Sony FX3 Tamron 28-75mm F2.8

Using audiio sound effects to create a beach atmosphere. Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70. Link to footage - https://artgrid.io/story/6014618/beach-elements-slow-motion Let me know what you think about the shots and if you are thinking about punching the Tamron 70-180 F2.8 G2 version. IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html Tamron 70-180mm f2.8 Di III G2 Sony Emount https://www.bhphotovideo.com/c/product/1781149-REG/tamron_a065_70_180mm_f_2_8_di_iii.html?srsltid=AfmBOoohrdjmjPmfX6mueaIh0j8Fd92mlJOIlQLetV02IxDfAg1pLfyOhVo Tamron 28-75mm F2.8 https://www.bhphotovideo.com/c/product/1658157-REG/tamron_a063_28_75mm_f_2_8_di_iii.html Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3

Bi-colour lights to replicate the sun. #sonyfx3 #cinematic #ulanzi @ulanzi

#japan #tokyo #osaka #sonyfx3

#sonyfx3 #cinematiclighting #filmmakimg #ulanzi This simple double diffusion technique to get softer light. @ulanzi gear 120w Bi colour light and softbox

Try using negative fill to control your contrast levels. #sonyfx3 #cinematography Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Lightbridge cine reflectors produce natural sunlight, as they actually use the sun. Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Using a circular Polariser filer lens will cut out unwanted glare on reflective surfaces like a car windscreen. Making it a must for car films. Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Testing the bokeh of the vintage Helios 44-2 58mm F2 lens. Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Testing Dehancer’s colour grading tools in Final Cut Pro X. ​⁠@Dehancer Breakdown and workflow coming soon. Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Testing the bokeh of the vintage Helios 44-2 58mm F2 lens. Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Lightbridge cine reflectors produce natural sunlight, as they actually use the sun. Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

The lightbridge is one of my favourite film tools. Simply for its accurate light quality when using the sun as the source. Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70. Link to footage - https://artgrid.io/story/6014618/beach-elements-slow-motion

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70. Link to footage - https://artgrid.io/story/6014618/beach-elements-slow-motion

Nanlite Forza 300 and Godox Spotlight 36 combo Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70. Link to footage - https://artgrid.io/story/6014618/beach-elements-slow-motion

Best value cine lens for Sony emount - Slr Magic MicroPrime Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Lighting for different times of the day #filmmaking #sonyfx3 Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Best value cine lens for Sony emount - Slr Magic MicroPrime Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Get 70% off your first year of Audiio Pro music here - https://audiio.com/partner?oid=1&affid=1734 Use the code SAVE70.

Timelapse tutorial with gimbal

AI tracking gimbal tutorial

SLR Magic MicroPrime cine lenses are perfect for the Sony fx3

Shot recreation - set design, lighting and acting.

Shot recreation #filmmaking #cinematography

Using the sun wrap technique to light your subject

Used two small lights for this simple interview. These lights are bi-colour so I was able to match the key and ambient lights with the colour temperature outside. I used a soft box to diffuse the light and half gridded them to control some spill. Ulanzi 120W Bi-color / RGB V-Mount Video Light - https://www.ulanzi.com/products/120w-v-mount-light-l074cna1 Sony FX3 - https://store.sony.com.au/professional-camera/ILMEFX3.html Thanks to @ulanzi for sending them.

Used two small lights for this simple interior bedroom scene. These lights are bi-colour so I was able to match the key and ambient lights with the colour temperature outside. I used a soft box to diffuse the light and half gridded them to control some spill. Ulanzi 120W Bi-color / RGB V-Mount Video Light - https://www.ulanzi.com/products/120w-v-mount-light-l074cna1 Sony FX3 - https://store.sony.com.au/professional-camera/ILMEFX3.html Thanks to @ulanzi for sending them.

Used two small lights for this simple interior scene. These lights are bi-colour so I was able to match the key and ambient lights with the colour temperature outside. I used a soft box to diffuse the light and half gridded them to control some spill. Ulanzi 120W Bi-color / RGB V-Mount Video Light - https://www.ulanzi.com/products/120w-v-mount-light-l074cna1 Sony FX3 - https://store.sony.com.au/professional-camera/ILMEFX3.html Thanks to @ulanzi for sending them.

