DZOFILM just released their new Probe zoom lenses called X-Tract. The X-Tract are Full Frame probe zoom lenses for professional applications with T8 aperture and a 2.1 magnification. For now there is a straight version and a 90° version, there will be 360° version coming in the near future. We tested their optical performance, breathing, vignetting, distortions, stability and of course, if they are parfocal. Besides or review of the X-Tract this episode will show you how you can create these very cool fire and explosion effects yourself and even dial in the right brightness by changing the mixture of the ingredients. While we are at it, we shot an awesome new logo animation for this channel at we show you exactly how we did that to get your creative juices flowing If you want to buy the X-Tract, and you would like to support this channel, please use our B&H affiliate links. It doesn't cost you a cent more, but we get a little something for the tip jar. This is the straight version: https://bhpho.to/43VJY1E This is the 90° version: https://bhpho.to/3Xz1qFj Thank you so much! WARNING (information came in after video was produced): The X-Tract series requires factory calibration when the snorkel is changed. Tolerance stacking and self-assembly may affect infinity focus. Tests confirm that in special cases, even shim adjustments cannot resolve the issue. All detachable configurations now require mandatory laser calibration before shipment. This means that the snorkel is not interchangeable like suggested in this video, at least not without a possible need for factory calibration. There will be an interchangeable set in the future. Disclaimer: DZOFILM sponsored this episode so we could do something exciting for you to show the capabilities of the X-Tract probe lenses. As always, we are not obligated to glorify the lenses, we will always give you and DZOFILM an honest feedback about our experience producing this content. We hope to give you enough impressions so you can make up your own mind about the quality and usefulness of a product in your own context. –––––––––––––––––––––––––––––––––– Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Talk to us an our community: Closed Facebook Group: https://www.facebook.com/groups/mediadivision2 Business and collaboration inquiries info@media-division.de ––––––––––––––––––––––––––––––––– MUSIC Music licences by Artlist To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: bit.ly/artlist-mediadivision #XTract #ProbeZoom #probelens 00:00 - Overview 02:34 - About Probe Lenses 05:00 - X-Tract Features & Specs 06:05 - Stability & Usability 09:00 - Resolution & Distortions 10:48 - Parfocal & Breathing 12:65 - Probe Zoom vs Prime 14:58 - Fire SFX Tutorial 20:15 - Creative Use 26:05 - Verdict 27:24 - Thank You The First Probe Zoom lens – Test & Review of DZOFILM X-Tract 18 – 28 T8 Probe Zooms

Our journey with many examples and technological backgrounds takes us from analog stocks and broadcast cameras to the digital pioneers with the Sony CineAlta cameras and the Thomson Viper that used 3 CCD technology, to the first single CCD Camera, the Dalsa Origin, to the Panavision Genesis that was developed into the Sony F35, to Arries D-20 and the RED One cine cameras. We continue with the the dominance of digital and CMOS through the Arri Alexa and the evolution of RED cameras, Sonys comeback attempt with the F65, and the trend to large format with the Sony Venice and the Alexa LF to todays market and the rise of the prosumer cameras. Enjoy! This short breakdown is an extract from our episode CREATE CINEMATIC FILMS to make our content more available to a larger audience. If you would like to tak ethe full 2 hour journey with us, you'll find it here: https://www.youtube.com/watch?v=BFaV-mVLFpE –––––––––––––––––––––––––––––––––– Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Talk to us an our community: Closed Facebook Group: https://www.facebook.com/groups/mediadivision2 Business and collaboration inquiries info@media-division.de –––––––––––––––––––––––––––––––––– MUSIC Music licences by Artlist To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: bit.ly/artlist-mediadivision #cinemacamera #cinecam #history 0:00 - Analog Formats & Stock 1:54 - Analog vs Digital The Digital Revolution 2:59 - 2000 Sony Cine Alta 3:31 - 2002 Thomson Viper 3:48 - 2003 Dalsa Origin 4:05 - 2005 Panavision Genesis & F35 4:32 - 2005 Arri D-20 & D-21 4:44 - 2007 RED one 5:02 - 2008 Silicon Imaging SI-2K 5:18 - 2010 Arri Alexa & Phantom 5:52 - 2011 RED Epic & Dragon 6:10 - 2012 Sony F65 6:18 - 2017 Sony Venice 6:25 - 2018 Arri Alexa LF 6:34 - 2021 RED V-Raptor 6:38 - The comeback of 70mm and IMAX 6:49 - The Market now (Alexa 35, Sony FX, Venice II)

Classic 2x Anamorphic in a zoom lens? That has been totally absent in the affordable anamorphic market… until now! Laowa just announced not just one, but two anamorphic zoom lenses in their higher end Proteus lineup. The Laowa 2x Proteus zooms come as a wide angle 26-45mm and as a longer 45-85mm They are weighting just 1.5 kg each and are designed for super35 coverage. This episode was produced in summer 2024 using earlier prototypes of the lenses. Our results and feedback was used to improved coatings and the mechanical design of the lenses. The finalised versions have some changes to their housings design, and they are either in metric or imperial scale instead of the dual scale. We are testing the Proteus zooms in a studio setup to show you the characteristics like flairs, bokeh and overall sharpness. After that we take them on a wild shoot on racing boats… a really extreme situation for filmmaking where we usually wouldn’t dream of shooting anamorphic, or swapping prime lenses in general. Disclaimer: We have had these prototypes of the Proteus zooms for a couple of month to test for you… free of charge. For the sake of transparency this video is therefor marked as a paid promotion. As always we are not obliged to glorify these lenses or Laowa – we will let you make up your own mind based on what we were able to shoot with them. –––––––––––––––––––––––––––––––––– Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Talk to us an our community: Closed Facebook Group: https://www.facebook.com/groups/mediadivision2 Business and collaboration inquiries info@media-division.de ––––––––––––––––––––––––––––––––– MUSIC Music licences by Artlist To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: bit.ly/artlist-mediadivision #Anamorphiczoom #Proteus #Laowa 00:00 - Overview 03:15 - Key Features 05:00 - The Specs 09:07 - Studio Test 13:43 - Sharpness & Focus 14:19 - Coverage 15:33 - Distortions 16:16 - Breathing 16:43 - Flares 18:05 - Close Focus 18:25 - Bokek 20:04 - Proteus Prime Vs Zooms 22:20 - Extreme Anamorphic Shooting 28:52 - Creative Effect Lens 30:34 - Verdict 32:16 - Thank you 2x Anamorphic in a Zoom Lens? Test & Review of the revolutionary Laowa Proteus Zooms

The Panasonic Lumix S1RII is here and it is so much more than was rumoured. Things that makes a filmmakers heart beat faster: A brand new 8K sensor, internal recording in ProRes RAW or ProRes in 8K open gate (with FW update), excellent low light performance, famazing image stabilisation, improved dynamic range up to 14stops, 120 fps is 4K from a Full Frame readout, 32-bit float audio, and so much more. And I am sure it is a great photo camera, too ;-) We are going to test the capabilities if the S1RII (paired with a DZOFILM Arles prime) with a little short film, pitch it directly against the S5IIx… and… are going to take you along to the artic cycle to test the camera under extreme conditions. If you want to order the S1HII and you would like to support us, you can use our affiliate Links – it is not more expensive to you, but we get a little something for the tip jar. Thank you so much!!! B&H https://bhpho.to/3QU67pH Disclaimer: We where invited to the Panasonic event in Tromø but we neither received financial compensation nor a camera in exchange for this review – therefor it is not marked as a paid promotion. We simply state our honest opinion after a total of two weeks with the camera. That is a brief time and the camera is a pre production model, so, take everything with a tiny grain of salt. Our Lynch & Kubrick members Members can download their ActionPacks with Footage/Timeline/Grade/LUT of our Short “Follow The Light” in the Members–Section of our YouTube Home Page https://www.youtube.com/@MediaDivision/membership Thank you Luca Bono for filming me in Tromsø and for letting me use a couple of your shots Check out Lucas Channel/Review here: https://www.youtube.com/@LucaBono.Studio Here is a link to the official SONY IMX366 Product Information https://www.sony-semicon.com/files/62/pdf/p-13_IMX366AJK_Flyer.pdf –––––––––––––––––––––––––––––––––– Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Talk to us an our community: Closed Facebook Group: https://www.facebook.com/groups/mediadivision2 Business and collaboration inquiries info@media-division.de ––––––––––––––––––––––––––––––––– MUSIC Music licences by Artlist To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: bit.ly/artlist-mediadivision #LumixS1RII #Panasonic #Lumix 00:00 - Overview 01:25 - S1RII Key Features 03:53 - In the Artic Circle 05:53 - 8K for Filmmaking? 07:25 - Sample Short Film 09:33 - Download Footage 09:49 - A New Sensor - IMX366 11:55 - Extended Dynamic Range & ISO 13:00 - Rolling Shutter (vs S5IIx) 13:55 - Low Light (vs S5IIx) 15:30 - (almost) No Light 19:26 - Frame Rates & Slow Motion 20:11 - Codecs: ProRes RAW, ProRes HQ, HEVC 21:38 - Stabilisation 22:35 - Auto Focus 25:12 - Handling 27:12 - The Future 28:11 - Verdict Lumix S1RII Test & Review – Amazing Stabilisation, Low Light, Internal 8K RAW – A Filmmakers view

How can YOU create cinematic films?! We distilled a decade of experience into 2 hours of super condensed information. What is important and what is not, where should you invest your time and money, and we deal with misconception. We explain the basics, evaluate cameras & lenses, talk about acting, directing, art direction, choosing locations, costumes, props, lighting, composition, staging, and post with examples and advice. Did we arrive at a point where the camera is neglectable? We are going deeper into technical qualities like resolution, dynamic range, and of course we go into the relevance of lenses… anamorphic, vintage, spherical… cheap and legendary… we are going to pitch kit lenses against vintage and cine lenses. Can you tell the difference or is the lens choice largely irrelevant to an cinematic image. We also included a tutorial on how to emulate film looks and how we created our Silence of the Lambs spoof "Breaking The Silence" Our Lynch & Kubrick members Members can download their ActionPacks in the Members–Section of our YouTube Home Page https://www.youtube.com/@MediaDivision/membership –––––––––––––––––––––––––––––––––– Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Talk to us an our community: Closed Facebook Group: https://www.facebook.com/groups/mediadivision2 Business and collaboration inquiries info@media-division.de Disclaimer: We collaborated with DEHANCER to bring you this episode. Thank you Dehancer! If you want to try Dehancer for free, there is a 2-week trial version for download here:  https://bit.ly/47feS51 If you want to purchase Dehancer, you can get 10% off all Dehancer products (except the iOS app) using our promo code "MEDIADIVISION" during check out. Thank you CineD for letting use use your Labtest results. If you don’t know their awesome Lab test, you find them here: https://www.cined.com/lab-tests/ There is a nice article about this episode on CineD.com https://www.cined.com/how-to-create-cinematic-films-an-entertaining-two-hour-deep-dive-into-all-required-ingredients/ Newsshooter.com covered this as well… thanks a lot Matthew!! https://www.newsshooter.com/2025/02/14/media-divisions-create-cinematic-films-a-recipe-to-the-magic-sauce-that-makes-a-movie-out-of-your-videos/ Fstoppers.com covered this as well… thanks a lot Alex!! https://fstoppers.com/video/what-really-makes-video-cinematic-693038 High Frame Rate Examples (120fps@60fps) Billy Lynn's Long Halftime Walk https://www.youtube.com/watch?v=e7EGV5EON_s https://www.youtube.com/watch?v=7zCywLzJJs8 SHOOTOUT Here are the camera and lens combos: 01 Alexa | 35mm DZO Arles 02 Mavo | 35mm Canon FD Concave 03 Lumix | 50mm DZO Arles 04 Alexa | 75mm DZO Pavo 2x Anamorphic 05 Alexa | 15mm Contax Zeiss 06 Lumix | 20–60mm Lumix Kit Zoom 07 Mavo | 35mm DZO Arles 08 Alexa | 55mm Canon FD Aspherical 09 Mavo | 50mm DZO Arles 10 Mavo | 15mm Contax Zeiss 11 Alexa | 50mm DZO Arles 12 Mavo | 55mm Canon FD Aspherical 13 Alexa | 35mm Canon FD Concave 14 Lumix | 55mm Canon FD Aspherical 15 Mavo (s35 mode) | 75mm DZO Pavo 2x Anamorphic All combos have been shot around f/4 and 800 ISO in the best internal codec of each camera: Alexa: 3.4K OpenGate | ArriRAW Mavo: 6K FF Open Gate | ProRes 4444XQ | 4:4:4 Lumix: 6K FF Open Gate | h265 | 4:2:0 ––––––––––––––––––––––––––––––––– Movie scenes in the intro (in order of appearance): Cinema Paradiso (1988), 2001: A Space Odyssey (1968), American Beauty (1999), Blade Runner (1982), Delicatessen (1999), Brazil (1985), Dreams (1990), The Neon Demon (2016), Full Metal Jacket (1987), Blade Runner (2017), Dune Part Two (2024), The Neon Demon (2016), Hail Caesar (2016), The Matrix (1999), 2001: A Space Odyssey (1968), Inception (2010), Shutter Island (2010), The Wizard of Oz (1939), 2001: A Space Odyssey (1968) ––––––––––––––––––––––––––––––––– MUSIC Music licences by Artlist To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: bit.ly/artlist-mediadivision Intro Music licences by Epidemic Sound #filmmaking #cinematic #masterclass 00:00 - Intro & Contents 03:43 - Breaking the Silence Spoof 06:25 - What is cinematic PART I - THE BASICS 08:06 - About the story 09:59 - Frame Rate & Morion Blur 14:18 - Your Image is to Sharp PART II - THE GEAR 16:22 - The History of Cine Cameras 24:29 - The Format 26:49 - Resolution 29:25 - Dynamic Range 35:28 - Cine Lenses 43:02 - The Shootout PART III - In Front of the Camera 55:59 - Directing 1:04:53 - Art Direction 1:07:25 - Location 1:10:21 - Costumes, Props & Make Up 1:14:46 - Lighting 1:26:12 - Composition & Staging PART IV - The Post 1:35:12 - The Look of Movies 1:38:29 - Film Emulation 1:43:31 - Tutorial 1:59:34 - A Recipe 2:02:54 - The Division Salutes Partners & Members Create CINEMATIC Films – A Deep Dive into how you can create Movie Magic yourself

DZO just announced a pair of new Probe zoom lenses called X-Tract. Yes! Probe zoom lenses! An industry first! The X-Tract are 18–28mm Full Frame zoom lenses with a T8 aperture and a 2.1 Magnification. For now, there is a straight version and a 90° version and a 360° version will follow in spring. They have very interesting features like: - 6mm close focus - parfocal - minimal breathing - 145mm length - 360° locking rotation They will be available an interchangeable PL/EF/other mount They are built like tanks and of course they are water and and dust proof. Price is around 3.500 USD per lens We tested them thoroughly for performance, breathing, vignetting, stability, and of course if they are parfocal. As everything about these probe lenses sounds so delicious, we made a little barbecue with them. Our upcoming episode will show you how you can create beautiful mini explosions for stunning plasma effects in your projects – just like we did with our own logo. Hit subscribe and activate notification so you see when the new episode comes out! See you there soon!

This is so hot, that we have to spill some beans upfront, so this is just a sneak peak. Our review episode will launch in a few weeks. DZO just announced a pair of new Probe zoom lenses called X-Tract. Yes! Probe zoom lenses! An industry first! The X-Tract are 18–28mm Full Frame zoom lenses with a T8 aperture and a 2.1 Magnification. For now, there is a straight version and a 90° version and a 360° version will follow in spring. They have very interesting features like: - 6mm close focus - parfocal - minimal breathing - 145mm length - 360° locking rotation They will be available an interchangeable PL/EF/other mount They are built like tanks and of course they are water and and dust proof. Price is around 3.500 USD per lens We tested them thoroughly for performance, breathing, vignetting, stability, and of course if they are parfocal. As everything about these probe lenses sounds so delicious, we made a little barbecue with them. Our upcoming episode will show you how you can create beautiful mini explosions for stunning plasma effects in your projects – just like we did with our own logo. Hit subscribe and activate notification so you see when the new episode comes out! See you there soon!

