters that I use: https://amzn.to/3dfQZfP BTS footage: https://amzn.to/2Bn8kWX © Rowe Films 2020 https://rowefilms.com Music Licensed via Musicbed MB01NW8R12PRAWE

A step by step walkthrough showing some techniques that will help you to create cinematic video from your own home, with very little gear. The best thing about cinematography is it can be done anywhere, even at home. Here's how to go about it! Watch behind the scenes, from start to finish, as I set up a little cinematic film sequence in my house. Including setting up the scene, lighting, camera settings, and colour grading. It’s Saturday night. During normal times I’d be out and about. So I thought I’d give myself a little challenge. What can I do in my house, using as little equipment as possible? I came up with a creepy little sequence that would work great for a short film. It just goes to show you don’t need incredibly inspiring locations and stacks of equipment to be creative and produce something that looks great. Follow this walkthrough and give it a try! My custom LUT 'Rowe Films Cool Blues' is available here: https://sellfy.com/rowe-films/p/rf-cool-blues-cinematic-grading-lut/ Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com Kit used: Lumix GH5S https://amzn.to/3cTlc40 Panasonic 12-35mm f/2.8 II https://amzn.to/2UPdAd1 Tiffen Black Pro Mist 1/4 https://amzn.to/2Ao76KQ Godox SL60W https://amzn.to/2YsFrR9 Godox P90L parabolic softobox https://amzn.to/2YtbOPL Atmosphere Aerosol https://www.atmosphereaerosol.com BTS / B Roll Camera https://amzn.to/2YmBWLW Edited in FCPX with Panasonic V-Log to REC709 LUT, Custom LUT 'RF COOL BLUES', and FilmConvert Music licensed via Musicbed MB01QZCA7P42WJT © Rowe Films 2020 https://rowefilms.com

Watch the full Cinematic B Roll Sequence here: https://www.youtube.com/watch?v=6mG8HxZ_Rsc 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store I use a lot of sound design in all of my work, as I believe what you hear is as important as what you see. Here’s a little insight into how I go about editing audio and use sound design in my video projects. I recently produced a short 'cinematic' B Roll sequence for a bit of fun, and to try something new. I thought I could do a quick walkthrough/tutorial on the subject of sound design, and show how I use audio and SFX in my videos. If you’re just getting started in the world of filmmaking, this is a very quick and easy way to step up the production value of your work. Sounds used in my B Roll Video: https://getsoundly.com https://lensdistortions.com/sfx/ Audio Plugins I use: https://www.waves.com https://www.apple.com/uk/logic-pro/plugins-and-sounds/ Where I get my music: https://musicbed.com Equipment used in the B Roll Video: Lumix GH5 Lumix GH5S Panasonic 12-35mm f/2.8L DJI Ronin S Godox SL-200W © Rowe Films 2020 https://rowefilms.com Music Licensed via Musicbed MB01F16VVMEZO5X

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Cinematic shots from the Lumix GH5 with FilmConvert, an awesome plugin that I frequently use to achieve that 35mm film look. Film stock used here is the Fuji Vibrant 8543 with 35mm grain. I colour grade the footage using a custom LUT that I developed and then add FilmConvert to finish off the look. It was my birthday yesterday and as most of normal public life remains closed, we headed out for a day out on our bikes. Lovely! Perfect opportunity to take the GH5 out, so thought I'd use a few shots that I grabbed along the way. The GH5 sure does produce beautiful images. Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com Camera: Lumix GH5 Lenses: Panasonic 12-35mm f/2.8 II, Panasonic 35-100mm f/2.8 II All handheld Picture Profile: Cine-D 60fps 10 bit 422 Edited in FCPX Color Grading Process: Wheels, Curves, Custom LUT, FilmConvert © Rowe Films 2020 https://rowefilms.com Music Licensed via Musicbed MB01E0ZJHLEJTET