Lighting a night interior scene with two small powerful and affordable lights. Check out the lighting breakdown. Filmed on Sony FX3 iso12800. Ulanzi 120W Bi-color / RGB V-Mount Video Light - https://www.ulanzi.com/products/120w-v-mount-light-l074cna1 Sony FX3 - https://store.sony.com.au/professional-camera/ILMEFX3.html Thanks to@ulanzi for sending them.

I recently tested the Scorp 2 gimbal for Feiyu Tech with my Sony FX3 and SLR Magic MicroPrime 15mm T3.5. Here are some of my footage edited in Color Finale with Phantom LUTS Arri Neutral. The SLR Magic MicroPrime 15mm T3.5 is a great full frame lens companion with the Scorp 2 gimbal. Check out the Scorp 2 video launch - https://youtu.be/bmEH0SOgK8I?si=1l4flL9LxWK_uqkw IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html SLR Magic MicroPrime 15mm T3.5 Cine Lens https://www.bhphotovideo.com/c/product/1454409-REG/slr_magic_slr_mp15e_microprime_cine_15mm_t3_5.html Scorp 2 Feiyu Tech https://store.feiyu-tech.com/en-au/products/feiyu-scorp-2 Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3 @Sony @sonycine @ColorFinaleChannel @slrmagic2908

Japan video archive in Osaka Dōtonbori food streets. Filmed with the Sony FX3 and Tamron 28-75mm F2.8 IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html Tamron 28-75mm F2.8 G 2 https://www.bhphotovideo.com/c/product/1658157-REG/tamron_a063_28_75mm_f_2_8_di_iii.html Edited in @ColorFinaleChannel with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3

Getting the vintage look with the Sony FX3 using the soviet vintage lens - Helios 44-2. Swirly bokeh and interesting looks. Some vignettes from Tokyo nights in Japan. IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html Edited in@ColorFinaleChannel with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3

Cinematic lighting tutorial on creating depth in the frame with composition and lighting in layers. Using the foreground, middle ground am background to vary exposure levels and draw attention to your subject. It is important to control exposure levels to achieve a complete look. Used this practice scene to test the Ulanzi 40W bi-colour battery light and LED RGB tube light. IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Ulanzi LT028 40W Portable LED Video Light @ulanzi https://www.ulanzi.com/products/ulanzi-lt028-portable-40w-led-video-light-l032gbb1 Ulanzi VL110 Magnetic RGB LED Tube Light (9.4") https://www.ulanzi.com/products/ulanzi-vl110-magnetic-rgb-tube-light-2660?_pos=2&_sid=38c46aec3&_ss=r Sony FX3 @sonycine https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html SLR Magic MicroPrime 50mm T1.4 Cine Lens @slrmagic2908 https://www.slrmagic.com/microprime-cine-fullframe-e-mount Edited with phantom luts Arri Neutral Legacy in Color Finale @ColorFinaleChannel https://www.joelfamularo.com/colour-a7s3 Shotdeck @shotdeckofficial https://shotdeck.com/

These are my Sony FX3 camera settings and custom buttons that simplify and speed-up my process. What are yours? I like to keep my camera menu simply. The less confusing the better. So I've used custom buttons to change camera modes quickly and use the Quick Menu button to visually see my recording modes. Thank you for watching :) IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html SLR Magic MicroPrime 35mm T1.3 Cine Lens https://www.bhphotovideo.com/c/product/1402863-REG/slr_magic_microprime_cine_35mm_t1_3.html?gad_source=1&gbraid=0AAAAAD7yMh3jaz_QDJjG3i_O5lzBmrwbr&gclid=EAIaIQobChMI18am4fjUggMVhYRLBR3vtA7yEAQYAiABEgLlgfD_BwE Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3

Filmed some 4K slow motion footage with the Sony FX3 and the Tamron 70-180 2.8 G2. Holiday down at Jurien By I brought the new Tamron 70-180 F2.8 G2 and the Sony FX3 to try out some slow motion shots at 100 frames per second in 4K. I also used the Feiyu Tech Scorp2 Cinema Gimbal for some of the fast trucking shots. The Sony FX3 again was impressive with its IBIS. The small form factor also made it easy to put on a gimbal and get smooth shots. Let me know what you think about the shots and if you are thinking about punching the Tamron 70-180 F2.8 G2 version. IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html Tamron 70-180mm f2.8 Di III G2 Sony Emount https://www.bhphotovideo.com/c/product/1781149-REG/tamron_a065_70_180mm_f_2_8_di_iii.html?srsltid=AfmBOoohrdjmjPmfX6mueaIh0j8Fd92mlJOIlQLetV02IxDfAg1pLfyOhVo Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3