Get ready for an adventure in the macro realm, when we recreate iconic sequences from cinematography. We also test & review the new Laowa Sword cine macro lenses #macrolens #cinelens #laowasword Macro Lenses open a whole world of technical possibilities and perspectives that are impossible to achieve with normal lenses. Macro and extreme close ups can play an important role in cinematic storytelling, in product videography, Stop-Motion work and in practical effects. To explore Macro techniques, we recreated David Fincher's iconic MINDHUNTER title sequence – and, of course we gave it our very own twist. We will take you behind the scenes and show you how the different scenes where set up and lit. The LAOWA Sword macro cine lenses cover full frame and offer a wide range of focal lengths starting from 15mm all the way up to 180mm. We will give you test shots and talk about our experience. If you want to watch or share our reimagined titles MACROHUNTER, you can find it here https://www.youtube.com/watch?v=9XBu3Nbsrs4 Here is our Short with all MACROHUNTER sequences next to behind the scenes. https://www.youtube.com/shorts/_Q3kz9t1yEs –––––––––––––––––––––––––––––––––– If you are interested in buying the LAOWA Sword, please consider our affiliate links. It doesn’t cost you a dime more, but we get a little for the tip jar. Thanks a lot! https://laowacine.com/product/sword-macro-cine-full-frame-lens-series/?ref=23 Disclaimer: We collaborated with LAOWA to bring you this episode. As always, we strive to give you our honest opinion based on our experience and our tests. –––––––––––––––––––––––––––––––––– Please join the ranks of the Media Division: https://www.youtube.com/mediadivision... Talk to us an our community: Closed Facebook Group: https://www.facebook.com/groups/mediadivision2 Business and collaboration inquiries info@media-division.de –––––––––––––––––––––––––––––––––– Links to Collaborators and Partners Thank you to the Marmalade and their awesome crew! https://www.themarmalade.com/ Thanks you to Techmoan for the description of the Mindhunter Props https://www.youtube.com/watch?v=mfUBOVhKlEo ––––––––––––––––––––––––––––––––– MUSIC Music licences by Artlist To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: bit.ly/artlist-mediadivision 00:00 - Intro & Contents 02:23 - Extreme close ups in cinema 04:02 - What is a Cine Macro Lens 07:52 - Laowa Sword introduction 13:20 - Laowa Sword Lens Test 18:15 - Reimagining the Mindhunter titles 22:10 - MACROHUNTER 25:48 - Making of & Tutorial 29:10 - Staging Marie – Skull shots tutorial 32:12 - The Verdict 34:19 - Laowa Aurogon introduction 37:19 - Thank You

MACROHUNTER #short #mindhunter #cinematography #filmmaking This is a cinematography experiment for fun and education. If you want to go behind the scenes an get a tutorial on how we shot this, head over to our free Masterclass here: https://www.youtube.com/watch?v=sJrw5geAqlo

This is a cinematography experiment for fun and education. If you want to go behind the scenes an get a tutorial on how we shot this, head over to our free Masterclass here: https://www.youtube.com/watch?v=sJrw5geAqlo #mindhunter #cinematography #filmmaking

Laowa Sword Cine Macro#mindhunter #LaowaSword #cinelens #macro This is a cinematography experiment for fun and education shot on the new Laowa Sword. If you want to go behind the scenes an get a tutorial on how we shot this, head over to our free Masterclass here: https://www.youtube.com/watch?v=sJrw5geAqlo

Recreating Mindhunter with Behind the Scenes #mindhunter #cinematography #filmmaking This is a cinematography experiment for fun and education. If you want to go behind the scenes an get a tutorial on how we shot this, head over to our free Masterclass here: https://www.youtube.com/watch?v=sJrw5geAqlo

Tiny but fast Cine lenses - the Typoch Simera-C fit in the palm of your hand while still delivering an impressive speed of T1.5 for all focal lengths. That makes many things a lot easier. Handheld and gimbal shooting, on Steadicams and Gyros, to use in narrow spaces, and on helmet and body mounts. The compact build and low weight also helps with traveling and low profile work. We are going to test the Simera-C, and try some interesting rigging for our short “Roadkill” that is shot exclusively at T1.5. We also show you how the Simera-C work in our real world test, shooting a documentary about a recording session of “The Tennessee Kids” - Justin Timberlakes band. Watch our Short Roadkill here: https://www.youtube.com/watch?v=6CRxilm1eko Watch “Hamburg Session” with the Tennessee Kids here: https://www.youtube.com/watch?v=wN-a1HWxhEI –––––––––––––––––––––––––––––––––– If you are interested in buying the Typoch Simera-C, please consider our affiliate links. It doesn’t cost you a dime more, but we get a little for the tip jar. Thanks a lot! FOR US BUYERS – B&H The whole set of Simera-C https://www.bhphotovideo.com/c/product/1857842-REG/thypoch_tp_sc4p_e_simera_c_cine_4_lens_kit.html/BI/23522/KBID/28987 28mm Simera-C https://www.bhphotovideo.com/c/product/1850225-REG/thypoch_tp_sc2815_e_simera_28mm_t1_5_sony.html/BI/23522/KBID/28987 35mm Simera-C https://www.bhphotovideo.com/c/product/1850226-REG/thypoch_tp_sc3515_e_simera_35mm_t1_5_sony.html/BI/23522/KBID/28987 50mm Simera-C https://www.bhphotovideo.com/c/product/1850227-REG/thypoch_tp_sc5015_e_simera_50mm_t1_5_sony.html/BI/23522/KBID/28987 75mm Simera-C https://www.bhphotovideo.com/c/product/1850229-REG/thypoch_tp_sc7515_e_simera_75mm_t1_5_sony.html/BI/23522/KBID/28987 BUYERS IN EU - TELTEC The whole set of Simera-C https://clickfi.re/NDxt2QnP 28mm Simera-C https://clickfi.re/seXTxdp8 35mm Simera-C https://clickfi.re/5rB4UvYq 50mm Simera-C https://clickfi.re/E0JtCdkw 75mm Simera-C https://clickfi.re/rhwEM3s0 BUYERS IN THE UK –WEX https://tidd.ly/4eMfSAe Disclaimer: We collaborated with DZOfilm to bring you this test episode. As always, we strive to give you our honest opinion based on our experience and our tests. –––––––––––––––––––––––––––––––––– Please join the ranks of the Media Division: https://www.youtube.com/mediadivision... Talk to us an our community: Closed Facebook Group: https://www.facebook.com/groups/mediadivision2 Business and collaboration inquiries info@media-division.de –––––––––––––––––––––––––––––––––– Links to Collaborators and Partners Thank you for collaborating Morty Morty Films https://www.youtube.com/mortyfilms Thanks for playing our Roadkill Max Heinemann https://www.instagram.com/maxheinemann_official ––––––––––––––––––––––––––––––––– MUSIC Music licences by Artlist To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: bit.ly/artlist-mediadivision #Simera-C #cinelens #typoch 00:00 - Intro & Contents 01:48 - Overview of the Simera-C 03:00 - Specs & Features 05:55 - Typoch Who? 09:03 - Lens Test 14:17 - Shooting a Short film with the Simera-C 15:19 - ROADKILL 17:39 - Behind the Scenes & VFX 23:18 - The Rifle Scope 25:48 - Documentary work with The Tennessee Kids 30:51 - The Verdict 33:55 - Thank You

ROADKILL | A man reaching the end of his road… A short film produced by the Media Division in September 2024 Watch a behind the scenes and VFX breakdown on the Media Division Episode "Cine lenses that can fit in the palm of your hand" Releasing on October 15th CREW Director & DoP Nikolas Moldenhauer 1st AC Moritz 'Morty' Fischinger Runner Max Heinemann Driver Guido Ceasar Music Willow McKenna Music licensed by Artlist.io Cameras: Kinefinity Mavo LF Mk2 / Sony FX3

A quick guide on how to inspect and identify different kinds of lens defects: Scratches, Cleaning Marks, Haze, Separation, Fungus, Paint damage, Radiation damage, and more. Which damage is acceptable and which you should avoid. This is from our feature length REHOUSING episode… check it out https://www.youtube.com/watch?v=ybxJHUfzCM4 Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join 00:00 - Lens Inspection techniques 01:14 - Scratches 01:52 - Cleaning Marks 02:25 - Balsam Degradation 02:36 - Balsam Separation 02:52 - Lens Haze 03:10 - Fungus 03:31 - Chipping 03:43 - Paint defects 04:08 - Radiation defects 04:25 - UV treatment 04.38 - Iris defects 04:48 - Judging defects

With “The Killer” David Fincher created a masterpiece of cinematic storytelling. In the first act – the Paris hit – Fincher and his team combined three sets in post. They also added typical artefacts like horizontal flares and distortions to give “The Killer” an anamorphic vibe. To learn and explore, we set out to recreate the climax of the first act of the Killer, BUT to do it for real: One real location and real anamorphic lenses. We even developed a way to do film through a real rifle scope – anamorphic of course. This was possible as DZO just introduced three new focal lengths to their awesome PAVO lineup of 2x anamorphic lenses, a 135mm, a 180mm, and a 65mm Macro. This new focal length and the general short minimum focus distance of the PAVO made them the ideal companions to shout our short. We take you behind the scenes, share our experiences with you, and of course we show you the result: “The Killers” gives the original a slightly different spin… Find the "stand alone" version of THE KILLERS here: https://www.youtube.com/watch?v=33q44-8AMho Find Mortys version of THE KILLERS here: https://www.youtube.com/watch?v=AWwiP-umIS8 –––––––––––––––––––––––––––––––––– Disclaimer: We collaborated with DZOfilm and got the full PAVO set of 9 lenses to shoot our short. As always, we strive to give you our honest opinion based on our experience and our tests. –––––––––––––––––––––––––––––––––– Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join See what we are cooking up next? Instagram/IGTV: https://www.instagram.com/media.division Talk to us an our community: Closed Facebook Group: https://www.facebook.com/groups/mediadivision2/ Business and collaboration inquiries info@media-division.de –––––––––––––––––––––––––––––––––– Links to Collaborators and Partners Thank you for collaborating Morty Morty Films https://www.youtube.com/@MortyFilms Thank you for the awesome behind the scenes footage Chris! Chris Karibu https://www.instagram.com/chriskaribu Thank you Agent 47 & Agent 48 for our location visit in Paris Follow them on Instagram! Matthias Herrmann https://www.instagram.com/matthias.hash Valentin Loustalet https://www.instagram.com/valentin_lst Thank you Artempel for putting together a "killer" VFX breakdown https://www.youtube.com/watch?v=ytgPetbEemI Thank you Tim from Lemac Film and Digital - Rentals for the Fujinon images https://www.lemac.com.au/ ––––––––––––––––––––––––––––––––– COPYRIGHT We analyse and use The Killer as inspiration under fair use for education of filmmakers. We strongly believe that things like this nurture the cultural relevance of a movie far beyond it’s initial release… and introduces it to a new audience. It is thanks to Netflix that this movie exists and it definitely deserves your love for that. If you haven’t seen the Killer head over to Netflix and watch it… it is titles like this who make the Netflix worth the subscription. https://www.netflix.com/de-en/title/80234448 MUSIC "How soon is now" written and performed by "The Smith" Licensed through YouTube Creator Music/shared revenue Ad placement and frequency is determined by YouTube!!! Additional music by Artlist To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: bit.ly/artlist-mediadivision #TheKiller #filmmaking #masterclass 00:00 - Intro & Contents 02:48 - The Killer / A Cinematic Masterpiece 03:44 - Subjective Camera Movement 05:00 - Subjective Sound Design 05:41 - Subjective Edit 06:25 - Paris: A Real Fake Location 10:08 - Faking the Anamorphic Look 12:14 - Reimagining The Killer 15:49 - Gear: The Lenses 23:18 - The Rifle Scope 25:01 - Gear: The Cameras 27:45 - Feature: The Killers 31:08 - A Second Killer & Verdict 33:16 - Thank You 34:02 - Member Shout Out

Don't shoot the messenger?! Our short film THE KILLERS puts this metaphoric phrase to the test. The MEDIA DIVISION reimagines the Paris hit of David Finchers THE KILLER. If you are into Cinematography and Filmmaking, we have a free masterclass analysing the original The Killer. We take you behind the scenes and show you how we created THE KILLERS to explore and learn. Find it here: Filmmaking Masterclass: Recreating THE KILLER – Epic Episode #20 https://youtu.be/-gokNjy7mF8 Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join –––––––––––––––––––––––––––––––––– COPYRIGHT We analyse and use The Killer as inspiration under fair use for education of filmmakers. We strongly believe that things like this nurture the cultural relevance of a movie far beyond it’s initial release… and introduces it to a new audience. It is thanks to Netflix that this movie exists and it definitely deserves your love for that. If you haven’t seen the Killer head over to Netflix and watch it… it is titles like this who make the Netflix worth the subscription. https://www.netflix.com/de-en/title/80234448 MUSIC "How soon is now" written and performed by "The Smith" Licensed through YouTube Creator Music/shared revenue Ad placement and frequency is determined by YouTube!!!

To learn and explore, we set out to recreate the climax of the first act of the Killer, BUT to do it for real: One real location and real anamorphic lenses. We even developed a way to do film through a real rifle scope – anamorphic of course. We take you behind the scenes, share our experiences with you, and of course we show you the result: “The Killers” gives the original a slightly different spin…#masterclass #thekiller #anamorphic #DZOPAVO #filmschool #recreatingmoviescenes #davidfincher #sniper #paris #movie

Lens: DZO PAVO 65mm T2.8 MACRO Camera: Kinefinity Mavo LF Mark 2 Focus: DJI Focus Pro

Manual Lens: KIPON IBELUX 40mm f/0.85 Camera: Kinefinity Mavo LF Mark 2 Focus: DJI Focus Pro with DJI Transmission Focus Assist Features

Manual Lens: KIPON IBELUX 40mm f/0.85 Camera: Kinefinity Mavo LF Mark 2 Focus: DJI Focus Pro with DJI Transmission Focus Assist Features

DJI set out to create the Focus system of the future by combining wireless focus pulling with disruptive LiDAR and AI technology. We had access to the Focus Pro before the official announcement to take you on a deep dive… including explaining how the system works, what features it offers, how you set it up, how to rig it, and how you operate it. We tested the Focus Pro in different scenarios including a hole set of stress test that would be impossible for PDAFs and humans… and of course, we tried to fool the AI to figure out the limits. Get some popcorn, and let’s dive into the Future of Focus! Disclaimer: We collaborated with DJI for this episode and we got the DJI Focus Pro and the Transmission system free of charge. As always, we strive to give you our honest opinion based on our experience and our tests. If you would like to buy a DJI Focus Pro, please consider using our affiliate link. It is not more expensive for you, but we get a little something for the tip jar. Thank you so much for supporting our mission. https://click.dji.com/ANb_WHTtfV7agG57QQHcQA?ch=launch-focuspro&pm=custom –––––––––––––––––––––––––––––––––– Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join See what we are cooking up next? Instagram/IGTV: https://www.instagram.com/media.division Talk to us an our community: Closed Facebook Group: https://www.facebook.com/groups/mediadivision2/ Business and collaboration inquiries info@media-division.de –––––––––––––––––––––––––––––––––– Links to Collaborators and Partners Thank you for collaborating Morty Morty Films https://www.youtube.com/@MortyFilms Studio, Crew & Spike Robotic Motion Control The Marmalade https://www.themarmalade.com Our experts for DeLoreans and time machines Autotechnik Wagner https://www.autotechnik-wagner.de Thank you for the awesome behind the scenes footage Chris! Chris Karibu https://www.instagram.com/chriskaribu Thank you for fooling the AI Neville Bharucha MUSIC To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: bit.ly/artlist-mediadivision #DJIFocusPro #autofocus #djimavic 00:00 - Intro & Contents 01:43 - A Disruptive Focus System 04:42 - Nick & Morty - Out of Focus 06:14 - What is the DJI Focus Pro 10:34 - Experiments in Focus 14:38 - Whats in the box 20:33 - Setup & Rigging 24:35 - Features & How it works 33:23 - Test / Focus Pro with Vintage Lenses 35:39 - Test / Focus Pro vs PDAF 38:44 - Test / Focus Pro for Interviews 39:44 - Test / Focus Pro for Anamorphic 42:18 - Test / Focus Pro for Zoom Lenses 44:25 - Test / Focus Pro for Low Light vs PDAF 46:04 - Test / Fooling the AI subject recognition 50:12 - Test & Ideas / Automated Manual Focus 53:13 - Problems with Haze & Behind the Scenes 58:50 - Verdict & Suggestions

Watch the full episode: https://www.youtube.com/watch?v=L6u-qLfRiZA

This episode it is all about rehousing – we are taking you along on the journey to “rehouse” our Canon FD Dreamset. We are going to take the mystery out of that process and give you super valuable tips and tricks, about judging , treating, cleaning, and working with vintage lenses. We flew to China to show you – step by step – what happens in a rehousing process… and there is so much to learn here. We are going to give you a crash course in evaluating vintage lenses, and follow the rehousing process itself. We show you the disassembly, cleaning, machining, assembly, measuring, marking, engraving, painting and testing of our Canon FD set, including a brand new super speed focal length. We also had the chance to compare our FDs with a real K35 set, to do a bit of myth busting. Get some popcorn, strap in… and lets head out to G.L Optics in China! Terms and pricing for G.L optics rehousing: Price for rehousing is 4.000 USD per lens – with a floating element, the pice is 5.000 USD per lens. Delivery time is 2–4 months. G.L optics requires a 30% down payment before production starts. Rush orders & individual designs are possible. G.L Optics can source donor lenses for their customers and pre configured sets are available on https://cinemaglass.com/ For inquiries about your cinema lens rehousing and consulting please contact: G.L Optics West – Americas/Europe/UK/Australia – USA/Los Angeles (PST) office times https://cinemaglass.com/ Contact: Avi Cohen phone +1 (424) 274-1290 info@cinemaglass.com G.L Optics East– China/India/Russia – China/Chengdu office times http://www.glcinemod.com Contact: Nan Guo gl@glcinemod.com G.L Optics on Instagram www.instagram.com/GL_Optics –––––––––––––––––––––––––––––––––– Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join See what we are cooking up next? Instagram/IGTV: https://www.instagram.com/media.division Talk to us an our community: Closed Facebook Group: https://www.facebook.com/groups/mediadivision2/ Business and collaboration inquiries info@media-division.de Links to Collaborators and Partners Avi Cohen https://www.instagram.com/avi_cohen/ Jonathan Fambrough https://www.instagram.com/j_fambrough Chuhang Ma https://www.instagram.com/chuhangma The Marmalade https://www.themarmalade.com MUSIC To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: bit.ly/artlist-mediadivision #rehousing #cinelens #lens Part I - Reasons & Choices 00:00 - Intro & Contents 02:27 - Why Rehousing 04:56 - Cost of Rehousing 06:31 - Suitable for Rehousing 10:27 - Who does Rehousing Part II - The Process 12:38 - The Rehousing journey 15:27 - Exploring G.L Optics 20:44 - Evaluating Lenses 21:59 - Crash Course judging lenses 27:52 - On the Lens Projector 29:36 - Disassembly & Cleaning 32:12 - Machining the Parts 36:45 - Assembly & Measuring 44:41 - Laser Engraving 46:13 - Painting 48:09 - Second Assembly Part III - The Result 50:16 - Testing & Quality Control 51:53 - Canon K35 to Rehoused FD Side by side 54:30 - Consultation & Contact 55:29 - Thank You 57:57 - Member Shoutout 54:00 - Thank you Partners & Members