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Something a bit different from me. A cinematic B Roll sequence, of yours truly making a fresh Espresso Martini! By far my favourite drink after good old beer. I've had plenty of editing to do since the world locked down, I'm still going, but haven't actually picked up my cameras to film anything for 6 weeks now, which is unheard of. I couldn't resist the urge. So I decided to have a bit of fun on a Saturday night that I'd normally be either out shooting something or gigging in the band. I'm finding the whole thing very strange, especially so at weekends. But of course doing my bit to stay home. So here's a bit of fun. Some slightly different camera techniques for me. Always good to try something new and expand your skills. Not perfect, but pretty happy with the result considering I filmed it mostly on my own, with only one or two of the more basic camera moves held by my other half. My initial plan was to film myself and have her make the drink, but of course she didn't want to be in the video! It's quite challenging being in a shot and working out how to film it yourself, that's for sure. Hope you like it anyway! Stay safe folks. Filmed mostly handheld with some gimbal shots. Some of the movements were actually programmed into the Ronin S, a function that I'd never thought or needed to use before, so that was good to try. Comments and questions welcome as always! Follow Me: IG: https://instagram.com/rowefilms FB: https://facebook.com/rowefilms V: https://vimeo.com/rowefilms W: https://rowefilms.com Gear info: Lumix GH5 Lumix GH5s Frame rates used: 1080p HD 120fps, 4K 60fps, 4K 24fps Panasonic 12-35mm f/2.8 II 42.5mm f/1.2 DJI Ronin S Lighting Godox SL200W Edited in FCPX Graded using my own custom LUT Music licensed via Musicbed MB01I8HUHLSRTX0 © Rowe Films 2020 https://rowefilms.com

Just before the world closed down, I had the pleasure of working with the awesome Kris Barras again to produce a live session music video, at the Foundry in Torquay, UK. The session was recorded and filmed completely live. Filmed on the Lumix GH5S and GH5. It was a real pleasure to work with Kris again, having recently shot the official video for the song 'What a Way To Go' from his latest album 'Light It Up', and I can't wait to do more in the future. Production & gear info below. Comments and questions welcome! One of the UK’s breakout artists over the last 18 months, the Kris Barras Band have had a whirlwind rise which has seen them sell out a string of dates across their biggest headline tour to date in October 2019. Here they perform a cover of Fire by Jimi Hendrix. Be sure to check them out folks, they are totally top notch! https://www.youtube.com/channel/UCx6hSbEY0Xw0_45i0ybcvNw https://www.krisbarrasband.com Shot on the Lumix GH5S and GH5 C4K 400mbps All-I, 10 bit 422 Shot in VLog Lenses: Panasonic 12-35mm f/2.8 II, 42.5mm f/1.2 Nocticron Tiffen Black Pro Mist DJI Ronin S Edited in FCPX Graded using custom LUT and FilmConvert Music Video Production by Rowe Films https://rowefilms.com

A fine example of a classic British wedding with a traditional Christian ceremony. Wedding Film production by Rowe Films "Things that are awesome, are things that inspire a sense of being in front of something that takes one's breath away. This is one occasion where it would be appropriate to use the word awesome" - Buckfast Parish Priest This was the wedding of Kathrina & Arthur. Shot at the incredible Buckfast Abbey and Bovey Castle on Dartmoor in Devon, UK. We had several weather warnings in force on the run up to the big day, for high winds and torrential rain across the south of England. Enough to give most wedding filmmakers a sense of dread, we had no option but to embrace it. The weather gods certainly threw everything at us, but for me, it actually added to the atmosphere of the film, and took absolutely nothing away from it. Kat & Arthur were the best bride and groom I could ever wish for. Taking even the horrific weather in their stride. It was an incredible day. https://rowefilms.com © Rowe Films 2020 MB01ZUKXVF8YYGN 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Colour Graded using custom LUT and FilmConvert The Filmmaking Gear I Use: LUMIX GH5S Lumix GH5 Panasonic LUMIX 12-25mm f/2.8 II Panasonic LUMIX 35-100mm f/2.8 II Panasonic LUMIX 42.5mm f/1.7 Panasonic LEICA Summilux 25mm f/1.4

"Love transcends time and space. It will last throughout your lifetimes, and beyond your lifetimes. Love is the most important thing there is." Here's a preview of Katherine & Jubin's stunning Winter Wedding at Huntsham Court in Devon, UK. The couple tied the knot at the Church of St George in Taunton, Somerset. A beautiful Catholic Ceremony with some Indian customs thrown in too. What an incredible day. For this preview I have used some of the Priest's incredibly profound wise words. It's not often Einstein and Quantum Physics get mentioned during a wedding ceremony, is it? Just amazing. 2020 is set to be a massive year. What a wedding to kick it off! 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store © UK Wedding Cinematography by Rowe Films. Info and enquiries: https://rowefilms.com Music licensed via Musicbed MB0168KEL2DPJFP Production Info: Edited in Final Cut Pro X Colour Graded using Rowe Films' custom LUTs and FilmConvert The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id