Getting the vintage look with the Sony FX3 using the soviet vintage lens - Helios 44-2. Swirly bokeh and interesting looks. Some vignettes from Osaka and Tokyo nights in Japan. Talent: @kandoja - https://www.instagram.com/kandoja?g=5 IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3

This is a short lighting breakdown from a night shoot while filming at iso 12800 with the Sony FX3. I see a lot of questions on how to expose and reduce the noise with iso 12800. I think the only thing you can do is add more light. Whether that is to position the shot around already available light or introduce artificial light. Hopefully you get something out of this. Please let me know if you have any questions. Thank you for watching. Video breakdown - https://youtu.be/vDRVeeI68PA IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html SLR Magic MicroPrime 35mm T1.3 Cine Lens https://www.bhphotovideo.com/c/product/1402863-REG/slr_magic_microprime_cine_35mm_t1_3.html?gad_source=1&gbraid=0AAAAAD7yMh3jaz_QDJjG3i_O5lzBmrwbr&gclid=EAIaIQobChMI18am4fjUggMVhYRLBR3vtA7yEAQYAiABEgLlgfD_BwE Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3 ​⁠ @NanliteGlobal Pavotube 30C + Forza 300b ​⁠ @sonycine FX3 ​⁠ @slrmagic2908 1/8 Black Mist

This is an extended cut of a bag commercial I directed and DP’d for Ulanzi. Footage for you to see what the Sony FX3 and SLR Magic MicroPrimes CINE look like. Internal recording XAVCS-I 4K at 30fps 1/60 shutter speed. Shot on the Sony FX3 and SLR Magic MicroPrime 35mm T1.3 Cine Lens with the new SLR Magic Variable ND Filter. Filmed entirely handheld. I was very impressed with the FX3's standard image stabilisation with a manual lens. Completely removes unwanted camera shake, while keeping the camera movement organic. Tried out a new car rig from Deakins Devices. Worked well. Let me know what you think? Let me know what you think of the camera's IBIS. Graded this with Phantom LUTS Arri Neutral in Color Finale Pro. IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html SLR Magic MicroPrime 35mm T1.3 Cine Lens https://www.bhphotovideo.com/c/product/1402863-REG/slr_magic_microprime_cine_35mm_t1_3.html?gad_source=1&gbraid=0AAAAAD7yMh3jaz_QDJjG3i_O5lzBmrwbr&gclid=EAIaIQobChMI18am4fjUggMVhYRLBR3vtA7yEAQYAiABEgLlgfD_BwE Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3

Getting the vintage look with the Sony FX3 using the soviet vintage lens - Helios 44-2. Swirly bokeh and interesting looks. Some vignettes from Osaka nights in Japan. Talent: @kandoja - https://www.instagram.com/kandoja?g=5 IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3

This is an extended cut of a bag commercial I directed and DP’d for Ulanzi. Shot on the Sony FX3 and SLR Magic MicroPrime 35mm T1.3 Cine Lens with the new SLR Magic Variable ND Filter. Filmed entirely handheld. I was very impressed with the FX3's standard image stabilisation with a manual lens. Completely removes unwanted camera shake, while keeping the camera movement organic. Let me know what you think of the camera's IBIS. Graded this with Phantom LUTS Arri Neutral in Color Finale Pro. IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html SLR Magic MicroPrime 35mm T1.3 Cine Lens https://www.bhphotovideo.com/c/product/1402863-REG/slr_magic_microprime_cine_35mm_t1_3.html?gad_source=1&gbraid=0AAAAAD7yMh3jaz_QDJjG3i_O5lzBmrwbr&gclid=EAIaIQobChMI18am4fjUggMVhYRLBR3vtA7yEAQYAiABEgLlgfD_BwE Edited with phantom luts Arri Neutral https://www.joelfamularo.com/colour-a7s3

Sharing one of my cinematography tests of comparing different diffusion material for lighting. Using whatever I had around the house - muslin, 1 in 5 reflector, shower curtain and a parabolic softbox. Bouncing light off a thick material was my favourite lighting method. I didn’t use the book light method but that would’ve been pretty good too. What was your favourite method? Gear: Sony FX3 Tamron 28-75mm F2.8 G2 Nanlite Forza 500 Nanlite Fresnel Nanlite Parabolic 120cm softbox IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/