I had the honour and pleasure to shoot and produce a „behind the scenes“ for a Mtn Dew project brought to life by @the.marmalade Here you can see „visual engineering“ at its best… super cool rigs and robotic motion control… nothing beats the real thing! #shorts #SFXBreakdown #BehindTheScenes

All VFX done in Resolve in the editor. Shot at 75fps, ultra slow motion rendered with speed warp and runway AI. Footage taken from our PAVO test episode on our YouTube channel… link in the bio. #motioncontrol #spike #themarmalade #dzofilm #anamorphic #filmmaking #gunvfx #vfx

We are diving once more deep into the realm of anamorphic shooting, with DZO new 2x anamorphic lenses… the PAVO. Full blown anamorphic cine lenses that try to win the hearts of the community by offering a classic anamorphic look while still being light and small enough to fit smaller production needs… without sacrificing image quality?! All that at a competitive price?! Let’s see if DZOfilm built the one lens to rule them all … we put the PAVO anamorphic lenses to the test. We brought a PAVO set in the studio, and made a shootout against an Atlas Orion. Our test footage has been shot on Alexa, a MAVO, and a Lumix S5IIx. We also included some experiments with anamorphic auto focus using a DJI LiDAR system. After all that we bring the PAVO on location to tell you, how they work in a tough production environment. Instagram/IGTV: https://www.instagram.com/media.division Facebook Group: Media Division https://www.facebook.com/groups/mediadivision2/ Business and collaboration inquiries info@media-division.de The MEDIA DIVISION thanks the crew & partners that made this episode possible: Christian Fritz Max Stahl Marc Schneider Max Hahn Max Heinemann The Marmalade For letting us use the awesome SPIKE motion control system and their studio for free – you are lovely!!! DZOFilm For supplying us with the set of PAVO lenses. Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. #anamorphic #dzofilm #PAVO 00:00 - In this episode 01:18 - Why Anamorphic? 02:31 - Overview of the PAVO 05:20 - Under the hood 11:45 - Test - In the Studio 16:21 - Test - 28mm 18:46 - Test - 40mm 20:38 - Test - 75mm 23:25 - Test - PAVO vs Atlas Orion 25:51 - Test - On Location 28:02 - Shooting experience 31:24 - The verdict 37:55 - Thank you

Anamorphic auto focus using a DJI Lidar on a RS3 Pro and compact DZOFilm PAVO 2x anamorphic cine lenses. Full test of the PAVO lenses on our channel here: https://youtu.be/TBXoYy5ByXk #short #pavo #dzofilm

Everything you need to know about the Tilta Nucleus Nano II in under one minute. Full length review on our channel. #short #nano2 #nanoII

Tilta has turned its entry level wireless focus system into a smart device with a giant touch screen and ton of features at the tip of your finger. The Nucleus NANO II promises to control the focus, zoom, iris, and your camera from a distance – or to remap the focus through of your lenses for super precise control. All that in an easy to use, cost effective, and intriguingly sexy package?! We are going to show you how it works and put it to test in aproduction. If you are interested in purchasing the Tilta Nucleus NANO II please consider using our affiliate link … it doesn't cost you a dime more, but we get a little something for the tip jar. Thank You! US: https://ebay.us/mU3HZ1 EU: https://ebay.us/bSCkpB Please join the ranks of the Media Division: https://www.youtube.com/mediadivision... Instagram/IGTV: https://www.instagram.com/media.division Facebook Group: Media Division https://www.facebook.com/groups/media... Business and collaboration inquiries info@media-division.de The MEDIA DIVISION thanks the crew & partners that made this test possible. The Marmalade For letting us use their studio – you are lovely!!! TILTA For the trust and supplying us with a Nucleus NANO II pre release. Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. #NucleusNanoII #Nano2 #tilta 00:00 - In this episode 01:07 - Why you need wireless focus 03:06 - Whats in the box 03:29 - Overview & specs 04:22 - Rigging & installation 06:13 - Interface & basic functions 08:55 - Test - connection range 11:39 - The verdict 12:49 - Future functions & ideas

Laowa puts the "Pro" in Probe, with a set of three 24mm Probe lenses. T8 speed, a longer reach, a shorter working distance, and an overall improved image quality, make the Pro2be a desirable tool for macro photography, SFX, and tabletop work. A team from The Marmalade and the Media Division will conduct a test with a series of cinematic experiments that expose the possibilities and the quality of these lenses – as well as giving you some interesting background information and education in filmmaking – just to stir your creative juices and to make this as fun as as possible. We are going to create a mini to macro shot, explore a technique called “dry for wet” for a mysterious underwater shot, and wild fluid dynamics in a tank. What do the Laowa Pro2be lenses bring to the table and how much does it mitigate the original Probes achilles heel… that is, the hunger for light. If you are interested in purchasing the Pro2be lenses, please consider using our affiliate link … it doesn't cost you a dime more, but we get a little something for the tip jar. Thank You! https://laowacine.com/product/laowa-24mm-t8-2x-macro-pro2be/?ref=23 Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: https://www.instagram.com/media.division Facebook Group: Media Division https://www.facebook.com/groups/mediadivision2/ Business and collaboration inquiries info@media-division.de The MEDIA DIVISION thanks the crew & partners that made this episode possible: Christopher Klemme Juri Voutta Navid Shahmoradi Max-Leon Stahl Niklas Eichten Daniel Umbhau Andrzej Peck Marc Schneider Julian Rohloff The Marmalade For letting us use the awesome SPIKE motion control system and their studio for free – you are lovely!!! LAOWA For supplying us with the set of LAOWA Pro2be lense. Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. #Probelens #Pro2be #LAOWA 00:00 - In this episode 02:09 - Pro2be Overview & Specs 04:30 - Probe lenses – Opportunities & Problems 08:14 - Test – Comparison 13:39 - Test – Demonstration 15:09 - Experiment – Dry for wet 24:20 - Experiment – Fluids 27:35 - The verdict 29:35 - Thank you & preview

Breaking the Silence… our upcoming spoof for the „Cinematic Episode“ is in post. Here a little process from green screen to composite. The interesting part is, that it turns a static shot into a pan/tilt by coming from a wider shot. #shorts #VFXBreakdown #lowbudgetvfx

We put a LUMIX S5IIx on a Gyro Stabilizer to see what this combo can do in extreme situations… there are obvious limits and the system "kicks" when the turn rate is to high. Still, it produces a unique look that is distinctively different from a gimbal and is a great tool in situations that don't allow for gimbals… like in this one, where a gimbal would immediately be entangled in the thicket.

Quick test what new auto focus solution can do… and what not. PDAF auto focus of the upcoming Panasonic Lumix S5IIx versus the mighty Arri Alexa fitted with a DJI LiDAR focus module (RS 3 Pro is folded and attached to the side of the Alexa M head). Purposefully trying to irritate the systems by walking out of the frame, covering the face, turning away and so on. Both systems have their strengths and weaknesses. Regarding the difference in image quality: Alexa records in uncompressed RAW, while the S5IIx in 4.2.0 h265. Also, the kit zoom is expected to be softer compared to a good prime... vintage or not. I would say that both AF systems have strengths and weaknesses intrinsic to the technology used. LiDAR has more problems with the quick hand movements. #DJILiDAR #LumixS5IIx #shorts

Active Tracking & Auto Focus with an Alexa using the DJI RS 3 Pro with LiDAR… #short

Auto Focus with an Alexa using the DJI LiDAR… works surprisingly well using a Canon FD 35mm Concave at f/4 #shorts

We have a S5IIx prototype and we check out the "X" features. As LIVE streaming is one of the key features, we are going to stream the event live right out of the camera when the information embargo is lifted. Of course we are going to talk external recording, media choices, codecs, AF, IS, and what makes the whole package so attractive. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join #LumixS5IIx #PanasonicS5IIx

Gyro Stabilisers are a lesser common way to stabilise Camera movement. German DoP Jost Vacano perfected the technique in 1981s DAS BOOT, and the tracking shots through the submarine are nothing short of breathtaking, earning him an Academy Award nomination. Gyro Stabilisers maintain a handheld look that adds a sense urgency and a more involvement feel for the audience. A gyro Stabiliser rotates weights with extremely high RPM adding inertia to a system …and produce a siren song to deal with. Just like Gimbal systems, Gyroscopes stabilise the orientation of a system, not their position… this is why we combine it with a Tilta Float adding stabilisation to the position and supporting the weight. We are working on an episode about the subject… let us know if you have questions. #short

70mm film doubles the width of the filmstrip compared to 35mm. The negative is actually a 65mm filmstrip, but the projection Strip is 70mm to house 6 tracks of stereoscopic sound 70mm first became a standard in 1928 under the brand name “Fox Grandeur”. The format was considered too expensive in times of the great depression. In 1952 Todd-AO was introduced to simplify the three-Strip Cinerama process. Panavision developed their own 70mm formats with MGMs Camera 65 The anamorphic process was coined Ultra Panavision 70 and brought us movies like Ben Hur and The Hateful Eight The spherical process was coined Super Panavision 70 and brought us movies like Lawrence of Arabia and 2001: A Space Odyssey IMAX uses the same 70mm film, but moving the film horizontally producing roughly 3 times the surface at a higher aspect ratio. #Short Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join

The name 35mm refers to the width of the filmstrip including perforations. 35mm film is used since the dawn of cinema. A negative is exposed in camera and a positive is used to project the image on a screen. This is called a cinematographic process. The acquisition and projection formats can vary in different processes. Leitz transferred the format in 1918 to photography where the filmstrip is transported horizontally, doubling the frame size. This variant has been used later in cinema too, primarily as an acquisition format under the Brand name Vista Vision. Optical soundtracks reduced the surface for the image and therefore the image quality. Super35 was introduced as an acquisition only format to improve quality and versatility and uses the full width without soundtrack. Super35 is usually shot using 4 perforation hight, but only 3 perforations are used for classic windscreen cinema. Super 35 can be distributed with an added squeeze for anamorphic projection, or for spherical projection with large parts of the print remaining black. #Short Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join

The dolly zoom is also called “Zolly” or “Vertigo Effect” after the initial use of the technique in Hitchcock “Vertigo” The dolly zoom can be found in many movies every since, often used to display a moment of an overwhelming realisation, an altered state of mind, or, an overwhelming sensory experience. The trick is simple… the camera is moving in or out while the Zoom simultaneously zooming out or in. The perspective is changing because the camera is moving. Now the zoom is used to compensate for that change in the field of view. The camera movement can be done on track, on a cart, a slider… the longer the zoom and the dolly is, the more pronounced the effect becomes. The quicker the movement, the more obvious the effect is. More about this in our ZOOM episode https://www.youtube.com/watch?v=dIMTwV3YaVk #Short Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join

Some Vintage lenses are radioactive due to the use of Thorium dioxide before a ban in the mid 70s. Thorium 232 is a metal that has a high refraction index, and spiking lens elements allows for lighter and cheaper optical designs with low aberration and distortions. The Canon FD 55mm Aspherical shows more than 30.000 radioactive decays per minute on the front element. The Decay chain contains progeny isotopes that emit alpha, beta, and gamma radiation, so, a lens cap or even a metal door will not shield you from all radiation. Holding this lens directly at your head for an hour will expose you to radiation comparable to a dental X-ray. While that sounds dramatic, regular use is not a medical concern, But lenses shouldn’t be stored in proximity to humans. There is no known dangers to modern CMOS sensor. Still, it is recommendable not to store radioactive lenses mounted to a camera. Radioactive lenses can get a visible amber tint over time. This is a crystallographic defect called F-center. This can be cured by exposing the lens element to UV-light #Short Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join

This is the HDR Version of the experimental short "The Iron Sea" Find the Epic episode about the film and the camera here: https://www.youtube.com/watch?v=-4uzyhbDFas This is completely shot on an experimental camera to create images with "impossible" shallow depth of field. It would require a 29mm f/0.3 lens on a 35mm movie camera camera to match. A lens that is absolutely impossible to build. Graded by digital colorist Filippo Cinotti / Plasma Production https://www.instagram.com/filippo_cinotti If you want to know how we realised this film watch our EPIC EPISODE f0.3 – The Impossible Lens – Building an experimental ultra shallow DoF camera Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision Come along with us as we explore the connection between lens speed, depth of field, and format. Show you how we combined two large format cameras, and designed a precise motorised focus system. We take you behind the scenes and show you how we shot or short above and below the surface. We experiment with large format cameras, ground glass, light, DoF adapters , and film with a massive spy plane lens.

Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision We set out on a journey to capture the unseen… an image that is impossible to capture with any conventional camera. We built a unique large format movie camera with the massive Leica lens that is equivalent to an impossible 29mm f0.3 lens. Come along with us as we explore the connection between lens speed, depth of field, and format. Show you how we combined two large format cameras, and designed a precise motorised focus system. We take you behind the scenes and show you how we shot or short above and below the surface. We experiment with large format cameras, ground glass, light, DoF adapters , and film with a massive spy plane lens. Check out the HDR Version of the Short “The Iron Sea” https://www.youtube.com/watch?v=4upX2OGsfbY Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join All members can watch our satellite episode, with DIY explanations on how to build a DoF camera. With components and details, tips for transport and shooting, and some other interesting thoughts. “Making a Monster” can be found here: https://youtu.be/oSfMYiwD1eM Our Action Pack for this episode contains the original Resolve project for “The Iron Sea” with grades, LUTS, and all footage in 6K 10bit ProRes HQ. 70GB of footage to play edit and grade with. Lynch or Kubrick members can download their Action Pack here: https://www.youtube.com/c/MediaDivision/community See what we are cooking up next? Instagram/IGTV: https://www.instagram.com/media.division Talk to us an our community: Closed Facebook Group: https://www.facebook.com/groups/mediadivision2/ OSEE G7 ultra bright (3.000 nits) affiliate link https://amzn.to/3WBybPd Business and collaboration inquiries info@media-division.de Links to Collaborators and Partners Maximilian Haan (DoP) https://www.instagram.com/maximilianhaan Max Heinemann (Actor) https://www.instagram.com/maxheinemann_official Filippo Cinotti / Plasma Production (Digital Colorist) https://www.instagram.com/filippo_cinotti Raphaël Félix Goutte / Fasquelcameras (ground glass and large format cameras) https://linktr.ee/fasquelcameras Paul Schumann & The Marmalade https://www.themarmalade.com MUSIC To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: bit.ly/artlist-mediadivision #LargeFormatMovieCamera #DoFCamera #impossiblelens 00:00 - Intro & Contents 02:02 - Depth of Field explained - Part I Part I - What you need to know 05:06 - A small history of Large Format 07:10 - Depth of Field explained - Part II 08:20 - Equivalency of Lenses 09:40 - 8x10 Large format lenses 10:30 - Hektor - a fast large format lens Part II - Capturing the impossible 11:55 - Creating an intermediate image 15:33 - DoF Adapter 16:32 - Building the Camera 17:58 - Focussing f0.3 19:00 - DIY Motorised Focus 21:20 - The Secret Sauce 22:25 - The Collimator 24:24 - The problem with Fresnel lenses 25:47 - Ground Glass Part III - Creating a Short 27:28 - The Iron Sea (shot at f0.3 equivalent) 30:56 - HDR 31:40 - Channel message 38:33 - Behind the Scenes Part IV - Food for Thoughts 44:40 - Hektor vs a normal lens 45:48 - Even larger - using a spy plane lens 47:08 - Tilt shift 48:04 - The Large Format look 50:19 - Thank you Partners & Members

What if Kubrick shot THE SHINING on 8x10 large format instead of super35? Let's assume he would have shot with a 300mm at f5.6. This unveils what it would have looked like. Ultra shallow depth of field. Experimenting with shallow Depth of Field for the upcoming Epic Episode on the MEDIA DIVISION. Please subscribe and activate notifications to watch the full episode when it is released. https://www.youtube.com/mediadivision #Shorts

Quiz: Who is talking there? Please subscribe and activate notifications to watch the full episode when it is released. https://www.youtube.com/mediadivision #Shorts