Wow. What an incredible year. Another year of documenting time. So many incredible moments, people, places, and memories I will never forget. I have the best job in the entire world. A huge thank you to everyone mentioned, and also to all the Youtubers out there supporting my work. I can't thank you enough. 2020 is going to be even bigger again. I have so much planned, so much that I can't wait to share with you. I hope the new decade is everything you dream of and more. Here's a short film featuring some of my favourite filmmaking moments from 2019, including the best moments from my wedding films plus a little personal announcement too! Happy New Year guys. Peace! 🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store © Rowe Films https://rowefilms.com Cameras used to shoot the footage used in this film: Lumix S1H Lumix GH5S Lumix GH5 Music Licensed via Musicbed MB01ALCF1B2XEXS The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store It’s finally here. My full, real world review & field test of a cinematic beast - the new full frame Lumix S1H. If you watched my last video on the subject, you will know that I recently decided not to switch to the Panasonic LUMIX S1H, from my GH5 and GH5S. Well a top man called David kindly contacted me to arrange a trial of the camera. I jumped at the chance to get my hands on one and decided to use the opportunity to produce an in depth, real world review. We all know the full specs and features of the S1H as they are all over the internet. So we are putting the spec sheet and manual away, and throwing ourselves right in at the deep end. What is the camera like to use in the real world? How does it perform out on location? What do I like, dislike and love about this camera? Is it currently the best hybrid/mirrorless camera out there for run and gun videographers and filmmakers like me? And most importantly of all, have I changed my mind about purchasing one? In order to really put the camera through its paces, we decided to take a trip to ‘The Land of The Dragons’. AKA the Brecon Beacons in Wales, UK. A very special place, and perfect for us to try and get some truly epic video footage. We tried to make the video a bit of a cinematic film, bit of a vlog, bit of a documentary, with plenty of behind the scenes content. Going out to use the camera in the real world and let you guys follow us doing it. Another camera review to add to the many awesome videos already on Youtube, but from my own perspective. It’s impossible to go through every single spec and feature in one video. There is so much to talk about! So I decided to focus on the features that are most important to me and my style of filmmaking. A couple of the points covered are the colour science and dynamic range, the menus and usability, mounting to a gimbal, low light performance and I even touched on the autofocus despite not needing it myself! I hope you enjoy the journey! I’d like to say a massive thanks to David for getting in touch. I’ve had an absolute blast testing the camera out and producing this video. That’s all thanks to you man much obliged! Please do subscribe if you like this video and feel free to let me know your thoughts in the comments. I’d love to hear what you think. And if there’s anything you’d like to see next on my channel, do let me know! Equipment used in the production of this video: Panasonic LUMIX S1H Panasonic LUMIX GH5 Panasonic LUMIX GH5S Lumix S 24-105mm f/4 macro Lumix X Vario 12-35mm f/2.8 Lumix 42.5mm f/1.7 DJI Ronin S Tiffen Variable ND Filter Tiffen Black Pro Mist 1/4, 1/2 Rode Videomic Pro Plus Tascam DR-10L Smallrig cage for the GH5 Delkin Fat Gecko Triple Mount DJI Phantom 4 LUMIX S1H camera settings used: All footage shot in VLog C4K DCI, 10 bit, 24p & 60p (400mbps & 200mbps) 6K, 10 bit, 24p Lumix GH5 settings used: Picture Profile: CineD 4K, 8 bit, 24p & 60p Edited in Final Cut Pro X Color Grading tools used: VariCam Rec709 conversion LUTs, custom colour grading LUTs, Lens Distortions Finishing LUT, FilmConvert © Rowe Films 2019 https://rowefilms.com Music Licensed via Musicbed MB01YEUPZMACGIZ