Sharing one of my cinematography tests of comparing different diffusion material for lighting. Using whatever I had around the house - muslin, 1 in 5 reflector, shower curtain and a parabolic softbox. Bouncing light off a thick material was my favourite lighting method. I didn’t use the book light method but that would’ve been pretty good too. See the graded test here - https://www.youtube.com/watch?v=1Gx1gcxQ8AA What was your favourite method? Gear: Sony FX3 Tamron 28-75mm F2.8 G2 Nanlite Forza 500 Nanlite Fresnel Nanlite Parabolic 120cm softbox IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/

Sony FX3 pairs with Ninja V ProRes Raw external recording and SLR Magic MicroPrime 35mm T1.3 Cine lens Film rushes for documentary - interior scenes IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html SLR Magic MicroPrime 35mm T1.3 Cine Lens https://www.bhphotovideo.com/c/product/1402863-REG/slr_magic_microprime_cine_35mm_t1_3.html?gad_source=1&gbraid=0AAAAAD7yMh3jaz_QDJjG3i_O5lzBmrwbr&gclid=EAIaIQobChMI18am4fjUggMVhYRLBR3vtA7yEAQYAiABEgLlgfD_BwE Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3

Basic comparison of Pro Res Raw via external recording on Ninja V and Sony FX3 internal DCI 4K. Hard to tell without grading both, but I’ll leave this here in case anyone finds it helpful. I did find editing the Pro Res Raw files a lot easier on my Mac, and colour grading was faster with the ability to change ISO and white balance. You will find colours are richer with the 12bit and higher dynamic range. Down side was the huge file sizes. Hopefully I can do a video explaining my thoughts on this further. IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/

Filming ProRes Raw with the Atomos Ninja V and Sony FX3. These are some rushes for a documentary. Accurate colour depth with the Ninja V. Something that the feature film “The Creator” used. I find there is less noise with Pro Res Raw and colour grading is a lot easier and flexible. That 12bit (16bit) allows you to push the colours further and provides higher dynamic range than recording internally with the Sony FX3. IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Ninja V https://www.bhphotovideo.com/c/product/1401565-REG/atomos_atomnjav01_ninja_v_5_4k.html Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html SLR Magic MicroPrime 35mm T1.3 Cine Lens https://www.bhphotovideo.com/c/product/1402863-REG/slr_magic_microprime_cine_35mm_t1_3.html?gad_source=1&gbraid=0AAAAAD7yMh3jaz_QDJjG3i_O5lzBmrwbr&gclid=EAIaIQobChMI18am4fjUggMVhYRLBR3vtA7yEAQYAiABEgLlgfD_BwE Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3 Nisi lens filters - 1/8 black mist + IRND 6 stops https://nisifilters.com.au/product/nisi-82mm-circular-black-mist-1-8/?gad_source=1&gclid=Cj0KCQiAr8eqBhD3ARIsAIe-buO-ssElrpbuqAGxBgZsNPMh_tTwXwQG1auGny_a4LvAr00uL5paasoaAku8EALw_wcB

Sony FX3 + ​⁠@slrmagic2908 MicroPrime 21mm T1.6 + ​⁠@Feiyu-tech Scorp Pro and cinema rig MR. ROBOT inspired shots #cinematography #sonyfx3 #filmic #filmmaking #city #perth #paranoia #mrrobot

A Sony FX3 character film with budget cinema lens. Testing the low light and stabilisation capabilities of the Sony FX3 cinema camera. Shots were inspired by “Mr. Robot” sourced from ShotDeck. https://youtu.be/8VkFs1KcCt4?si=-n3e_o6eGx3Ffmy2 Filmed in 4K DCI 25fps iso 800 Slog 3 cine IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html SLR Magic MicroPrime 21mm T1.6 Cine Lens https://www.amazon.com.au/SLR-Magic-Micro-Prime-Mount/dp/B09Q3MPN4Z Feiyutech Scorp Pro Cinema gimbal https://www.feiyu-tech.com/feiyu-scorp-pro/ Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3 Nisi lens filters - 1/8 black mist + IRND https://nisifilters.com.au/product/nisi-82mm-circular-black-mist-1-8/?gad_source=1&gclid=Cj0KCQiAr8eqBhD3ARIsAIe-buO-ssElrpbuqAGxBgZsNPMh_tTwXwQG1auGny_a4LvAr00uL5paasoaAku8EALw_wcB Actor: Niam Mayes