Zoom lenses are different. Beloved by some of the greatest filmmakers and frowned upon by others, zoom lenses open creative possibilities and speed up the process. In this episode we show how zoom lenses have been used in cinematography, and why. We explain optical and mechanical principles of zoom lenses, explore features that are desirable and search for the ideal filmmaking zoom. We explain and execute a dolly zoom and many other interesting things you can only do with a zoom lens… at lens bending speeds. We will show you some techniques like extending a camera move or masking zooms. We also test the affordable DZO Catta ACE Zooms that bring cine zoom features to owner operators. As a bonus, we are going to use our anamorphic adapters to create anamorphic cine zoom lenses. So, lay back and zoom in! Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: https://www.instagram.com/media.division Facebook Group: Media Division https://www.facebook.com/groups/mediadivision2/ Business and collaboration inquiries info@media-division.de The MEDIA DIVISION thanks the crew & partners that made this episode possible: Paul Schumann For programming SPIKE and all his help with this episode and others Marie Blanchard For shooting behind the scenes material and eeing super helpful on set The Marmalade For letting us use the awesome SPIKE motion control system and their studio for free – you are lovely!!! DZOfilm For supplying us with the set of Catta ACE Zooms without which this episode wouldn't have been possible. The Catta ACE bundle will be available on Black Friday for $6.799 Please check B&H link below for Dzofilm's Black Friday activity: https://www.bhphotovideo.com/c/search?q=Catta%20&sts=ma or find the nearest local dealers in below: https://www.dzofilm.com/dealers/ Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. #Zoomlens #dollyzoom #DZOfilm 00:00 - In this episode 01:40 - Zooms in cinematography 05:35 - How a zoom works 07:27 - Ideal filmmaking zooms 10:36 - DZO Catta Ace zooms 13:34 - Lens test 19:32 - Zoom techniques 20:56 - The crash zoom 21:54 - The dolly zoom 24:50 - High speed zoom 26:40 - Anamorphic zoom 30:50 - Resume & tips 31:33 - Thank you

Today we are going to review a 21.5 inch production monitor that sports a whooping 1.500nits brightness… This extraordinary brightness comes in very handy in demanding environments, like brightly light studios, and of course, when shooting in direct sunlight. The OSEE LCM215-HDR+ 21.5 inch monitor can serve as production, field, and broadcast monitor. We will see how good we can put the nits to work with a test on a blindingly bright high speed shooting as well as in direkt sunlight. Of course we will look at the features, connectors, power consumption, transportation options, and usability. Where to buy (affiliate): https://bit.ly/osee_ultrabright USE the coupon code MEDIADIVISION for $20 off Product Website: https://www.osee-dig.com/lcm215hdrplus.html Instagram/IGTV: https://www.instagram.com/media.division Facebook Group: https://www.facebook.com/groups/mediadivision2/ Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Business and collaboration inquiries info@media-division.de Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision 00:00 - Intro 01:29 - What we where looking for 02:39 - Why you need a field monitor 05:01 - Features of the OSEE 21.5 field monitor 07:58 - Testing 1500nits brightness 11:52 - Power options & run time test 15:14 - Transportation 16:27 - Verdict #ultrabright #fieldmonitor #osee

#sponsored d It is the last part of our series about anamorphic lenses in cinema… and shooting anamorphic yourself for that extra sweet cinematic look. SCOPE Chapter Three is all about putting together an anamorphic setup that works for you… with many experiments, tips, tricks and modding guides. We will be explore Bokeh Design, compare vary diopters and look into how to achieve close focus on a budget. We are going to experiments with anamorphic zooms that will give you those Tarantino crash zooms, explain how to enhance anamorphic flares, for example by adding glass or removing the coating from elements… and we will modd existing lenses to more practical setups. If you are new to the scope series we definitely recommend to start at chapter one to get into the subject with history and formats, why anamorphic was resurrected, explain different anamorphic designs, and venture through the fashion and poetry of SCOPE formats. https://youtu.be/bIhaItLnSR0 Chapter two is our test and comparison episode. The battlefield for everything anamorphic vintage to new – from cine lens to cheap adapter. Here you can find out what you can achieve in what price range. https://youtu.be/YT_MupZp5v4 With the help of some friends from the industry and diving into the world of Blade Runner… we will help you to master anamorphic and get the cinematic image that you desire. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Business and collaboration inquiries info@media-division.de Lynch or Kubrick members can download action packs from SCOPE Chapter One & Two here : https://www.youtube.com/c/MediaDivision/community Instagram/IGTV: https://www.instagram.com/media.division Facebook Group: https://www.facebook.com/groups/mediadivision2/ This are the necessary parts for modding the B&H Dzikri Abdillah makes the lens collar – you can contact him on Facebook https://www.facebook.com/dzikway And this is a fitting helicoid https://ebay.us/5kceKq Here are links to partners, gear used in this video. Tito Ferradans https://www.youtube.com/AnamorphiconaBudget Max from ExoOptic https://www.facebook.com/exooptik https://www.instagram.com/exooptik To rent anamorphic Cine Lenses, please consider our partner CineOne Rental http://bit.ly/CineOne Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision Here are the lenses one can own from the test. Please consider to search and buy using our affiliate links, it doesn’t cost you more, but we get a little something for the tip jar – Thank You and good luck hunting! When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. ISCO Ultra Star US https://ebay.us/kRXzp8 EU https://ebay.us/5LLP1j UK https://ebay.us/dYk4N3 Letus AnamorphX https://bhpho.to/3z8VN1M Angenieux Zoom 28–70mm f/2.6 US https://ebay.us/nJRt6u EU https://ebay.us/2OBtNG UK https://ebay.us/PYr5wX Bell&Howell Single Focus US https://ebay.us/I031Vp EU https://ebay.us/QyJw5g UK https://ebay.us/fGYxE9 SLR Magic Anamorphot 50 US https://amzn.to/2VKX1C1 EU https://ebay.us/5V9ILw UK https://ebay.us/m0Ayag Panasonic LA7200 US https://ebay.us/ZNhGTj EU https://ebay.us/uv0o1C UK https://ebay.us/QCXXD5 And of course there are many many other projector lenses… just roam around, maybe you find something interesting for experimenting and even serious shooting US https://ebay.us/R44at7 EU https://ebay.us/Wk8DiT UK https://ebay.us/pGpgL2 Vari Diopters Vazen Vari Diopter https://bit.ly/3yOkoMB Hardcore DNA http://bit.ly/Rectilux Rapido FVD http://bit.ly/Rapidovari SLR Magic Rangefinder https://amzn.to/3kvtiYb Mounting Rapido FMJ http://bit.ly/rapidoFMJ ISCOProClamp http://bit.ly/thequietworkshop MUSIC To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: https://bit.ly/artlistMD #anamorphic #tutorial #modding 00:00 - Intro & Contents 01:51 - Blade Runner Spoof Part I - BASICS, TEST & EXPERIMENTS 02:48 - Taking Lenses & Rigging 06:46 - Experiment: Entrance Pupil & Field of View 09:53 - Experiment: Distance of Blocks 10:49 - Focussing & Variable Diopters 14:50 - Test: Hardcore DNA vs VAZEN 17:00 - Diopters 18:00 - Test: Rapido Achromat vs Vivitar Kit 19:27 - Anamorphic Zoom Lenses 22:54 - Test: Angenieux 28-70mm 1.33x Zoom Part 2 - MODDING & TUTORIALS 27:37 - Modding 28:50 - Flare modding by adding filters 31:00 - Flare modding by removing coatings 31:36 - Tutorial: ISCO coating removal 34:45 - The dangers of removing coatings 38:32 - ISCOs with different coatings 38:03 - Thank You Cine One 41:02 - Tutorial: B&H helicoid modding 44:27 - Conclusion of SCOPE 45:00 - The division salutes partners & members

The filmmakers guide to the Panasonic Lumix GH6 with all key features, test, and review One cam to do it all… One cam to rule them all… at least in its class. Five years in the making, the GH6 came to take the crown of the Micro Four Third format from his predecessor… the GH5. And as it was to be expected, the GH6 continues the legacy of being an "all in one" powerhouse for filmmakers. We will take a look from a professional filmmakers perspective. We will give you a tour around the camera, the specs, and what they mean. Test the image quality and some of the new features with our short film “Hypnagogia”. Take a deep dive in the key features. Compare the GH6 to the GH5 to find out if it is worth the upgrade . And let you know our first impression. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: https://www.instagram.com/media.division Facebook Group: Media Division https://www.facebook.com/groups/mediadivision2/ Business and collaboration inquiries info@media-division.de Key features for filmmakers: - A new 25 Megapixel sensor - An extended dynamic range… using a method quite similar to the one that gives the Arri Alexa it’s film like look. - Internal ProRes HQ in 5.7Ks - Slow motion galore… that means up to 120fps in 4K, and up to 300 fps in FHD - RAW over HDMI - USB recording - Much improved low light capabilities compared to the GH5 - Improved IBIS and Dual IS - A ton of anamorphic modes - Internal LUTs - Full Vlog - Waveform All that is possible due to a new Venus engine which also requires (a GH first) a fan. It will be in stores beginning of March 2022, and it will cost 2.200 dollars… euros… is supposed to be the same. #GH6 #LUMIX #Panasonic 00:00 - Introduction to the GH6 01:56 - The Legacy 04:02 - Tour around the camera 07:03 - Test film “Hypnagogia” 10:22 - Membership & Action Pack 12:13 - Dynamic Range Boost 13:44 - Slow Motion / High Frame Rate 18:04 - Stabilization - IBIS & Dual IS 21:08 - ProRes & LUT support 24:30 - Auto Focus 28:21 - Battery Life 30:50 - GH6 vs GH5 32:27 - Resume

Breakdown and behind the scenes of our 2001: A Space Odyssey spoof that opens our BS1H Hands On. See the whole Hands On here: https://www.youtube.com/watch?v=RJRzXyqz5yI I only filmed in my small garage and at my desk and used little equipment. A spotlight, a pop up green screen, some displays, a slider, and a DIY rotating mechanism. Everyone can do it. The Space suite is Chinese high altitude gear used in MIG fighter planes – you can buy that from ebay. The hair dryer is attached to the air vent of the helmet and prevents fogging of the visor… better use one that allows to blow air without heating. We used real images of Jupiter taken by NASAs Juno probe. The 3D Moon for After Effects uses the free "Orb" plugin and a project file with moon mapping is part of our Action Pack released with the "f0.7" Epic Episode you can download it from the community tab of our channel (free for Lynch & Kubrick members). #shorts #VFXBreakdown #2001:ASpaceOdyssey Music: Also Sprach Zarathustra (feat. Richard Strauss) by Sascha Ende® Link: https://filmmusic.io/song/5730-also-sprach-zarathustra License: https://filmmusic.io/standard-license

Panasonic just announced their 2021 Full Frame Cine Cam – we got one right here and we will put it on the bench. We are going to explore some rigging possibilities and the image quality… and we get lost in space during a 2001 spoof. Instagram/IGTV: https://www.instagram.com/media.division Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Facebook Group: Media Division https://www.facebook.com/groups/mediadivision2/ Facebook group: Panasonic LUMIX S1, S1R, S1H, BSH1 and S5 https://www.facebook.com/groups/PanasonicLumixS YouTube Channel: Bernard Bertrand https://www.youtube.com/BernardBertrand Direct codec comparisons h264, h265, HAVC https://youtu.be/F5Qkj-oQmVY Splitscreen https://youtu.be/F5Qkj-oQmVY?t=899 Astronomical assets curtesy of NASA Music: Also Sprach Zarathustra (feat. Richard Strauss) by Sascha Ende® Link: https://filmmusic.io/song/5730-also-sprach-zarathustra License: https://filmmusic.io/standard-license 00:00 - Opening 00:16 - 2021: A New Cinema Camera 02:19 - The Basics 03:18 - On the Bench 05:48 - Rigging 08:16 - Image 12:16 - Who is the BS1H for

#sponsored We are testing the Contax Zeiss 35–70mm f/3.4 - a popular vintage "all in one" zoom lens with macro function. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles, modding, and so much more: Watch it for free: https://youtu.be/EUjUxKvXgpw You can buy a Contax Zeiss 35–70mm here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Contax Zeiss 35–70mm f3.4 Macro US https://ebay.us/yxDQgy EU https://ebay.us/to8LOi UK https://ebay.us/zrPAHe Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #ContaxZeiss #lenstest #mediadivisionlensarchive

#sponsored We are testing the Contax Zeiss 15mm f/3.5 lens. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles. modding, and so much more: Watch it for free: https://youtu.be/EUjUxKvXgpw You can buy a Contax Zeiss 15mm here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Contax Zeiss 15mm f3.5 US https://ebay.us/nPXG4B EU https://ebay.us/XnW29h UK https://ebay.us/77ZuUS Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #ContaxZeiss #lenstest #mediadivisionlensarchive

#sponsored We are testing the Contax Zeiss 135mm f/2 lens. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. This lens carries the proud nickname "Hollywood" among its fans. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles. modding, and so much more: Watch it for free: https://youtu.be/EUjUxKvXgpw You can buy a Contax Zeiss 135mm here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Contax Zeiss 135mm f2 US https://ebay.us/NKhL81 EU https://ebay.us/FepDby UK https://ebay.us/a2ffWi A budget alternative could be this lens: Contax Zeiss 135mm f2.8 US https://ebay.us/G1FCBL EU https://ebay.us/MXNqOk UK https://ebay.us/2HtFG5 Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #ContaxZeiss #lenstest #mediadivisionlensarchive

#sponsored We are testing the Contax Zeiss 85mm f/1.4 lens. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles. modding, and so much more: Watch it for free: https://youtu.be/EUjUxKvXgpw You can buy a Contax Zeiss 85mm f1.4 here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Contax Zeiss 85mm f1.4 US https://ebay.us/n41eLr EU https://ebay.us/jkWDks UK https://ebay.us/NtKkCM A budget alternative could be this lens: Contax Zeiss 85mm f2.8 US https://ebay.us/ZILIc2 EU https://ebay.us/sTMiXl UK https://ebay.us/Z5a2HF Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #ContaxZeiss #lenstest #mediadivisionlensarchive

#sponsored We are testing the Contax Zeiss 35mm f/1.4 lens. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles. modding, and so much more: Watch it for free: https://youtu.be/EUjUxKvXgpw You can buy a Contax Zeiss 35mm f1.4 here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Contax Zeiss 35mm f1.4 US https://ebay.us/WYtjSK EU https://ebay.us/Lpcn8f UK https://ebay.us/CZqOdG A budget alternative could be this lens: Contax Zeiss 35mm f2.8 US https://ebay.us/dzadyb EU https://ebay.us/YAknkh UK https://ebay.us/g43E4S Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #ContaxZeiss #lenstest #mediadivisionlensarchive

#sponsored We are testing the Contax Zeiss 28mm f/2 lens. The Contax Zeiss lens lineup where released at the same time Zeiss offered their legendary Super Speed Cine lenses and they share many traits in design and glass. This lens carries the proud nickname "Hollywood" among its fans. The Contax Zeiss are very thought after lenses for filmmakers delivering a very nice balance between image quality and vintage traits while providing a long focus throw and sturdy built. They are very easy to mod to EF or to adapt to shorter flange mounts Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, battles, modding, and so much more: Watch it for free: https://youtu.be/EUjUxKvXgpw You can buy a Contax Zeiss 28mm "Hollywood" here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Contax Zeiss 28mm f2 “Hollywood” US https://ebay.us/1reHOW EU https://ebay.us/Q3JIO3 UK https://ebay.us/QF5MdP A budget alternative could be this lens: Contax Zeiss 25mm f2.8 US https://ebay.us/VkpVun EU https://ebay.us/jDuwzx UK https://ebay.us/HRqoi8 Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #ContaxZeiss #lenstest #mediadivisionlensarchive

#sponsored The legendary Zeiss Super Speed 50mm f/1.2 cine lens (The Shining, Full Metal Jacket, Lost in Translation) battles the Contax Zeiss 50mm f/1.4 stills lens. The general design and glass is very similar with the added benefit that the Contax Zeiss covers Full Frame – 13.000$ vs 200$ How close are they to each other? Taken from our epic episode "Legendary cine lenses on a budget – Zeiss Super Speeds vs Contax Zeiss" where we build a Contax Zeiss "Super Speed" set, with history, test, modding, and so much more: Watch it for free: https://youtu.be/EUjUxKvXgpw You can buy a Contax Zeiss 50mm here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Contax Zeiss 50mm f1.4 US https://ebay.us/uSsmTx EU https://ebay.us/fjKApr UK https://ebay.us/IdeUFE Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #ContaxZeiss #lenstest #mediadivisionlensarchive

We are testing the surprisingly small and light SLR Magic 25mm f/0.92 – an ultra fast lens built for Micro Four Thirds. It provides a narrow depths of field, usually reserved to Full Frame cameras/lenses – and very high brightness for such a small lens. This lens is an ideal companion for available light filming and photography. Recommendable for Cameras like the Panasonic GH lineup or the Blackmagic Pocket 4K (bmpcc 4K). Watch our epic episode "f0.7 – Ultrafast Lenses". For more test, some background and a wild experiment all around Ultra Fast Lenses Watch it for free: https://youtu.be/2p5E7iXxeQE Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #Uutarfastlenses #lenstest #mediadivisionlensarchive

We are testing the Kipon Ibelux f/0.85 – an ultra fast lens built for super 35 and APS-H sized sensors – probably the fastest lens for the format. It provides a narrow depths of field , usually reserved to Full Frame cameras/lenses – and very high brightness. The Kipon Ibelux is an ideal companion for available light filming and photography. Watch our epic episode "f0.7 – Ultrafast Lenses". For more test, some background and a wild experiment all around Ultra Fast Lenses Watch it for free: https://youtu.be/2p5E7iXxeQE Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #Uutarfastlenses #lenstest #mediadivisionlensarchive