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store My full length, real world review of the Lumix S1H, with behind the scenes content is now available to watch here! https://www.youtube.com/watch?v=RC5lfFLyWUk For those who watched my last video on the subject, you will know that I recently decided that I wouldn't be switching to the Panasonic Lumix S1H, from my GH5 and GH5s. Not just yet anyway. I was then contacted off the back of the video and offered a trial of the camera. Obviously, I jumped at the chance to give it a try and see for myself what it can do. Looking at a spec sheet is all well and good, but what's it like to actually use in the real world? Would I benefit from upgrading after all? Perhaps I would change my mind? I've had the camera for a few days now, and at the weekend we decided to take a trip out to the Brecon Beacons in Wales, UK, to really put it through its paces. The Brecons ended up being extremely bleak. The weather couldn't really have been much worse for testing a new camera, with white out conditions at times and dull, low light all day long. At first this was disappointing, but it actually ended up making for some seriously dark and moody cinematography. I do love a bit of moodiness I must say! Perhaps this wasn't such a bad thing after all, as shooting video in less than favourable conditions, with poor light, is the true test of any professional camera. Many cameras shoot high quality, filmic video in good conditions. But poor conditions can make or break it. This really gave us the opportunity to test the S1H low light capabilities. The shots at the end of this video were captured after dark with awful visibility, so how do you think it performed? My full length hands on review of the camera will be ready next week. Be sure to subscribe and hit the notification icon to be notified as soon as it lands. We've gone to a bit of an effort with this one, wanting to show you not just the beautiful footage that this camera can produce, but also allow you to watch us capturing it. There are so many in depth reviews of the S1 and S1H, diving deep into all of the features and specs, so instead I wanted to make a video about what it's like to use in the real world. What's it like for run and gun shooters like us? I intend to touch on the main pros and cons from my own perspective, what I like about it and what I don't like. I'll then conclude by referring back to my previous video, to see if my opinions have changed at all, and ultimately if I have changed my mind about purchasing one. My initial thoughts are very positive, there's no doubt about that. This camera produces some genuinely beautiful cinematic imagery that's an absolute dream to work with in post production. But will it be enough to convince me to buy one? Stay tuned to find out! Info on the production of these cinematic test shots: Shot entirely on the Lumix S1H Settings: All footage shot internally without an external recorder. C4K, 24p, 10 bit, 400mbs ALL-I C4K, 60p, 10 bit VLog Note: The driving footage at the end of the video was shot at 6400ISO in VLog, with no Noise Reduction in camera or in post. Impressed? I sure am. Log to Rec709 Conversion: PANA_V709 VariCam Conversion LUT Graded with FilmConvert and the Explorer Teal Finishing LUT by Lens Distortions available here: https://lensdistortions.com/finishing-luts/ Music licensed via Musicbed MB01TMCELAQXZ8X https://rowefilms.com

Meg & Tom's wedding day was very, very special. Meg, from the USA, and Tom from England met in London and rapidly fell in love. Here's their story. The couple got married in Oxfordshire, UK, on a very wet and stormy Autumn/Fall day. Everyone of course hopes for a bright sunny wedding day, however concerns about the (very) bad weather soon passed when we realised it would actually add a lot to the mood and feel of the day. It certainly adds a lot of drama to the wedding video, and had the benefit of keeping the wedding party together on the day. The American & British contingents made it very special. It was lovely to welcome the USA folk to the UK for what was a beautifully traditional English wedding. Featuring a lovely little reading from "everyone's favourite movie" Love Actually, and a quintessential English Village Church steeped in history. Here's Meg & Tom's real life, emotional love story! The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert Cinematic Wedding Cinematography by Rowe Films © Rowe Films 2019 https://rowefilms.com Music Licensed Via Musicbed MB01OHULYCDFIU1

*UPDATE* Since posting this video, I have been contacted about a trial of the Lumix S1H, in order to reconsider my thoughts. You can watch my cinematic review here https://www.youtube.com/watch?v=RC5lfFLyWUk I've been asked a few times recently if I'll be switching to the new Panasonic Lumix S series full frame cameras, from my current filmmaking setup of the micro four thirds GH5 & GH5S. I decided to make a short video to explain why I'm not currently considering changing to the S1 or S1H. It's impossible to cover every single one of the many pros and cons of each camera system in an 8 minute video, so I thought I'd cover the main points that were most important to me, for the kind of work I do and my style of shooting. All filmmakers and videographers have different needs. I'm looking at this predominantly from a wedding filmmaking perspective, as wedding cinematography currently makes up the biggest chunk of my workload. Specs wise, the S1 and S1H cameras offer improvements pretty much across the board, so why aren't I upgrading? I have many more videos planned in the coming weeks, including the much requested Colour Grading Tutorial. So be sure to subscribe so you don't miss it! If there's anything you think I've missed, feel free to let me know in the comments! Video shot on the Lumix GH5S with Panasonic 12-35mm f/2.8 II Music licensed via Musicbed MB01GOK7ABUBUMA

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Earlier in the year I decided to produce a cinematic short film of Autumn. It's without a doubt my favourite season and just the most beautiful time of year. Those frosty, foggy mornings, colours that genuinely take your breath away. I'm very lucky to live in a County called Devon, in the South West of England. It's a truly stunning place and I intend to spend the next couple of weeks visiting some of my favourite locations across the region, to shoot some truly cinematic footage. I have lots planned, so watch this space, the completed film will drop very soon. Be sure to subscribe so you don't miss it! The film will be shot using the Lumix GH5S, GH5, and the DJI Phantom 4. The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded with the GHAlex conversion LUT from emotivecolor and FilmConvert. © Rowe Films 2019 https://rowefilms.com Music licensed via Musicbed MB01HTNEQ1N6A1L