The Sony FX3 performed really well at ISO 12800 during this low light party scene. No denoiser applied. Some rushes from the day. Here is a lighting breakdown of the scene - https://youtu.be/qnJl0Ipgb9c Shot in 4K DCI 59.94fps with the SLR Magic MicroPrime 50mm at T1.2 with the ​⁠@nisifiltersaustralia 1/8 Black mist. IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Sony FX3 https://www.bhphotovideo.com/c/product/1624226-REG/sony_ilme_fx3_fx3_cinema_camera.html SLR Magic MicroPrime 50mm T1.4 Cine Lens https://www.slrmagic.com/microprime-cine-fullframe-e-mount Edited with phantom luts Arri Neutral Legacy https://www.joelfamularo.com/colour-a7s3 ​⁠@NanliteGlobal Pavotube 30C + Forza 300b ​⁠@sonycine FX3 ​⁠@slrmagic2908 1/8 Black Mist

Australian Native Plants and Flowers shot on the Sony FX3 and SLR Magic MicroPrime lenses IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/

The Sony FX3 and Ninja V ProRes Raw combo produces great colours with its 12bit log files converted from 16bit. I wanted to test the 12bit colours during golden hour and see how well the Sony FX3 dynamic range holds up to the quickly changing light. These shots were taken at Rockingham Beach in Perth Australia during sunset. Recorded in DCI 4K ProRes raw mostly at 800iso with the night shots in 12800iso. The SLR Magic MicroPrime Cine Lens 21mm T1.6 was great at exposing in low light. The Nisi 6 stop IRND filter helped expose in the day at T2.8. I also had a 1/8 black mist filter to soften the shadows and highlights. No denoiser applied. Graded this with Phantom LUTS Arri Jamaica Legacy in Color Finale Pro. IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ @Sony @sonycine @AtomosChannel @ColorFinaleChannel @slrmagic2908

@Feiyu-tech Scorp Pro shots

@Feiyu-tech Scorp Pro shots

The Sony FX3 performed really well at ISO 12800 during this low light scene. No denoiser applied. Unfortunately Youtube compression creating some artefacts in the shadows. Shot with the SLR Magic Micro Prime Cine 35mm at T1.3 and T2.8 with the NISI 1/8 Black mist. Graded with Phantom LUTS Arri Neutral Legacy in Color Finale Pro IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/

Smooth gimbal shots of mini food mart. @Feiyu-tech Scorp Pro gimbal

IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/

Three gimbal moves to get better running shots and my one tip to improve your overall gimbal footage. Featuring Feiyu Tech's Scorp Pro 3-axis professional gimbal. Let me know what you think about the gimbal moves and the Scorp Pro? Do you think the tip is helpful or not? More information on the Scorp Pro - https://store.feiyu-tech.com/products/scorp-pro?variant=39873835597910 IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/ Gear: Scorp Pro Professional Gimbal @Feiyu-tech Sony FX3 @sonycine @Sonyaustralia Tamron 28-75mm SLR Magic Micro Prime 35mm @slrmagic2908 SmallFocus monitor SmallRig FX3 cage @SmallRigGlobal Nisi IRND Filter and 1/8 Black Mist @NiSiFilters Nanlite Pavotube 30C @NanliteGlobal Rode lav mic Phantom Luts Color Finale Pro @ColorFinaleChannel

Testing the auto focus, image stabilisation and high frame rates of the Sony FX3 and Tamron 28-75mm F/2.8 IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/

BMPCC 6K Pro Res 4k Sigma 18-35mm Color Finale Pro

A commercial I produced for the Ineshi pod stash. Sony FX3 | XAVCS-I 4K | 50fps Tamron 28-75mm Nanlite FS 300B Godox SL150W Edited in Color Finale Pro

Testing the SLR Magic Micro Prime Cine 50mm T1.2. A very interesting vintage look, especially wide open at a T1.2. I think it is a great affordable lens that pairs well with the digital Sony FX3 image. Unfortunately I had to replace this one as there was a foreign object left inside from a manufacturer fault, creating the silver blur/haze on the left of screen. Lit with just natural light from an open window on the right of screen off camera. The blinds on the screen are half closed to avoid any blown out highlights. I'm sitting next to a black wall on the left of screen acting as negative fill. Sony FX3 | XAVCS-I 4K SLR Magic Micro Prime Cine 50mm T1.2 @slrmagic2908 NISI Black Mist 1/8 @nisifiltersaustralia Edited in Color Finale Pro @ColorFinaleChannel Phantom Luts