We are testing the massive Zeiss R-Biotar 100mm f/0.7 – an ultra fast industrial lens built by Zeiss Jena for X-Ray machines – this doesn not mena that the lens is radioactive in any way. Unlike many other X-Ray lenses, the R-Biotar covers Full Frame sensors. The ultra fast aperture on the large format allows for unseen narrow depth of field. The focal plane is also curved, introducing a tilt shift effect. This lens requires a 4mm flange at infinity and can only be used on specially modified cameras that allow for this very short flange. If you want to find out, what this lens was built for, how the camera is modified to fit the lens, or the general physics and history of ultra fast lenses as well as testing of "practical" ultra fast lenses, watch our epic episode "f0.7 – Ultrafast Lenses". Watch it for free: https://youtu.be/2p5E7iXxeQE Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #ZeissBiotar #xraylens #lenstest #mediadivisionlensarchive

We are testing the Lomo Square Front 50mm T2.2 – a vintage anamorphic cine lens from the Soviet era with mechanical synchro design. Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: https://youtu.be/YT_MupZp5v4 You can rent a Lomo Square Front 50mm http://bit.ly/CineOne Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #LomoSquareFront #lenstest #mediadivisionlensarchive

We are testing the P+S Kowa Evolution 2x 50mm – a modern anamorphic cine lens with mechanical synchro design, with makes it very compact for anamorphic lenses… ideal for gimbal and steadicam work. It is based on the legendary Kowa 35-BS. Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: https://youtu.be/YT_MupZp5v4 You can rent an Altas Orion 80mm http://bit.ly/CineOne Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #AtlasOrion #lenstest #mediadivisionlensarchive

We are testing the Altas Orion 80mm T2 – a modern anamorphic cine lens with variable diopter design. Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: https://youtu.be/YT_MupZp5v4 You can rent an Altas Orion 80mm http://bit.ly/CineOne Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #AtlasOrion #lenstest #mediadivisionlensarchive

We are testing the Altas Orion 40mm T2 – a modern anamorphic cine lens with variable diopter design. Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: https://youtu.be/YT_MupZp5v4 You can rent an Altas Orion 40mm http://bit.ly/CineOne Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #AtlasOrion #lenstest #mediadivisionlensarchive

We are testing the Canon FD 55mm f/1.2 S.S.C – a vintage Full Frame lens, that is optically close to the legendary 55mm Aspherical & K35 Cine Lens of the same focal lengths… but lacking the Aspherical element. The K35 have been used in iconic movies like Aliens and Barry Lyndon, and they are very popular as the are one of the view vintage cine lenses that cover full frame / vista vision sensors. The Canon FD Aspherical are ideal candidates for cine modding or rehousing that had an amazing development in value over the last years. Can the 55mm S.S.C. hold up? Taken from our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: https://youtu.be/v8Il_l3tu6Q You can buy a Canon FD 85mm f/1.2 Aspherical here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!) Canon FD S.S.C. 55mm f1.2 US https://ebay.us/L9BEKW EU https://ebay.us/Qa64fN UK https://ebay.us/GrzDKb ALTERNATIVES (if the 55mm is hard to find) Canon FD S.S.C. 50mm f1.4 US https://ebay.us/bvicUf EU https://ebay.us/ehqU61 UK https://ebay.us/IW7hJT Canon nFD 50mm f1.4 US https://ebay.us/E6EeFR EU https://ebay.us/tPdSEI UK https://ebay.us/Xem50k Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #CanonFD #lenstest #mediadivisionlensarchive

We are testing the Benoist Berthiot S.T.O.P Hypergonar H. Chretien 16mm – an anamorphic projector lens attachment with a nice vintage look and golden flares. Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: https://youtu.be/YT_MupZp5v4 You can buy an Hypergonar 16 here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!) Hypergonar 16 US https://ebay.us/E34RY4 EU https://ebay.us/GmxbH1 UK https://ebay.us/x9G4LN Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #hypergonar #lenstest #mediadivisionlensarchive

We are testing the Bell&Howell Single Focus Anamorphic Projector Lens – a type of lens attachment, that is very rare as it already contains a variable diopter for single focus – Ideal for light and small profile 2x anamorphic setups. Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: https://youtu.be/YT_MupZp5v4 You can buy an Bell&Howell here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!) Bell&Howell Single Focus US https://ebay.us/I031Vp EU https://ebay.us/QyJw5g UK https://ebay.us/fGYxE9 Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #Bell&howell #lenstest #mediadivisionlensarchive

We are testing the ISCO Ultra Star Red, an anamorphic projector lens attachment that is famous for it's sharpness and infamous for it's resistance to flare Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: https://youtu.be/YT_MupZp5v4 You can buy an ISCO Ultra Star here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!) ISCO Ultra Star US https://ebay.us/kRXzp8 EU https://ebay.us/5LLP1j UK https://ebay.us/dYk4N3 Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #iscoultrastar #lenstest #mediadivisionlensarchive

We are testing the SLR Magic Anamorphot 50 1.33x – an affordable anamorphic adapter lens with expressive flares out of the box. Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: https://youtu.be/YT_MupZp5v4 You can buy an SLR Magic Anamorphot 50 here (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!) SLR Magic Anamorphot 50 US https://amzn.to/2VKX1C1 EU https://ebay.us/5V9ILw UK https://ebay.us/m0Ayag If you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #SLRMagicAnamorphot #lenstest #mediadivisionlensarchive

#sponsored We are testing the Canon FD 85mm f/1.2 Aspherical – a vintage Full Frame lens, that is optically identical to the legendary K35 Cine Lens of the same focal length. The K35 have been used in iconic movies like Aliens and Barry Lyndon, and they are very popular as the are one of the view vintage cine lenses that cover full frame / vista vision sensors. The Canon FD Aspherical are ideal candidates for cine modding or rehousing that had an amazing development in value over the last years. Taken from our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: https://youtu.be/v8Il_l3tu6Q You can buy a Canon FD 85mm f/1.2 Aspherical here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Canon FD S.S.C. 85mm Aspherical f1.2 US https://ebay.us/ro3wc1 EU https://ebay.us/JXnOEy UK https://ebay.us/c3dNo4 ALTERNATIVES (as the Aspherical might be hard to find, and is certainly very expensive) Canon nFD 85mm f1.8 US https://ebay.us/5fxeX4 EU https://ebay.us/nq4QY9 UK https://ebay.us/XPXXFm Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #CanonFD #lenstest #mediadivisionlensarchive

The nifty fifty Canon FD 50mm f/1.4 S.S.C battles the Canon FD 50mm f/1.4 nFD – How close are they to each other and the faster Canon FD 55mm f/1.2 S.S.C. Taken from our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: https://youtu.be/v8Il_l3tu6Q You can buy a Canon FD nifty fifty here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!) Canon FD 50mm f/1.4 S.S.C. US https://ebay.us/bvicUf EU https://ebay.us/ehqU61 UK https://ebay.us/IW7hJT Canon FD 50mm f/1.4 nFD US https://ebay.us/E6EeFR EU https://ebay.us/tPdSEI UK https://ebay.us/Xem50k Canon FD 55mm f/1.2 S.S.C. US https://ebay.us/L9BEKW EU https://ebay.us/Qa64fN UK https://ebay.us/GrzDKb Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #CanonFD #lenstest #mediadivisionlensarchive

We are testing the Canon FD 55mm f/1.2 Aspherical – a vintage Full Frame lens, that is optically identical to the legendary K35 Cine Lens of the same focal length. The K35 have been used in iconic movies like Aliens and Barry Lyndon, and they are very popular as the are one of the view vintage cine lenses that cover full frame / vista vision sensors. The Canon FD Aspherical are ideal candidates for cine modding or rehousing that had an amazing development in value over the last years. THIS LENS IS MILDLY RADIOACTIVE due to the use of Thoriated glass. If you have health concerns, or you want to fix the yellowing of the radioactive element, watch our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: https://youtu.be/v8Il_l3tu6Q You can buy a Canon FD 55mm f/1.2 Aspherical here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!) Canon FD S.S.C. 55mm Aspherical f1.2 US https://ebay.us/o1Ut4K EU https://ebay.us/F0FLAK UK https://ebay.us/yDocHx ALTERNATIVES (as the Aspherical might be hard to find, and is certainly very expensive) Canon FD S.S.C. 55mm f1.2 US https://ebay.us/L9BEKW EU https://ebay.us/Qa64fN UK https://ebay.us/GrzDKb Canon FD S.S.C. 50mm f1.4 US https://ebay.us/bvicUf EU https://ebay.us/ehqU61 UK https://ebay.us/IW7hJT Canon nFD 50mm f1.4 US https://ebay.us/E6EeFR EU https://ebay.us/tPdSEI UK https://ebay.us/Xem50k Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #CanonFD #lenstest #mediadivisionlensarchive

We are testing the Canon FD 24mm f/2 mFD and battle it with the Canon FD 24mm f/1.4 Aspherical – How close are they to each other and is it a feasible alternative to the unicorn Aspherical. Taken from our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: https://youtu.be/v8Il_l3tu6Q You can buy a Canon FD 24mm here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!) Canon FD 24mm f/2 nFD US https://ebay.us/H4jjyP EU https://ebay.us/ry8GeG UK https://ebay.us/2hAuzH Canon FD 24mm Aspherical f1.4 S.S.C. US https://ebay.us/zNKsw9 EU https://ebay.us/fj4WZe UK https://ebay.us/OBM9aW Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #CanonFD #lenstest #mediadivisionlensarchive

We are testing the Benoist Berthiot S.T.O.P Hypergonar H. Chretien Hi-Fi-2 35mm – an anamorphic projector lens attachment, that is the big brother oHypergonar 16 and a cheap intro to projector lenses. Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: https://youtu.be/YT_MupZp5v4 You can buy an Hypergonar 16 here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!) Hypergonar 35 US https://ebay.us/dlQCzF EU https://ebay.us/Upb0w3 UK https://ebay.us/1XUlLM Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #hypergonar #lenstest #mediadivisionlensarchive

#sponsored We are testing the Canon FD 35mm f/2 Concave – a vintage Full Frame lens, that is a fan favourite and is often used to expand a Canon FD "Dreamset" of K35 look alike lenses, as Canon never built a 35mm Aspherical FD lens. The K35 have been used in iconic movies like Aliens and Barry Lyndon, and they are very popular as the are one of the view vintage cine lenses that cover full frame / vista vision sensors. The Canon FD Aspherical are ideal candidates for cine modding or rehousing that had an amazing development in value over the last years. The Canon FD 35mm f/2 Concave has very good close focus capabilities and is much lighter than the Canon super speeds. THIS LENS IS MILDLY RADIOACTIVE due to the use of Thoriated glass. If you have health concerns, or you want to fix the yellowing of the radioactive element, watch our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: https://youtu.be/v8Il_l3tu6Q You can buy a Canon FD 35mm f/2 Concave here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Canon FD S.S.C. 35mm Concave f/2 US https://ebay.us/MjVjBJ EU https://ebay.us/UmuKUp UK https://ebay.us/gN7bio ALTERNATIVES (as the Concave might be hard to find, and is certainly very expensive) Canon nFD 35mm f2 US https://ebay.us/sCA47H EU https://ebay.us/HvJ3vx UK https://ebay.us/se1qS9 Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #CanonFD #lenstest #mediadivisionlensarchive

#sponsored We are testing the Panasonic LA7200 1.33x – a classic anamorphic adapter lens with expressive flares out of the box. Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: https://youtu.be/YT_MupZp5v4 You can buy an SLR Magic Anamorphot 50 here (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Panasonic LA7200 US https://ebay.us/ZNhGTj EU https://ebay.us/uv0o1C UK https://ebay.us/QCXXD5 Good luck hunting! If you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #PanasonicLA7200 #lenstest #mediadivisionlensarchive

#sponsored We are testing the Letus Anamorph-X 1.33x – a large anamorphic adapter lens with an extremely wide field of view. Taken from our epic anamorphic episode "SCOPE Chapter Two" that is all about test & practice of anamorphic cine lenses, attachments & adapters: Watch it for free: https://youtu.be/YT_MupZp5v4 You can buy an Letus Anamorph-X here (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Letus AnamorphX https://bhpho.to/3z8VN1M If you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #LetusAnamorphX #lenstest #mediadivisionlensarchive

#sponsored We are testing the Canon FD 24mm f/1.4 Aspherical – a vintage Full Frame lens, that is optically identical to the legendary K35 Cine Lens of the same focal length. The K35 have been used in iconic movies like Aliens and Barry Lyndon, and they are very popular as the are one of the view vintage cine lenses that cover full frame / vista vision sensors. The Canon FD Aspherical are ideal candidates for cine modding or rehousing that had an amazing development in value over the last years. Taken from our epic episode "Canon FD & K35 – Legendary cine lenses on a budget" where we build a Canon FD "Dreamset", with history, modding, test, talk about radioactive Thorium and so much more: Watch it for free: https://youtu.be/v8Il_l3tu6Q You can buy a Canon FD 24mm f/1.4 Aspherical here: (please consider to search and buy using our affiliate links… it’s not more expensive for you, but we get a little something if you use these links… thank you for your support!). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. Canon FD S.S.C. 24mm Aspherical f1.4 US https://ebay.us/zNKsw9 EU https://ebay.us/fj4WZe UK https://ebay.us/OBM9aWCanon FD,Canon K35,vintage lenses,cine lenses,lenses,Aliens,S.S.C,Super Spectra Coating,Rehousing,aspherical,thorium,lens radiation,Canon FD 85mm,dreamset,FD Dreamset,Canon FD 85mm f1.2 ALTERNATIVES (as the Aspherical might be hard to find, and is certainly very expensive) Canon nFD 24mm f2 US https://ebay.us/H4jjyP EU https://ebay.us/ry8GeG UK https://ebay.us/2hAuzH Canon nFD 24mm f2.8 US https://ebay.us/BRBKUG EU https://ebay.us/VLG1lF UK https://ebay.us/4a9UMq Good luck hunting… if you have questions, you can comment below this video or get feedback from our community in our closed Facebook group: https://www.facebook.com/groups/mediadivision2/ Kubrick members of our channel can get "one on one" consulting for buying and shooting with this or other lenses, as well general advice for your channel, project, or advancing you development as a filmmaker. https://www.youtube.com/mediadivision/join If you just want to know what we are cooking, follow us on Instagram: https://www.instagram.com/media.division More awesome lens test in the MEDIA DIVISION Lens Archive https://www.youtube.com/playlist?list=PLeWy5P5CqIiMT39xef3mCSGU7psiRcer_ #CanonFD #lenstest #mediadivisionlensarchive

This is a breakdown of our projector fly through sequence as featured in the SCOPE episodes. See the whole epic episode here: https://www.youtube.com/watch?v=YT_MupZp5v4 #shorts #VFXBreakdown #LaowaProbeLens

This is a breakdown and behind the scenes of our BLADE RUNNER spoof that opens our feature length episode on Anamorphic lenses SCOPE Chapter Two. See the whole epic episode here: https://www.youtube.com/watch?v=YT_MupZp5v4 We have a more detailed "Filmemulation Deep Dive" tutorial available to all our members. To gain access, please become a member starting at 99cents a month: https://www.youtube.com/mediadivision/join #shorts #VFXBreakdown #BladeRunner