Here's a cinematic preview of the wedding of Charlotte & Josh. Shot at the beautiful Paschoe House in Devon, UK. Congratulations to the happy couple! Charlotte & Josh's special day was full of raw emotion, laughter, dancing, and one hell of a reception party. Featuring the awesome Devon based function band Bill Ding and The Skyscrapers. I look forward to producing their full wedding film very soon! © Rowe Films 2019 UK Wedding Cinematography by Rowe Films https://rowefilms.com The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert Music Licensed via Musicbed: MB01HFWNCBCVAUO

Here's a preview of Emily & Terry's beautiful wedding at Quantock Lakes, Somerset, South West UK. A huge thanks to the lucky couple for allowing me to be part of their special day. It was a lot of fun. Congratulations Emily & Terry! UK Wedding Cinematography by Rowe Films https://rowefilms.com The Wedding Filmmaking/Videography Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert Music Licensed via Musicbed MB01C5J4Z5KPL2H

Here's a preview of Roxy & Leigh's beautiful wedding at Rockbeare Manor, Devon, UK. Cinematic wedding films by Rowe Films, based in Exeter, Devon. https://rowefilms.com The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert Music Licensed Via Musicbed MB01JG43ZJMCEUW

Want to get this look? Check out my Osmo Pocket Colour Grading Tutorial Here: https://www.youtube.com/watch?v=Pw6YtNide-E My third upload of footage shot entirely on the DJI Osmo Pocket. A fantastic little camera that shoots lovely footage which can be made to look quite cinematic and film like with a bit of colour grading. I'd say it's one of the best devices around in it's price bracket. The Osmo Pocket handled the bright and contrasty conditions very well. Rowe Films Cinematic Osmo Pocket LUT's: https://sellfy.com/p/mfxtq7/ Purchase the DJI Osmo Pocket Here: https://amzn.to/2ZA4VvS Settings: 4K 60P Cinelike picture profile Manual Exposure with no filters (see note below) Edited and Colour Graded in Final Cut Pro X using a Custom LUT and curves adjustments. Music licensed via Musicbed Note: No ND filters were used, just plug and play. As I do not use the Osmo for my professional work rather for a bit of fun, I do not want to spend money buying additional accessories. This footage goes to show the device produces lovely footage straight out of the box. I exposed each shot manually, knowing I would be using mostly slow motion from the 60fps footage, therefore I do not need to worry about needing a certain amount of motion blur and could effectively ignore the 180 degree shutter rule. Happy shooting folks! https://rowefilms.com MB01LPGSV2DZ4RW

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store I'm currently working on a wedding film and really enjoying colour grading it. We had some truly beautiful light and I'm loving the footage shot on the day. So I thought I would post a very quick step by step guide to my colour grading workflow on this film, as well as the camera settings I use on wedding shoots. If you'd like to find out more or see more like this in the future, let me know in the comments. I may do more in depth tutorials if it's something some would like to see! Enjoy. Camera settings - 1080P, 60fps, 10 bit Picture Profile - CineD Graded using a custom LUT that I made, curves adjustments, and FilmConvert The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS7 Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X © Rowe Films 2019 https://rowefilms.com MB01L5ART51AYMQ

Here's a preview of Stacy & Kyle's incredible wedding at Scorrier House in Cornwall, UK. https://rowefilms.com The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert Music licensed via Musicbed MB01YSWUDHXSOQB

Kathrina & Arthur's breathtakingly beautiful wedding at Buckfast Abbey and Bovey Castle, on the edge of Dartmoor in Devon, UK. Despite the appalling weather, nothing could dampen what was a simply stunning day in some of Devon's finest venues. The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert Music provided by my brother, Connor James Rowe, an upcoming music for film composer. © Rowe Films 2019 Wedding Cinematography by Rowe Films https://rowefilms.com

Here's a preview of Loren & Rob's incredible day in Salcombe, South Devon, UK. Shot at the stunning Salcombe Harbour Hotel. The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert Music Licensed via Musicbed MB01ITWI8USEF7R © Rowe Films 2019 https://rowefilms.com

Rebekah and Claire travelled down from the Midlands specially to get married on the Cornish coast. A wise choice, I must say! A beautifully laid back wedding with love, laughter, sand, sea and sun. © Rowe Films 2019 https://rowefilms.com UK Wedding Cinematography & Videography by Rowe Films The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/355RK77 Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert Music licensed via Musicbed MB01TU8UNKDR5NK

Here's a preview of Jade & Simon's wedding film, featuring a beautiful poem by the mother of the groom, about memories, life, love, war and loss. Simon being a serving Royal Marine, there were plenty of military touches which I loved. © Rowe Films 2019 https://rowefilms.com UK Wedding Cinematography & Filmmaking by Rowe Films The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert Music Licensed via Musicbed MB01GS303ICKFIC