Tamron is a solid zoom lens and at 75mm on a full frame creates some pleasing bokeh. What are your thoughts on the bokeh? Sony FX3 @Sonyaustralia Tamron 28-75mm F/2.8 @tamronaus Nisi IR ND Filter (6 stop) @nisifiltersaustralia Purchased from @digiDirectAustralia and @GeorgesCamerasTV Graded with @ColorFinaleChannel

Shooting at the dual native iso 12800 with your Sony FX3 will give you the most dynamic range. If exposed correctly you will recover the highlights and retain detail in the shadows. To achieve this I used the NISI ND filter (3 stops) an 1/8 black mist. I like the look from NISI filters, but the build quality feels a weak. Sony FX3 | XAVCS-I 4K | 50fps Tamron 28-75mm f2.8 NISI Circular IR ND Filter (3 Stops) @nisifiltersaustralia NISI Black Mist 1/8 Edited in Color Finale Pro @ColorFinaleChannel Phantom Luts

Testing the Blackmagic Pocket Cinema Camera 4K in 2022. Camera - BMPCC4K https://www.blackmagicdesign.com/products/blackmagicpocketcinemacamera Lens - Panasonic Lumix G 42.5mm f/1.7 COlor Finale Pro @ColorFinaleChannel

Shot some sudoku b-roll in the park during golden hour with my old Sony a6500 and Sigma primes. Nice bokeh and DOF from the Sigma 16mm and 30mm lenses. Being an older Sony camera there is that magenta look, but fixed most in post. Edited with ColorFinale Pro

Blue hour test on the Sony Fx30 low light. Gear: Sony FX30 | XAVCS-I 4K | S-log 3 | 50fps | Dual Native ISO 2500 Sigma 30 f1.4 (apsc) Tiffen Black pro mist 1/8 Urth Variable ND Filter Edited in Color Finale Pro @ColorFinaleChannel Music: Ballerina by Preludes, Book 1 - Streams IG: @andrewbarker_dp - https://www.instagram.com/andrewbarker_dp/

Testing the Sony FX3 high dynamic range during golden hour in Australia. Images holding up well in the highlights and maintaining details in the shadows. Gear: Sony FX3 | XAVCS-I 4K | 50fps Tamron 28-75mm f2.8 Tiffen Black pro mist 1/8 Urth Variable ND Filter Edited in Color Finale Pro Phantom Luts

Testing the Sony FX3 high dynamic range during noon in bright sunlight in Australia. Australia in the middle of the day is one of the harshest times to film. Not much is flattering at this time. I think the images hold up well to maintain details in the shadows without blowing out the highlights. Gear: Sony FX3 | XAVCS-I 4K | 50fps Tamron 28-75mm f2.8 Tiffen Black pro mist 1/8 Urth Variable ND Filter Edited in Color Finale Pro Phantom Luts

My submission for @filmmakers_academy and @themusicbed #makeitepic contest 2022.

Uncle Tobys Plus Cereal Ad Gear: Sony A6500 Sigma 30mm Sigma 16mm Godox sl150 light Godox sl200 light Godox vl200 light Nanlight povotube

Gear: Sony A6500 Sigma 30mm Sigma 16mm Godox sl150 light Godox sl200 light Godox vl200 light Nanlight povotube

Short social media ad for Remedy drink Apple Crisp Gear: Sony A6500 Sigma 16mm f/1.4 Sigma 30mm f/1.4 Godox sl150 light Godox sl200 light Godox vl200 light Nanlight povotube

Starbucks Coffee spec ad | Shot in 120fps and edited in Final Cut Pro X Gear: Sony a6500 Sigma 16mm f/1.4 Sigma 30mm f/1.4 Godox sl150 light Godox 90L parabolic soft box Aputure MC light

The massive city of Perth light spectacle has a total of 30 stops this year across the Perth CBD. https://www.visitperth.com/events/christmas-lights-trail Gear used: Sony a6500 Sigma 16mm f/1.4 Zhiyun Weebill Lab