#sponsored Our epic anamorphic journey continues. SCOPE Chapter Two is all about shooting and testing anamorphic lenses of all kinds and budgets. We are evaluating pros and cons of anamorphic adapters, projector lenses, and full blown anamorphic cine lenses… and, we are going to pitch them straight against each other Let's see, what image can make your heart sing. We are going to talk to Forrest and Dan from Atlas Lens Co with exclusive Atlas Orion Silver edition footage. We compare original Cinemascope Baltars to modern lenses, and talk about anamorphic in photography. We strongly recommend that you watch SCOPE CHAPTER ONE first. https://youtu.be/bIhaItLnSR0 Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Lynch or Kubrick members can download their action pack here: https://www.youtube.com/c/MediaDivision/community Instagram/IGTV: https://www.instagram.com/media.division Facebook Group: https://www.facebook.com/groups/mediadivision2/ Here are links to partners, gear used in this video. Dan & Forrest discuss past, present, and future of anamorphic https://studio.youtube.com/video/XywIoRoy1OE Dierk Hagedorns awesome books on medieval armoured combat https://amzn.to/3igINAG https://amzn.to/3Bdbres https://amzn.to/3krWmju Tito Ferradans https://www.youtube.com/AnamorphiconaBudget Dick Sweeney https://www.dicksweeney.com https://www.rikkards.com Max from ExoOptic https://www.facebook.com/exooptik https://www.instagram.com/exooptik To rent anamorphic Cine Lenses, please consider our partner CineOne Rental http://bit.ly/CineOne If you want to become an owner/operator, Atlas Orions are a good option http://bit.ly/AtlasLensCoShop Here are the lenses one can own from the test (please consider to search and buy using our affiliate links). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. ISCO Ultra Star US https://ebay.us/kRXzp8 EU https://ebay.us/5LLP1j UK https://ebay.us/dYk4N3 Hypergonar 16 US https://ebay.us/E34RY4 EU https://ebay.us/GmxbH1 UK https://ebay.us/x9G4LN Hypergonar 35 US https://ebay.us/dlQCzF EU https://ebay.us/Upb0w3 UK https://ebay.us/1XUlLM Bell&Howell Single Focus US https://ebay.us/I031Vp EU https://ebay.us/QyJw5g UK https://ebay.us/fGYxE9 Kowa 8z US https://ebay.us/WngQvK EU https://ebay.us/vbu0Pa UK https://ebay.us/YD5MiF Letus AnamorphX https://bhpho.to/3z8VN1M SLR Magic Anamorphot 50 US https://amzn.to/2VKX1C1 EU https://ebay.us/5V9ILw UK https://ebay.us/m0Ayag Panasonic LA7200 US https://ebay.us/ZNhGTj EU https://ebay.us/uv0o1C UK https://ebay.us/QCXXD5 Here are some other popular options (we haven’t used any of these) Sanktor US https://ebay.us/Rs5bey EU https://ebay.us/LxGup0 Elmoscope US https://ebay.us/elPP5J EU https://ebay.us/CXCnR4 B&H US https://ebay.us/zkSfwx EU https://ebay.us/HZWzO5 And of course there are many many other projector lenses… just roam around, maybe you find something interesting for experimenting and even serious shooting US https://ebay.us/R44at7 EU https://ebay.us/Wk8DiT Vari Diopters Hardcore DNA http://bit.ly/Rectilux Rapido FVD http://bit.ly/Rapidovari SLR Magic Rangefinder https://amzn.to/3kvtiYb Mounting Rapido FMJ http://bit.ly/rapidoFMJ ISCOProClamp http://bit.ly/thequietworkshop #anamorphic #scope #lenstest 00:00 - Intro & Contents 03:45 - Blade Runner Spoof Part I - ROADS TO AN ANAMORPHIC IMAGE 06:12 - Panavision & Co 07:20 - Goals of our test 09:13 - Types of anamorphic solutions 10:02 - Aspect ratios 13:04 - Resolution 15:01 - Sensor sizes 18:56 - Setting up a torture chamber for lenses Part 2 - TEST 24:11 - Cine lenses 25:56 - P+S Kowa Evolution 50mm 28:48 - Lomo Squarefront 50mm 31:36 - Atlas Orion 80mm 34:45 - Atlas Orion 40mm 36:50 - Cine lens conclusions 38:03 - Thank You Cine One 39:16 - Unicorn dreaming with Atlas Lens Co 44:26 - Bausch&Lomb Cinescope Baltars vs Atlas Orion 48:03 - Anamorphic projector attachments - Problems & Solutions 56:34 - ISCO Ultra Star Red 1:01:01 - H. Chretien Hypergonar 16 1:04:48 - H. Chretien Hypergonar 35 1:08:57 - Bell&Howell 1:11:55 - Kowa 8z 1:14:12 - Projector attachments conclusions 1:15:17 - A Knights Tale 1:18:33 - Anamorphic Adapters 1:21:23 - SLR Magic Anamorphot 1.33x 50 1:24:40 - Letus Anamorph-X 1.33x 1:29:35 - Panasonic LA7200 1:34:01 - Adapters conclusions 1:35:22 - Anamorphic test conclusions 1:36:30 - Battle of the lenses – Anamorphic vs Anamorphic Part 3 - Beyond normal Anamorphic 1:42:01 - Talk to Tito 1:44:20 - Creative Anamorphic 1:47:32 - Anamorphic photography with Dick 1:50:12 - Résumé, SCOPE Chapter 3 & member perks 1:52:24 - Food for thoughts 1:54:05 - The division salutes partners & members

This is a satellite episode released with SCOPE CHAPTER TWO https://www.youtube.com/watch?v=YT_MupZp5v4 Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: https://www.instagram.com/media.division Facebook Group: https://www.facebook.com/groups/mediadivision2/

Sometimes you really don't need much to make an idea fly… a pop up green screen and enthusiastic customers will do. #shorts #VFXBreakdown #lowbudgetvfx

This is a breakdown and behind the scenes of our ALIENS spoof that is the theme of our epic CANON FD & K35 episode. See the whole episode here: https://www.youtube.com/channel/UCPf67c3vUrFlNOERwjHyR2w We have a more detailed "Filmemulation Deep Dive" tutorial available to all our members. To gain access, please become a member starting at 99cents a month: https://www.youtube.com/mediadivision/join #shorts #VFXBreakdown #Aliens

Breakdown and behind the scenes of THE SHINING spoof that opens our epic episode about ZEISS Super Speed & Contax Zeiss lenses. See the whole episode here: https://www.youtube.com/watch?v=EUjUxKvXgpw We have a more detailed "Filmemulation Deep Dive" tutorial available to all our members. To gain access, please become a member starting at 99cents a month: https://www.youtube.com/mediadivision/join #shorts #VFXBreakdown #TheShining

This is a breakdown and behind the scenes of our BLADE RUNNER spoof that opens our feature length episode on Anamorphic lenses SCOPE Chapter One. See the whole epic episode here: https://www.youtube.com/watch?v=bIhaItLnSR0 We have a more detailed "Filmemulation Deep Dive" tutorial available to all our members. To gain access, please become a member starting at 99cents a month: https://www.youtube.com/mediadivision/join #shorts #VFXBreakdown #BladeRunner

An epic journey of discovery into the world of anamorphic lenses. SCOPE Chapter one is about the background of anamorphic. We show you the different flavours of widescreen cinema from Cinerama, over Cinemacope to 70mm and Techniscope. We show you why anamorphic fell out of hollywoods favour, and why it made it back. We explain the physics behind anamorphic lenses and what makes the image so diffrent to normal spherical lenses, what problems come with the process, practically and optically, we explore principles different lens designs, the fashion of anamorphic throughout cinemas history. And while we are at it… we debunk some common misconceptions. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Lynch or Kubrick members can download their action pack here: https://www.youtube.com/c/MediaDivision/community Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ Check out our partners: Tito Ferradans/Anamorphic on a Budet: https://www.youtube.com/AnamorphiconaBudget Max from ExoOptic: https://www.facebook.com/exooptik https://www.instagram.com/exooptik CineOne Rental: https://www.cineone.tv/ Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision EPISODE Information List of anamorphic trade names https://en.wikipedia.org/wiki/List_of_anamorphic_format_trade_names MUSIC To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: https://bit.ly/artlistMD #anamorphic #scope #lenstest The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. 00:00 - Intro 03:30 - Blade Runner Spoof Part I - What is anamorphic all about? 05:44 - 1. What is an anamorphic lens 09:13 - 2. The road to widescreen 09:50 - Fox Grandeur 10:40 - Color & Sound 11:14 - Cinerama 12:37 - CinemaScope 14:20 - VistaVision 15:08 - Todd-AO 16:06 - CinemaScope 55 16:25 - Ultra & Super Pananvision 70 17:55 - Technirama 18:50 - Panavisions Dominance 19:35 - Techniscope 21:16 - Super 35 22:22 - Interchangeability of formats 23:25 - The end of the golden era & Rebirth 25:56 - 3. Anamorphic Characteristics – What makes an anamorphic image different 27:08 - A unique perspective 28:37 - Oval Bokeh 32:13 - A wider field of view 33:33 - Flares 36:10 - Distortions 38:09 - Asymmetrical lens breathing 39:09 - Softness 40:43 - Anamorfake 43:15 - 4. Lens Design 44:14 - Double Focus 44:44 - Mechanical Synchro 45:56 - Panavision Gottschalk 46:57 - Todd-AO 47:24 - Vari diopters 48:45 - Placement of Elements Part II - The Poetry 5. The fashion of Anamorphic 50:47 - Styles of anamorphic shooting 54:16 - To mix or not to mix 57:51 - Composing for widescreen 1:00:26 - 6. No love lost 1:01:10 - Is anamorphic more cinematic? 1:04:00 - Anamorphic is unpractical? 1:05:42 - A matter of taste 1:07:29 - Stretch factors and the middle road 1:09:20 - Preview chapter two 1:10:35 - Thank you to all Partners & Team 1:14:21 - Kubrick Members

The ultimate guide to Canon FD – with history and versions, similarities in image and design, coatings, aspherical elements and radioactivity, and how to develop a set on a budget. We also explore the Canon K35… so: Are there Canon FD lenses that give us the look of the Canon K35 in a somewhat affordable way? We talk to an award winning filmmaker that uses Canon FD and test the most important lenses. We DIY declick and change the mount, and test sophisticated modding by Simmod. We heal Thorium tint, discuss the value & where to buy, and explain how to spot counterfeit lenses. We will show you how we did the Aliens effect shots… using Filmconvert Nitrate. Don't miss the sequel to this episode: we turn our FD set into real cine lenses! REHOUSING https://www.youtube.com/watch?v=ybxJHUfzCM4 To access our tutorial , please become a member. After Effect files, Filmconvert settings, footage (no copyrighted material included!) are available for Lynch or Kubrick members. https://www.youtube.com/mediadivision/join Member find their links here: https://www.youtube.com/c/MediaDivision/community Here are links to the partners. Some links are affiliate links (it’s not more expensive for you, but we get a little something if you use these links!) Filmconvert “Nitrate” https://bit.ly/FCNitrate The code “MEDIADIVISION” will give you 10% off Simmod discontinued it's modding service https://bit.ly/simmod_FD You can still order parts for DIY conversions Tilta Mini Matte Box https://bit.ly/tiltaminimattebox P+S Technik: https://www.pstechnik.de/ Benjamin Dowie https://vimeo.com/benjamindowie Rent a rehoused Canon K35 set (USA) https://www.facebook.com/RoyKurtluyan https://www.instagram.com/vintagecinegear/ Footage of new FD L lens and S.C. lens by Patrick Newman Photos of new Chromenoses by Dan Edser Watch the original Aliens movie Amazon https://amzn.to/2ZzXqpd HBO https://www.hbo.com/movies/aliens iTunes https://bit.ly/md-aliens BUDGET LENSES Canon FD S.S.C. 50mm f1.4 US https://ebay.us/bvicUf EU https://ebay.us/ehqU61 UK https://ebay.us/IW7hJT Canon nFD 50mm f1.4 US https://ebay.us/E6EeFR EU https://ebay.us/tPdSEI UK https://ebay.us/Xem50k Canon FD S.S.C. 55mm f1.2 US https://ebay.us/L9BEKW EU https://ebay.us/Qa64fN UK https://ebay.us/GrzDKb Canon nFD 24mm f2 US https://ebay.us/H4jjyP EU https://ebay.us/ry8GeG UK https://ebay.us/2hAuzH ALTERNATIVES Canon nFD 85mm f1.8 US https://ebay.us/5fxeX4 EU https://ebay.us/nq4QY9 UK https://ebay.us/XPXXFm Canon nFD 35mm f2 US https://ebay.us/sCA47H EU https://ebay.us/HvJ3vx UK https://ebay.us/se1qS9 Canon nFD 24mm f2.8 US https://ebay.us/BRBKUG EU https://ebay.us/VLG1lF UK https://ebay.us/4a9UMq THE DREAM SET Canon FD S.S.C. 35mm Concave f2 US https://ebay.us/MjVjBJ EU https://ebay.us/UmuKUp UK https://ebay.us/gN7bio Canon FD S.S.C. 55mm Aspherical f1.2 US https://ebay.us/o1Ut4K EU https://ebay.us/F0FLAK UK https://ebay.us/yDocHx Canon FD S.S.C. 85mm Aspherical f1.2 US https://ebay.us/ro3wc1 EU https://ebay.us/JXnOEy UK https://ebay.us/c3dNo4 Canon FD S.S.C. 24mm Aspherical f1.4 US https://ebay.us/zNKsw9 EU https://ebay.us/fj4WZe UK https://ebay.us/OBM9aW THE NFD L SET Canon nFD L 24mm f1.4 US https://ebay.us/DVE0II EU https://ebay.us/shUNVD UK https://ebay.us/cOKHfK Canon nFD L 50mm f1.2 US https://ebay.us/hqDO4h EU https://ebay.us/fZy89p UK https://ebay.us/Udjyna Canon nFD L 85mm f1.2 US https://ebay.us/skgMFa EU https://ebay.us/91Q5gP UK https://ebay.us/ggOPIm ADAPTERS FD–E https://ebay.us/d8Quoi FD–RF https://ebay.us/llQQoQ FD–L (SL) https://ebay.us/K6pLYr FD–Fuji X https://ebay.us/ylRnGb FD–MFT https://ebay.us/yT67UM FOCAL REDUCERS FD–E https://ebay.us/j7j3ZS FD–L (SL) https://ebay.us/IKiCVB FD–MFT https://ebay.us/gPYQuh MODDING Simmod closed their modding business! DIY Gearings http://bit.ly/followfocusgears 15% discount code MEDIADIVISION Light Grease https://ebay.us/J3ks0a Heavy Grease https://ebay.us/Iyfsel Lens Cleaning Kit https://ebay.us/bzhXeJ Tweezers https://ebay.us/zhABKi MUSIC “The Internal Conversation” by Oliver Dowie To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: https://artlist.io/Nikolas-1066 CANON FD Compendium MDEpicEpisodeS2E03 #CanonFD #CanonK35 #vintagelenses @Tiltamax 00:00 - Intro 02:43 - Aliens Spoof 03:49 - Intro to Canon K35 & FD 09:30 - Aliens Spoof 2 10:40 - Canon FD Overview 14:20 - Coatings 15:35 - What is Aspherical? 18:07 - Aliens Spoof 3 19:17 - Building a Set 20:22 - Cinematic Test “Limbo” 22:40 - FD 85mm Asph. f1.2 25:39 - FD 55mm Asph. f1.2 28:04 - FD 35mm Concave f2 30:43 - FD 24mm Asph. f1.4 33:39 - FD 55mm f1.2 36:30 - FD 50mm f1.4 38:09 - nFD 50mm f1.4 40:00 - Battle of the 50mm 40:24 - nFD 24mm f12 42:38 - DoP insights : Benjamin Dowie 46:08 - Aliens Spoof 4 & VFX Breakdown 53:00 - Modding 1:01:15 - DIY modding guide 1:06:24 - Mini Matte Box 1:08:39 - Thorium&Radiation 1:14:32 - Healing tinted glass 1:16:16 - Buyers Guide

It’s time to get involved If you love the Media Division you can now join us on out mission to entertain and educate filmmakers around the globe. With YouTube Membership Join the ranks of the Media Division now: https://www.youtube.com/mediadivision/join Our productions are quite complex, and advertisement on YouTube doesn’t cover a fraction of our investment. With your support we can spend more time, energy and money to produce even more exciting episodes. We have three tiers of Membership inspired by directors we love. All memberships can be canceled at any time. Our supporter tier is the “Scott”… here you can show us some love and give us your support with 0.99$ per month. Your name will appear in the end credit of future episodes. Next is our team tier is the “Lynch” for 3.99$… you will get access to our Action Packs, that will come out with every new episode. In these Packs you will find selected 4K LOG footage from our episodes, that you are free to use for your projects. Projects Files like this 3D Moon simulation in After Effects… including UV surface maps und bump maps in ultra high resolution, Photoshop Documents, and the LUTs that we used to create our Episodes. Our Pro tier is the “Kubrick” for 9.99$ and you will get consultation. Just ask anything and we will try our best to support you within a 48hour time frame – if you have some special needs for contend of our episodes, just ask. Also you will get and a personal Shoutout in our next Episode… either for you, your company or maybe your channel. Of course, You will get access to the same episode action packs as the Lynch tier. Please become a member of the Media Division… and together we will embark on many crazy and nerdy adventures all around filmmaking. See you on the other side!