Want to get this look? Check out my Osmo Pocket Colour Grading Tutorial Here: https://www.youtube.com/watch?v=Pw6YtNide-E Rowe Films Osmo Pocket color grading LUT's: https://sellfy.com/p/mfxtq7/ Purchase the awesome DJI Osmo Pocket Here: https://amzn.to/2ZA4VvS Most years I take a holiday to Marbella, Spain with a group of close friends and family. This year instead of taking a larger camera with me, I decided to take the DJI Osmo Pocket. After my last Osmo Pocket cinematic test video, I wanted to try it out in a different environment. This is only the second time I've actually used it, but I'm so pleased I did. The Osmo Pocket is literally the perfect camera for holidays, family and travel videos. It produces some fantastic footage and you don't even notice it in your pocket. Here's a few clips from our trip. Shot entirely on the DJI Osmo Pocket. Settings: 4K 60fps and 24fps Cine D Manual exposure with no ND filters Edited in FCPX and graded with a custom LUT I made in Photoshop (not currently for sale). I decided to grade this video differently to my last Osmo video, to suit the beautiful Costa Del Sol setting! I'd also highly recommend Marbella to anyone who likes to have lots of fun! Most of the clips featured were shot in our villa and around the Puerto Banus area. What an incredible trip, roll on next year! MB01XPTJC7ERALM

A short Teaser for Rachel & Ben's wedding film, by Rowe Films. Devon, UK, May 2019. Shot on the Panasonic Lumix GH5S, arguably the best camera for wedding filmmakers and videographers. The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert © Rowe Films 2019 https://rowefilms.com Music Licensed via Musicbed MB01ZDESCBJC8LT

Here is the official video for 'Had Enough' from the debut album 'Rise', by Britain's Got Talent Semi-Finalist Josh Curnow. Produced by Rowe Films UK Music Video Production, Filmmaking & Videography Services by Rowe Films https://rowefilms.com The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/355RK77 Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert

Here's a preview of Sophie & Mike Mackay's Celtic wedding at Orchardleigh House, Somerset UK. © Rowe Films 2019 Cinematic Wedding Films by Rowe Films UK https://rowefilms.com The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/355RK77 Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert

A preview of the truly beautiful wedding of my good friends, Mark & Amy Laskey. Shot on 30th March 2019 at the brand new wedding venue, Harefield Barn, Devon UK © Rowe Films 2019 UK Wedding Cinematography by Rowe Films https://rowefilms.com The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert Film Grain: Rocketstock Emulsion Camera Settings: CineD Picture Profile FHD 60fps & 24fps 10 bit Music licensed via Musicbed MB014NIANZKGVAJ

🔥 Like what you see? Check out my online store for my own custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store I recently purchased the GHAlex LUTs by Emotive Color, which takes Panasonic V-Log L footage and replicates Arri Alexa colour science. First impressions are very good! Considering how harsh and contrasty the light was, the conditions really put the LUT to the test and the results are quite impressive. And as for the GH5S, well it always shine. I camera I'd recommend to anyone! Panasonic Lumix GH5S (C4K 60p V-Log L) Edited in FCPX with the GHAlex Daylight LUT and then graded manually with 35mm film grain Music licensed via Musicbed MB01AAQVJZFQIKV The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ Micro SD Cards: https://amzn.to/2MIuRAt GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id

I've been working with the legends at Restoshack in the UK, on one of their recent restorations, a stunning 1969 Chevy Camaro. Here's the ending I produced for the restoration film. Shot at Perranporth Airfield, Cornwall. We had a lot of fun!

Here's a sneak peak at Josh Curnow's up coming Official Music Video, from his debut album, 'RISE'. Shot on the Lumix GH5S with Panasonic 12-35mm f/2.8 and Panasonic 42.5mm f/1.7. Stabilisation DJI Ronin S and Ronin M. Edited in FCPX with custom LUT. Camera Settings: C4K 24p 10 bit C4K 60p 8 bit V-Log L picture profile

Adelaide & Kathryn to decided to elope to the stunning, dramatic Cornish coast for their wedding. It made for an incredibly stunning day. Here is their completed Wedding Film. UK Wedding Cinematography by Rowe Films https://rowefilms.com Featuring All This Time by OneRepublic, licensed via Song Freedom MB01GI9YODKL8AF

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Here's a few shots from my first test run out with the GH5S. A lovely afternoon walk in the snow in beautiful Devon! Camera: Lumix GH5S Lens: Panasonic Lumix G X Vario 12-35mm f/2.8 II Settings: C4K - 60fps 8 bit 150Mbps V-Log © Rowe Films 2019 https://rowefilms.com The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/355RK77 Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id