#sponsored In this crazy experiment we push the limits of lens speed by modding a camera to fit a massive Zeiss Biotar f0.73 lens. Along the way, we are going to take you to the dark side of the moon the realm of the legendary Zeiss Planar f0.7 lens and explain how it helped Staley Kubrick to shot Barry Lyndon in candlelight. We are going to go to the basics to explore the possibilities and to expose the limitations of ultrafast lenses. We look into the possibilities that you have to shoot ultrafast yourself, and what budget options there are. Here we test the Kipon Ibelux 40mm f0.85, the SLR Magic 25mm T0.95… and we boost a Vintage Canon FD f1.2 below f1. We compare shooting ultrafast lenses with shooting at high ISO and of course… using both in combination. Special thanks to Lyndon Gaul and the Marmalade for partnering with us. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Check out the websites from our sponsors: Kipon: https://www.kipon.com/en/ Kolari Vision: https://kolarivision.com/ Check out ARTLIST and get 2 free months with an annual subscription using this affiliate link: bit.ly/artlist-mediadivision Here is Wikipedias list of ultrafast lenses: https://en.wikipedia.org/wiki/Lens_speed Here are links to all gear used or described in this video. Some links are affiliate links (its not more expensive for you, but we get a little something if you use these links… thank you for your support). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. LENSES Zeiss R-Biotar 100mm f0.73 … US https://ebay.us/teQNZ4 EU https://ebay.us/anvYw4 UK https://ebay.us/AtUgrx KIPON Ibelux 40mm f0.85 Mark II … ebay US https://bit.ly/ibeluxebay EU https://bit.ly/ibeluxebayEU Amazon.com for Sony E: https://amzn.to/2JHq28H for Fuji X: https://amzn.to/2XcwhJq SLR Magic 25mm T0.95 … US https://ebay.us/MDRmcd EU https://ebay.us/LOWdLJ UK https://ebay.us/L37C7j Canon DF 55mm f1.2 (don't use diopter adapters, mod or use adapters, native focal reducers) US https://ebay.us/L9BEKW EU https://ebay.us/Qa64fN UK https://ebay.us/GrzDKb Metabones Speed Booster XL 0.64x US https://ebay.us/lpIS37 EU https://ebay.us/WKzrzj UK https://ebay.us/sVOFW4 Metabones Speed Booster Ultra 0.71x US https://ebay.us/YwmBIV EU https://ebay.us/DQ1wKF UK https://ebay.us/LOwQZM Kipon Focal Reducer US https://ebay.us/WTQQrT EU https://ebay.us/bv5Oip UK https://ebay.us/s0dHOV X-RAY LENSES GUIDE Where to get? ebay is the best source: US https://ebay.us/nucz3L EU https://ebay.us/9v7QMT UK https://ebay.us/loDCH4 Can it focus to infinity? (It will not be to pretty) You can use this formula to calculate the required flange: Maximum focus distance  = FL x (FL - BF + CF)/(CF - BF) FL  =  focal length of lens BF  =  back focal distance of lens (from rear of lens mount to image plane) CF  =  camera flange distance (look up for your particular camera) Coverage: Here is a list from X-Ray lenses that have been reported to cover Full Frame (3rd person claims – no guarantee). Astro Berlin 75mm f1.0 https://ebay.us/vda98H Electronar 68m f1.0 https://ebay.us/Bkd3ru Zeiss R-Biotar 55mm f0.85 https://ebay.us/NIZWte This episode was covered by: Cinema5D https://www.cinema5d.com/media-division-f07-ultrafast-lenses-legends-budget-options-modding-testing/ Fstoppers https://fstoppers.com/gear/f07-look-lenses-some-most-extreme-apertures-out-there-479545 DIYphotography https://www.diyphotography.net/this-video-guides-you-through-modding-and-testing-of-an-ultra-fast-f-0-7-lens/ PetaPixel https://petapixel.com/2020/05/12/testing-an-insanely-fast-100mm-f-0-73-lens-in-real-life/ and many others… thank you for your support Ultrafast Lenses Compendium MDEpicEpisodeS2E02 #f07 #ultrafastlens #kiponibelux 00:00 - Intro 02:14 - What is an Ultrafast lens 03:58 - Available Options 05:57 - The Moon lens - The Zeiss Planar f0.7 09:45 - Barry Lyndon: Filming at candle light 11:41 - Technical background 15:59 - The Zeiss R-Biotar f0.73 18:30 - What is an X-Ray lens? 20:45 - Modding a camera to 3mm flage 25:10 - f0.7 test film “The Mission” 27:38 - Behind the Scenes with practical tips 36:25 - Lens speed vs high ISO 37:12 - When to go Ultrafast 38:30 - Alternatives that make more sense 39:12 - Kipon Ibelux 40mm f0.85 41:35 - Shooting in the dark – high ISO and Ultrafast glass 43:18 - SLR Magic 25mm f0.92 45:11 - Boosting a fast lens to Ultrafast 48:55 - Verdict

We are going to show you how robotic motion control works, and how precise it can be. Together with the High End production house "The Marmalade" we built our own real life optical illusion using forced perspective and different layers of time. And, we are going to take you through the production from concept to post. Also, we show you how you can use motion control with relative affordable gear in your projects… for example to create surprisingly realistic miniatures with the help of programable sliders. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Lynch or Kubrick members can download their action pack here: https://www.youtube.com/c/MediaDivision/community Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ Bow down to THE MARMALADE https://www.themarmalade.com/ Here are links to all gear used or described in this video. Some links are affiliate links (its not more expensive for you, but we get a little something if you use these links… thank you for your support) Lens - Contax Zeiss 15mm US https://ebay.us/nPXG4B EU https://ebay.us/XnW29h UK https://ebay.us/77ZuUS LED Fresnel lamp - Aputure 300d US https://ebay.us/Lygw3S EU https://ebay.us/dpVVJt UK https://ebay.us/HhJCe3 Arri M18 (Flicker free up to 10.000fps) http://bit.ly/3aX0aln Programable Effect Light - Colorspike http://bit.ly/2YlQgmi Motion Control Head & Slider - Rhino Arc II … we don't recommend this slider! High speed cam – Phantom VEO https://www.phantomhighspeed.com/products/cameras/veo MUSIC To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: https://bit.ly/artlistMD The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. Motion Control EpicEpisodeS2E01 #motioncontrol #filmrobots #themarmalade 00:00 - Intro 01:11 - What in Motion Control 03:07 - Motion Control robots 04:52 - Letting heads roll 06:44 - Creating layers of speed 07:28 - Creating the Media Division intro 08:34 - Pre Production 10:02 - Building the set 13:45 - The shoot 14:58 - The post 18:49 - Using Motion Control for miniatures

#sponsored Did you know that the CONTAX Zeiss lenses use the same glass, coating and general design like the legendary cine lenses used on films like “The Shining”, Full Metal Jacket”, “Lost in Translation”? The ideal lenses for low budget filmmakers with a lust for the vintage look… and they are ready for an LF future, too! We pitch CONTAX Zeiss lenses against an original Zeiss SUPER SPEED and test them on MFT, Super35, and Full Frame We built a extended set, and we help you to cine mod the lenses including, gears, de-clicking, greasing and mount exchange We also give you practical tips for production and show you must have gadgets to go with your set. We test the Tilta Nucleus-N wireless focus and the Accsoon CineEye wireless HDMI transmitter ……… and we drive Jack insane! Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Lynch or Kubrick members can download their action pack here: https://www.youtube.com/c/MediaDivision/community Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ Here links to all lenses, adapters and gear described or used in this video. Some links are affiliate links (its not more expensive for you, but we get a little something if you use these links… thank you for your support). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. LENSES SUPER SPEEDS Contax Zeiss 35mm f1.4 … US https://ebay.us/WYtjSK EU https://ebay.us/Lpcn8f UK https://ebay.us/CZqOdG Contax Zeiss 50mm f1.4 … US https://ebay.us/uSsmTx EU https://ebay.us/fjKApr UK https://ebay.us/IdeUFE Contax Zeiss 85mm f1.4 … US https://ebay.us/n41eLr EU https://ebay.us/jkWDks UK https://ebay.us/NtKkCM NORMAL SPEEDS Contax Zeiss 28mm f2 “Hollywood” … US https://ebay.us/1reHOW EU https://ebay.us/Q3JIO3 UK https://ebay.us/QF5MdP Contax Zeiss 135mm f2 … US https://ebay.us/NKhL81 EU https://ebay.us/FepDby UK https://ebay.us/a2ffWi Contax Zeiss 25mm f2.8 … US https://ebay.us/VkpVun EU https://ebay.us/jDuwzx UK https://ebay.us/HRqoi8 Contax Zeiss 35mm f2.8 … US https://ebay.us/dzadyb EU https://ebay.us/YAknkh UK https://ebay.us/g43E4S SPECIAL LENSES Contax Zeiss 15mm f3.5 US https://ebay.us/nPXG4B EU https://ebay.us/XnW29h UK https://ebay.us/77ZuUS Contax Zeiss 35–70mm f3.4 Macro US https://ebay.us/yxDQgy EU https://ebay.us/to8LOi UK https://ebay.us/zrPAHe ADAPTERS EF https://ebay.us/PbRQiC E https://ebay.us/MWxeL4 L https://ebay.us/CWmRkC Fuji X https://ebay.us/TNrVI4 Nikon Z https://ebay.us/yZTs5t MFT https://ebay.us/6DRNeG LEITAX MOUNT CONVERSION KITS Leitax EF mount http://bit.ly/LeitaxEF Leitax for E mount http://bit.ly/leitaxE Shimming guide http://bit.ly/LeitaxShimming CINE MODDING Lens Gearings Follow Focus Gears (custom and pre made) http://bit.ly/followfocusgears Get a 15% discount using the code MEDIADIVISION Custom Lens Caps http://bit.ly/lenzbuddy Rear Lens caps http://bit.ly/eflenscaps 77mm Step up rings https://ebay.us/MmhpKt Light Grease https://ebay.us/J3ks0a Heavy Grease https://ebay.us/Iyfsel Lens Cleaning Kit https://ebay.us/bzhXeJ Metal File https://ebay.us/kR40dC Electric Tool https://ebay.us/f3yTIv Tweezers https://ebay.us/zhABKi REMOTE GEAR Remote Focus: Tilta Nucleus-N http://bit.ly/nucleus-N Remote Viewing: Accsoon CineEye https://ebay.us/MVoCIR This episode made it to Newsshooter.com read an Interview with some exclusive behind the scenes here: https://www.newsshooter.com/2019/09/03/heres-johnny-contax-zeiss-vs-zeiss-super-speeds/ The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. CONTAX Zeiss Compendium MDEpicEpisodeS1E11 #Contaxzeiss #zeisssuperspeed @tiltamax 00:00 - Intro (The Shining Spoof) 02:40 - Affordable legendary lenses 04:16 - Zeiss Super Speed 05:48 - Contax Zeiss Overview 09:45 - Manual lenses & lead magic 13:55 - Cinematic Test Contax vs Super Speed 16:55 - Practical comparison 18:38 - Test Zeiss Super Speed 50mm T1.3 19:44 - Test CZ 50mm f1.4 20:45 - Test CZ 28mm f2 21:37 - Test CZ 35mm f1.4 22:28 - Test CZ 85mm f1.4 23:14 - Test CZ 135mm f2 24:16 - Test CZ 15mm f3.5 25:32 - Test CZ 35–70mm f3.4 29:09 - Nucleus N & Cine Eye 37:19 - Adapting to different Mounts and Formats 38:53 - DIY cine modding 17:43 - Adapting to different Mounts and Formats 19:19 - Practical tips 20:23 - Cine-Modding 44:25 - Verdict

Crazy experiment time… We are building a sensor double the size of IMAX and film with 200 Megapixels… that is over 16K resolution with crazy CRAZY image quality. We are going to achieve this with the help of a old large format photo camera that will allow us to effectively use the huge image projection that a large format lens delivers and the Full Frame MAVO LF as a scanning device As always, we upload in 8k so you can see a little bit of that quality By going to the extreme, we can also reveal wether the trend to larger format and more resolution brings something good to the table, or are we on our best way to overshoot the sweet spot that a smaller format offers. We are going to compare the beyond IMAX frame with the exact same shot taken in Full Frame, super 35, and micro four third formats. And we are going to find out, if f there’s an inconvenient truth to be found? Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ This video made it to Newsshooter.com... find an interview and further details here: https://www.newsshooter.com/2019/07/25/beyond-imax-filming-with-a-gigantic-16k-200mp-sensor/ You feel adventurous, you have a behemoth of a computer and a fast connection? Here is a 5 second ProRes4444 16K sample with an eye-watering 15GB file size: http://bit.ly/2XRrnTB You are a wimp working on an antique home computer? Here is a 200Megapixel single frame as a JPG at a lukewarm 64MB file size: http://bit.ly/2GjQWBZ Interested in the Soonwell FB-11? You can get it in our Amazon Store: https://www.amazon.com/shop/mediadivision Want to see more Soonwell products? www.soonwell.com https://bhpho.to/2LnnDm6 Here links to all lights and gear described or used in this video. Some links are affiliate links (its not more expensive for you, but we get a little something if you use these links… thank you for your support) Sinar Large Format Camera https://ebay.us/IxOWMT Hazer: Chauvet Dj Hurricane Haze 1Dx https://ebay.us/xWOmVw Keylight Projector/Gear: Soonwell FB-21 Flexible LED https://www.amazon.com/dp/B07MR5SM46?ref=exp_mediadivision_dp_vv_d Filllight Projector/Gear/Talkie: Soonwell FB-11 Flexible LED https://www.amazon.com/dp/B07P5M2NPS?ref=exp_mediadivision_dp_vv_d Keylight Talkie: Apurture 300D https://ebay.us/GyzRrQ Colorspike RGB effect light http://bit.ly/2YlQgmi Neewer foldable 5 in 1 reflector/diffusion http://bit.ly/MDdiffusion Gaffer Tape https://ebay.us/XBAXym The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. Crazy Experiments MDEpicEpisodeS1E10 #16K #16kfilm #giganticsensor #crazyexperiment 00:00 - Intro 02:00 - How to achieve a 16K image 02:21 - Large format camera 03:34 - The set up 05:50 - 16K footage with zoom in 10:59 - Format comparison 13:52 - Large format cinematography 16:10 - Thermal advantages of large format 18:26 - Questioning digital large format

Lighting is to Film, what music is to Opera. In this enlightened epic Episode we will explore the basics of cinematic lighting, we will teach you the terminology and talk about basic techniques. We are going to assemble a lighting kit, that gives you huge range of possibilities… while being completely mobile running just on batteries… Let there be light! #CinematicLighting #lightingtutorial #portablelightingkit #lightingtechniques Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ Here links to all lights and gear described or used in this video. Some links are affiliate links (its not more expensive for you, but we get a little something if you use these links… thank you for your support) THE LIGHTING KIT Shop the gear we use in our Episodes: https://www.amazon.com/shop/mediadivision Soonwell FB-21 Flexible LED https://www.amazon.com/dp/B07MR5SM46?ref=exp_mediadivision_dp_vv_d Colorspike RGB effect light http://bit.ly/2YlQgmi Apurture LS mini 20d fresnel light This light is no longer in production – Please look at the WellMaking 40w instead (not tested) https://www.amazon.com/dp/B07Z4SZ2P2?ref=exp_mediadivision_dp_vv_d Tile Light mini panel This light is no longer in production – Please look at the Apurture MX instead (not tested) https://www.amazon.com/dp/B07CPQ71Q5?ref=exp_mediadivision_dp_vv_d The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. Filmmakers Compendium MDEpicEpisodeS1E09 00:00 - Intro 01:11 - What makes an image cinematic 02:05 - What is cinematic lighting 06:26 - Lighting terminology 12:17 - Building a portable lighting kit 13:44 - Key light: Bi-color Flexible LED 16:45 - RGB effect light 19:32 - Mini light 20:20 - Building a cinematic lighting setup 23:17 - Verdict

Band Promo Film – elements of this where used for our Mamiya 645 vintage medium format lens episode: https://youtu.be/ntohzgTm5Lo Life shots: Kinefinity MAVO LF E-mount with Kipon focal reducer and the Mamiya 645 80mm f1.9. 800 ISO Recording: 6016 x 3172 ProRes 4444 / 2,12 gbps Interview shots: Panasonic EVA1 and Sigma 18-35. 800 ISO Recording: 4096 × 2160 HEVC / 200mbps

#sponsored Ever thought about using Medium Format glass for filming? "Interstellar" and "The Dark Knight Rises" do so on IMAX cameras. Mamiya 645 lenses are surprisingly affordable and future proof in a market trending toward larger sensors... and they look absolutely gorgeous. A real alternative for modern Mirrorless Full Frame hybrids, for Large Format cine cams like the Arri Alexa 65 and Alexa LF, the RED Monstro, Sony Venice and the MAVO LF... but also for any other sensor size including Micro Four Thirds. We are having an extensive look on the primes of Mamiya 645 Sekor C range using the Panasonic GH5 and EVA1, as well as the 35mm Full Frame sensor MAVO LF introducing a Kipon Focal Reducer that enables us to use the whole image of Medium Format lenses... giving you crazy shallow Depth Of Field and mind boggling amounts of light. We are testing: Sharpness, field of view, focus breathing, Bokeh, flaring, close focus, throughout the range on different sensor sizes with and without Speed Boosters. We also give practical tips including cine-modding, service and repairs. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Lynch or Kubrick members can download their action pack here: https://www.youtube.com/c/MediaDivision/community Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ Here links to all lenses, adapters and gear described or used in this video. Some links are Affiliate links (its not more expensive for you, but we get a little something if you use these links… thank you for your support). When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network. LENSES Mamiya Sekor C 35mm f3.5 … US https://ebay.us/3uoZ37 EU https://ebay.us/hFl9ih UK https://ebay.us/CPKSIF Mamiya Sekor C 45mm f2.8 … US https://ebay.us/jNcdld EU https://ebay.us/r8yrSj UK https://ebay.us/5sg00F Mamiya Sekor C 80mm f1.9 … US https://ebay.us/MxhpaN EU https://ebay.us/2ERj6u UK https://ebay.us/Fz7zYK Mamiya Sekor C 80mm f4 Macro … US https://ebay.us/Cm10pc EU https://ebay.us/3za6sC UK https://ebay.us/7FmMXX Mamiya Sekor C 110mm f2.8 … US https://ebay.us/4Ql9PB EU https://ebay.us/ycYRDh UK https://ebay.us/yqEqDE Mamiya Sekor C 210mm f4 … https://ebay.to/2VqHmGw APADTERS Mamiya to Sony E … US https://ebay.us/rNRM4k EU https://ebay.us/Odm90M UK https://ebay.us/ZSrcFd Mamiya to Canon EF … US https://ebay.us/RyVa7s EU https://ebay.us/XGCrWY UK https://ebay.us/Xhfr2z Mamiya to Canon R … US https://ebay.us/zVU1WA EU https://ebay.us/WBgh5s UK https://ebay.us/S61Ooh Mamiya to Nikon F … US https://ebay.us/wjY6py EU https://ebay.us/U9tsGL UK https://ebay.us/vtSOTh Mamiya to Nikon Z … US https://ebay.us/6K6oPg EU https://ebay.us/A7jtWo UK https://ebay.us/o8Qpy0 Mamiya to MFT … US https://ebay.us/p3mfuY EU https://ebay.us/dGgDYL UK https://ebay.us/iNyGp7 FOCAL REDUCERS (Boosters) Mamiya to E https://ebay.us/HTBK3C Mamiya to L https://ebay.us/ChZUZX Mamiya to Z https://ebay.us/eNsb0h Mamiya to RED https://ebay.us/owDJzs Mamiya to ARRI AMIRA https://ebay.us/xiYRG1 There is no EF, F, PL focal reducers due to the long Flange CINE MODDING Follow Focus Gears (custom and pre made) http://bit.ly/followfocusgears Get a 15% discount using the code MEDIADIVISION OTHER GEAR Shop the gear we use in our Episodes: https://www.amazon.com/shop/mediadivision MUSIC To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free: https://bit.ly/artlistMD #Mamiya645 #MediumFormat #mediumformatfilming The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. MDEpicEpisodeS1E08 00:00 - Intro 01:32 - Getting Hooked to Medium Format 03:12 - Medium Format Explained 05:36 - Mamiya 645, Focal Reducers, and Formats 07:26 - Test Mamiya Sekor C 35mm f3.5 08:28 - Test Mamiya Sekor C 45mm f2.8 09:26 - Test Mamiya Sekor C 80mm f1.9 11:16 - Test Mamiya Sekor C 110mm f2.8 12:08 - Test Mamiya Sekor C 210mm f4 12:55 - Test Mamiya Sekor C 80mm f4 Macro 13:45 - Camera Battle FF vs MFT 14:58 - Depth of Field and light gathering 16:06 - Why invest in Medium Format 17:43 - Adapting to different Mounts and Formats 19:19 - Practical tips 20:23 - Cine-Modding 21:22 - Repair 23:26 - Verdict