Here is Joanne & Matt's full feature film. Shot at Rockbeare Manor, Devon, in August 2018. This was one of my favourite weddings to date. When a Scottish bride married an English groom in the heart of the Devon countryside, it was always going to be fun! https://rowefilms.com MB01UKCXPW8VYWG

Want to get this look? Check out my Osmo Pocket Colour Grading Tutorial Here: https://www.youtube.com/watch?v=Pw6YtNide-E I recently purchased the new DJI Osmo Pocket, for a bit of fun, and to have a TINY little device for those times you don't want to lug around heavy kit. I brought it out with me on a Sunday walk with some pals, to see what it can do. I'm really impressed. Having stabilised 4K at 60fps, in your pocket, is pretty handy. The footage looks really good too. Hats off to DJI! *Limited Time Discount* Rowe Films Osmo Pocket color grading LUT's: https://sellfy.com/p/mfxtq7/ Shot as it came in the box. No ND filters. Edited in FCPX https://rowefilms.com

Here is the intro sequence from Paris & James' Wedding Feature Film. James was highly emotional when Paris walked down the aisle. A truly beautiful moment that deserved to be shared! https://rowefilms.com MB01IRWEKFMXO7W

I was commissioned to produce a video for the landing page of a local business' website. They wanted cinematic drone footage to promote their position as a regional firm. Here's the finished product. https://rowefilms.com

A cinematic teaser produced for Adelaide & Kathryn's elopement film. The couple eloped to the beautiful Cornish coast for their special day. The weather was so dramatic with stormy clouds and sunbeams. The cornish coast is so beautifully rugged and wild, I decided to go black and white, and a filmic, grainy, gritty feel for the teaser. Despite their day being full of lovely colour! It just seemed to suit the conditions perfectly. I look forward to producing their full film very soon. https://rowefilms.com

Cinematic 4K drone footage of Haldon Forest and Belvedere Tower on a misty Autumn morning. Devon sure is stunning! For more cinematic footage and filmmaking, be sure to subscribe to my channel! Shot on the DJI Phantom 4. Graded with a Custom LUT and FilmConvert https://rowefilms.com

I'm working on a project for a commercial client and felt compelled to share some footage I shot on a foggy morning in Devon. Cinematic drone footage by Rowe Films. Shot on a DJI Phantom 4 and edited in Final Cut Pro X https://rowefilms.com

I've recently been working with the awesome Resto Shack on some of their restorations. Here's a teaser showing what we have coming up! Featuring a Chevvy Camaro and Series 1 E Type Jaguar! https://rowefilms.com

This is what happens when a Scottish Bride marries an English Groom! The preview of Joanne & Matt's wedding at Rockbeare Manor, Devon, England https://rowefilms.com MB017X5K3ENUAED

Here's a preview of Kerry & Oliver's wedding film. Shot in the beautiful Cotswolds, UK. A true fairy tale wedding featuring some wise words! https://rowefilms.com

Tissues at the ready folks as this one's a tear jerker! Here's a preview of James & Paris' cinematic wedding film. Shot at Topsham and Rockbeare, Devon, UK. James, the loveliest chap ever, was seriously emotional for most of the day - really touching and beautiful to witness. One of those weddings that gave me the serious feels. Subscribe for more beautiful real wedding moments! https://rowefilms.com MB01MCCXJUQAKBV

Here's a preview of Jenna & Mike's beautiful wedding at The Kingston Estate, Devon, in July 2018 https://rowefilms.com

A truly cinematic wedding film shot at Bovey Castle, Devon, June 2018. Rowe Films high end wedding cinematography, Devon UK https://rowefilms.com

Here's some shots of Ladram Bay, on the South Coast of Devon, UK. Shot on the early May Bank Holiday, 2018. In good weather, the Devon coast is truly stunning! Shot with a DJI Phantom 4 drone and Canon 5d III with 50mm Edited in FCPX © Rowe Films 2018 https://rowefilms.com

Here's a cinematic wedding highlights film for an alternative bride and groom! Shot at Shilstone House, Devon, in April 2018. I had real fun with this one and stepped outside of my comfort zone in the edit. Nicola & Tom were a really unique couple, with a real edgy side to them, covered in tattoos. Properly unique and I loved them. I really tried to reflect this in the film. They knew had to have some serious fun. So here's something a little bit different from Rowe Films. Rock n roll! To see more wedding videography and cinematic wedding films, subscribe to my channel and visit my website at https://rowefilms.com Contact today for weddings in Devon, Cornwall, Somerset and the South West. © Rowe Films 2018

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store Here's a cinematic Promotional Film produced for Jodi Locks Hair & Beauty Salon in Exeter, Devon. © Rowe Films 2018 https://rowefilms.com

A promo for Andrew Hill's Salon, Newton Abbott, Devon Produced by Rowe Films

Devon In The Snow. Some footage of Devon (UK) on a snowy February morning. https://rowefilms.com

Here's a stunning example of how beautiful it can be to get married in the Autumn. An excerpt from Lauren & Ian's full wedding film, shot in the beautiful county of Devon, UK. When editing this film, I used an earthy colour grade and plenty of film grain to match that glorious autumnal look. UK Wedding Cinematography by Rowe Films © Rowe Films 2019 https://rowefilms.com The Filmmaking Gear I Use: LUMIX GH5S: https://amzn.to/2QA5aD0 Lumix GH5: https://amzn.to/2QutfeJ Panasonic LUMIX 12-25mm f/2.8 II : https://amzn.to/36aok9n Panasonic LUMIX 35-100mm f/2.8 II: https://amzn.to/2MIY0LL Panasonic LUMIX 42.5mm f/1.7: https://amzn.to/2F3Uc3l Panasonic LEICA Summilux 25mm f/1.4: https://amzn.to/2Fibzhj DJI Ronin S gimbal: https://amzn.to/2szwl95 DJI Ronin M gimbal: https://amzn.to/2SAa8CF Drone: https://amzn.to/2rE9I2U Ninja V Monitor/External Recorder: https://amzn.to/368dC3e Manfrotto Monopod: https://amzn.to/2MEu9nS Tripod: https://amzn.to/368dfFS Rode Videomic Pro Plus: https://amzn.to/39pj57M Rode Videomic Pro: https://amzn.to/2SA7jS5 Tascam Lav Mics: https://amzn.to/2SA7z3v Tascam Audio Recorder: https://amzn.to/2F3mw64 Tiffen Variable ND Filter: https://amzn.to/2SAZPOF Tiffen Black Pro Mist Filters: https://amzn.to/2QDihnk Aputure LS-mini LED lights: https://amzn.to/2u2sodv Godox SL-60W LED lights: https://amzn.to/2QBBq8S Godox SL-200W LED light: https://amzn.to/358egfL Aputure Amaran LED light: https://amzn.to/2MHAlLC Neewer bi-colour LED light: https://amzn.to/37gDZnA YN thin bi-colour video light: https://amzn.to/2SHlIf9 Light Stands: https://amzn.to/39uzurJ SD Cards: https://amzn.to/39q5ywJ GH5/GH5S batteries: https://amzn.to/2SFsxhw DJI Osmo Pocket: https://amzn.to/2Qap4G0 Studio Monitors: https://amzn.to/3697ZS9 Audio Interface: https://amzn.to/2u77Twx Hard Drives: https://amzn.to/2QAC1Id Edited in Final Cut Pro X Colour Graded Using custom LUTs and FilmConvert

A stunning, cinematic destination wedding film produced by UK based videographer Rowe Films. Shot in Paphos, Cyprus, September 2017.

A Teaser for the upcoming Snooky Fest, July 2018, in Dawlish, Devon

A Showreel Promotional Video produced by Rowe Films, for UK based function band Keiko Rise. Shot using Canon cameras and lenses, DJI Ronin M stabilisation, edited in FCPX https://rowefilms.com

Here's a teaser for the upcoming business promo video I have produced for The Brow Boss, a professional microblading business based in Exeter, Devon

I'm looking forward to producing a 'proper' horror short film very soon! Pennywise 'the dancing clown' stalks the streets of Exeter, England. A short fan film produced by Rowe Films, for halloween 2017. I was a big fan of the 2017 IT Movie. So much so, I decided to produce this little short for a bit of fun! Thanks to The Bishop family for being such good sports! https://rowefilms.com

A promotional film of French Hair Salon in Torquay, by Rowe Films

A highlights film of Snooky Fest 2017, put together by Rowe Films. Edited to Eventine's live cover of 'Fix You' by Coldplay.

🔥 Like what you see? Check out my online store for custom colour grading LUTs and stay tuned for much more to come! https://rowe-films.sellfy.store The Father/Daughter relationship is a special one. Here's an emotional speech from Scott & Ami's full wedding film, by Rowe Films. The Father of The Bride's speech is heartfelt and touching in every way possible. Filmed in Exeter, Devon, UK https://rowefilms.com

I was honoured and humbled to have been invited as a guest to the elopement of one of my closest friends. I managed to shoot some footage for them on the day and put this short highlights film together. Shot by Tommy of Rowe Films on 22 May 2017, at Lower Barns, Cornwall, England.