MAVO LF and LAOWA 24mm Probe Lens… that means large format macro filming where no cam has gone before… a match made in heaven! We are putting the high ISO of the MAVO LF to use with the incredible high f-stops of the Laowa with our short test film "GLOW"… shot a 6K 3:1 RAW All "Talkies" have been shot with the MAVO LF, Kipon booster and Mamiya Medium Format lenses using 6K ProRes 444. All graphics and titles are rendered in 8K and the whole episode is uploaded in 8K for your viewing pleasure… enjoy. Thanks to Sebastian Fischhold for lending me the LAOWA probe lens… check him out. https://www.facebook.com/langwellenreiter/ The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. MDEpicEpisodeS1E07

Panasonic released the third big firmware update und brings HEVC/h.265 codecs to the system allowing internal 10bit 4k up to 60fps with 200mbps. Also, the much requested presets come to EVA. We tested the beta of the new firmware and give you codec comparisons, and field tests of the new features. EVA 3.0 Key Features: - HEVC/h.265 codec 4K 10bit up to 59.97p at 200mbps 4K 10bit up to 29.97p at 150mbps   - EVA-Live Three USB-LAN adapters enable wire control to tablet for EVA ROP. Live multicam control using CyanView Remote Control Panel   - Quick Switch Save Setup Files on SD to change ANY set of setting in about 12 seconds,   Other New Features: - A second AWB memory position, so you can quickly switch from AWB-A to AWB-B. - Lens Focus position shown on the OSD in meters or feet. - JPEG stills can be captured when in playback. - Single frame advance in playback. - When recording HLG (Scene File 5) monitoring can be individually set to SDR or HDR on LCD/SDI/HDMI outputs.  The SDR/HDR selection is also available when playing back HDR clips. Please join the EVA1 Facebook Group: https://www.facebook.com/groups/panasonicaueva1/ Here is a EVA1 3.0 flyer: https://www.media-division.de/eva1_3_flyer.pdf Here is a EVA1 3.0 press release: https://www.media-division.de/eva1_3_pr.pdf Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/

We are building a crazy rig to show how an 8K super35 sensor would look. That gives us the opportunity to match it up agains a GH5 with a SpeedBooster. How well does the boosted version hold up? Does the booster cause significant optical degrading? We are going to find out… and of course we are matching these images up against GH5 with a native lens to see, if it was worth it in the first place. For your viewing pleasure, the native 8K large format composition is uploaded in 8K. The rest of this episode was acquired in 5K HEVC or 5.7K ProRes RAW and upscaled to match. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ You can download the original GH5 8K composition in ProRes 444 here (beware – this has 5,5 GB): https://we.tl/t-FwBQlnmBJJ If you just want to play with one frame: https://we.tl/t-IcoY1X9HDG The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. MDEpicEpisodeS1E06

We are exploring how projections are used in cinema to create artistic visuals and special effects. Moving matte paintings to extend sets, simulation of screens, combination of miniatures with real life action and of course – the artistic possibilities. We recreate the iconic James Bond Goldfinger intro… with a twist. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ Ninja Attacks: Way of the Ninja https://audiojungle.net/item/way-of-the-ninja/3962799 The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. MDEpicEpisodeS1E05

Who doesn’t love the iconic visuals of the Goldfinger-Titles-Sequence? We're turning these Bond-Visuals into a versus-mix with one of the greatest villain of film history – Darth Vader. GOLDVADER is a homage to two giants of cinema and to those who gave them to us. Find an awesome behind the scenes and tutorial here: https://youtu.be/iKuf7VSGEGI We explore how projectors are used for visual effects, analyse the original production, and show you step by step how we executed the production with minimal equipment. After that we will go into the details of the post production including grading and how to avoid the mistakes we made. May the Martini be with you!

Wonder how your Camera would look if it had one of this fancy large format sensors like the Alexa 65? Emulate the large format look of films like "The Revenant", "Rogue One", "The Hateful 8", and "2001" using some cheap gear and the camera you already own. We are going to do a little math and built a crazy rig that will allow us to reposition a smaller sensor behind a medium format lens in a fashion that will allow us to capture an Alexa65 equivalent sensor size. We will then compare the large sensor against the same framing with the original sensor size. For your viewing pleasure, the 12K large format composition was downscaled to 8K to fit YouTubes maximum 8K resolution. The rest of this episode was acquired in 5.7K ProRes RAW and upsized to match. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ If you have a behemoth of a computer, you can download the original 12K composition in ProRes 444 here (beware – this has 11GB): https://we.tl/t-DPDqp2FHKK If you just want to play with one frame: https://we.tl/t-RB2KZdJpi9 To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free https://bit.ly/artlistMD Media Division “Theme”: Saving Tides by Chase Baker https://artlist.io/song/4543/saving-tides Ambient music under footage: https://artlist.io/song/3253/ageless Used gear and props Camera: Panasonic AU-EVA1 https://amzn.to/2ElbGKa RAW recorder: Atomos Shogun Inferno https://amzn.to/2QI3klN Lens: Mamiya Sekor C 80mm f1.9 https://rover.ebay.com/rover/1/711-53200-19255-0/1?mpre=https%3A%2F%2Fwww.ebay.com%2Fsch%2Fi.html%3F_odkw%3DMamiya%2Bsecor%2BC%2Bf1.9%26_osacat%3D0%26_from%3DR40%26_trksid%3Dm570.l1313%26_nkw%3DMamiya%2Bsekor%2BC%2B80mm%2Bf1.9%26_sacat%3D0&campid=5338445601&toolid=20008 Macro slider https://amzn.to/2VOH1KV - Lanparte Rig https://amzn.to/2PuPYog This video made it to Newsshooter.com... find an interview and further details here: https://www.newsshooter.com/2018/11/05/creating-a-panasonic-eva-65-12k-large-format-images/ ...and RedSharkNews found it interesting as well: https://www.redsharknews.com/production/item/5933-here-s-how-to-convert-an-eva1-into-an-alexa-65 ...and 4kshooters https://www.4kshooters.net/2018/11/17/this-crazy-experiment-shows-how-to-turn-your-s35-camera-into-%D0%B0-65mm-lf-beast/ ...and the german site SlashCam https://www.slashcam.de/news/single/Large-Frame-Loop-Aufnahmen-mit-Panasonic-EVA1-simu-14721.html The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. MDEpicEpisodeS1E04

We are looking back at a long first year with the Panasonic EVA1 and the reasons why one would choose EVA1. We will go to work with EVA and discuss her strong and weak sides as well as her special abilities with some real life projects We will see how versatile EVA can be rigged and used, give some fair criticism and make suggestions for improvements… … and of course, we will speculate and write a wishlist for a future EVA2. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ Please become a member in the largest EVA Facebook group: https://www.facebook.com/groups/panasonicaueva1/ Please become a member in the largest Panasonic LUMIX S1 & S1R Facebook group: https://www.facebook.com/groups/PanasonicLumixS/ This review reveals a bug in Premiere CC, the 5.7 ProRes RAW HQ footage shown at 17:13, The footage was decoded as vlog from FCPX to ProRes 444 and LUT was applied on the 4K Timeline in Premiere. Everything looked great inside Premiere, but media encoder messed up the render. Just realised it after upload and as it is a 4 hour render/upload... I will live with it!

I go backstage with LUMIX Ambassador Bernard Bertrand on Photokina to play with the brand new LUMIX S1 & S1R. We also interrogate the technical product manager to get additional specs… try to read Tamars Pokerface. Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ Please become a member of the Panasonic LUMIX S1 and S1R Facebook Group https://www.facebook.com/groups/PanasonicLumixS/ Visit Bernard Bertrands YouTube Channel: https://www.youtube.com/c/BernardBertrand

Combining Mavic 2 Pro with EVA1 and GH5 on her maiden production capturing a racing themed film. Join us on a Track Day in the Motorsport Arena Oschersleben riding Audi R8 GT4 and racing along with the Mavic 2 Pro. A complete making-of with tips, tricks and a review of the used gear. Standalone RacingOne film: https://youtu.be/DzbhQKNzaS4 Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ Want to grade Mavic 2 Pro Dlog M footage yourself? Get one clip here: https://we.tl/t-tsv3zASLtq Please join the Panasonic AU-EVA1 Facebook group: https://www.facebook.com/groups/panasonicaueva1/ The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. EpicEpisodeS1E03

Filmed during a track day at the Motorsport Arena in Oschersleben. A-Cam: EVA1, B-Cam: GH5, Drone: Mavic 2 Pro, Action-Cam: Yi4K+ Making-of and gear review: https://youtu.be/62ZhT8TNyK4

https://bit.ly/artlistMD Media Division Titles: Saving Tides by Chase Baker https://artlist.io/song/1523/time-and-place?search=ian Ambient music: https://artlist.io/song/3253/ageless?search=ian The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. MDEpicEpisodeS1E02

A journey through all relevant sensor and film sizes compared by size – from 1/3 inch to IMAX – with samples. This is an older video and there a some mistakes in the 35mm variants. Anamorphic processes don't use a super 35 at full aperture but the academy sized negative. Goldfinger etc are shot with ordinary 35mm and not with the wider super 35 (that uses the space reserved for audio track). 1/3 inch - super 8 - 1/2.3 inch - 2/3 inch - 1 inch - super 16 - M43 - APS-C - Academy 35 – super 35 - FF 35mm - VistaVision - 65mm - IMAX #sensorsize #filmsize #super35 #35mm #vistavision #70mm #IMAX Please join the ranks of the Media Division: https://www.youtube.com/mediadivision/join Instagram/IGTV: mini tutorials, whats cooking, and updates: https://www.instagram.com/media.division Facebook Group: Community, discussion, help... ask everything https://www.facebook.com/groups/mediadivision2/ MUSIC To get the music from this episode, subscribe to Artlist. With this referral-link, you'll get 2 month for free https://bit.ly/artlistMD Media Division Titles: Saving Tides by Chase Baker https://artlist.io/song/1523/time-and-place?search=ian Ambient music: https://artlist.io/song/7149/for-the-brave-who-silently-slip-from-the-earth This video was featured on 4kshooters: https://www.4kshooters.net/2020/04/26/full-frame-vs-super-35-what-are-the-differences/ The Media Division is dedicated to the art of filmmaking and sharing knowledge about it. Tests, Reviews, Gear, Tutorials, Tips, Tricks, Techniques, Experiments, Behind the Scenes, Experience & Knowledge… for work, for fun, for the love of the craft. For beginners and professionals. Filmmakers Compendium MDEpicEpisodeS1E01

NEW EXTENSIVE VIDEO ABOUT THE SUBJECT IS HERE: https://youtu.be/ntohzgTm5Lo Super quickie with one of the fastest Medium Format lenses on a EF mount cinecam. Shot on Panasonic EVA1 s35 but will work up to Vista Vision & beyond (Arri Alexa LF/65, Kinefinity Mavo LF, RED Monstro etc.). Mamiya Sekor C 80mm f1.9 vs. Sigma Art. A light, small. fast, and cheap alternative? Find out. Find the SEKOR C 80mm on ebay (good ones go for about 250 usd at time of posting this): https://www.ebay.com/itm/Mamiya-Sekor-C-80mm-f-1-9-Lens-for-645-Super-Pro-TL-Very-Good-from-Japan/142870417848 You will need an adapter like this: https://www.bhphotovideo.com/c/product/995276-REG/fotodiox_m645_eos_p_dc_mamiya_645_lens_to.html

Testing Panasonic AU-EVA1 RAW out with Atomos Shogun Inferno recording 2K ProRes RAW HQ at 240 fps. Upscaled to DCI 4K and graded in Final Cut X. For those who want to try before getting a Shogun. One little original clip (4GB!!! Only works in Final Cut 10.4) we.tl/xXKJiyGnPI

A new life … for Milo & Kristina Panasonic AU-EVA1, Recorded in ProRes HQ/V-log to Shogun Inferno via SDI, Sigma 18–35, Sigma 50–100, slider, one light, graded in Resolve.

Five musicians meet for the first time for a jam session at the Birdland. It is free improvisation! It is Live! It is a mind boggling performance! Cosmo Klein, Benny Greb, Lars Cölln, Julius Trautvetter, and Alex Grube form the supergroup COSMO KLEINS FUNKJAM #CosmoKlein #BennyGreb #LarsCoelln #AlexGrube #JuliusTrautvetter #Birdland #FunkJam COSMO KLEINS FUNKJAM are: Vocals – Cosmo Klein Drums – Benny Greb Guitars – Lars Cölln Bass – Alex Grube Keys – Julius Trautvetter Booking Request: booking@cosmopolytix.com Audiomix by Gleb Zagrebin A film by Nikolas Moldenhauer Location: Birdland https://www.birdlandhamburg.de/

A visit to the Orangutans at the Tierpark Hagenbeck in Hamburg, Germany. Thank you to the talents: Tuan, Toba, Bella, Sly, Batak, Harapan, Simia, Conny Thank you to Tierpark Hagenbeck for the Opportunity to film these wonderful beings. Ein Besuch bei Orang-Utans im Tierpark Hagenbeck, Hamburg. Großen Dank an die Schauspieler: Tuan, Toba, Bella, Sly, Batak, Harapan, Simia, Conny Vielen Dank an den Tierpark Hagenbeck für die einmalige Gelegenheit diese wundervollen Geschöpfe zu filmen. Mit freundlicher Genehmigung vom Tierpark Hagenbeck www.hagenbeck.de Filmed on Panasonic EVA1, Lenses by Sigma, Edited & Graded in DaVinci Resolve, Music by Ben Winwood/Art List Making of: https://youtu.be/OgEemlHB6W4 Vimeo version: https://vimeo.com/242719376

Taking the Panasonic AU-EVA1 to visit Orangutans: Shooting, Grading, Review, Ideas & Verdict... with Footage. Hope you enjoy! Subscribe for ongoing coverage of EVA1 Please join the Panasonic AU-EVA1 Facebook group: https://www.facebook.com/groups/panasonicaueva1/ Thank you to the talents: Tuan, Toba, Bella, Sly, Batak, Harapan, Simia, Conny Thank you to Tierpark Hagenbeck for the Opportunity to film these wonderful beings. Mit freundlicher Genehmigung vom Tierpark Hagenbeck www.hagenbeck.de Vimeo version of the feature: https://vimeo.com/242719376

A very quick rolling shutter comparison between GH5 and EVA1.

Getting started with the Panasonic AU-EVA1: Unboxing, Setup, Rigging, Quicktest. Hope you enjoy! Suscribe for ongoing coverage of EVA1 Please join the Panasonic AU-EVA1 Facebook group: https://www.facebook.com/groups/panasonicaueva1/ Camera available at: https://shop.avtplus.de/kameras/digital-cinema-kameras/panasonic-au-eva1

Quick test of the brand new GH5 firmware 2.0. We are looking into the 6K 4:3 Anamorphic mode, test the 400mbps All-Intra codec vs ProRes HQ, and try, if non "V" Cards can sustain write speeds to cover the 400mbps codec. Brainfart at 1:45 – of course I'm talking about vignetting not cropping. Blindness at 2.30 – obviously I am to stupid, as monitor desqueeze is available (can only find 2x on/off). Conducted many more test runs with the Lexar after this video was done. I had one write error after 34 minutes so far. Recording just ended but the file was not corrupted. Only use V60/V90 cards for critical applications. Card used: Lexar x1000 256 GB UHS-II SDXC https://www.bhphotovideo.com/c/product/1090741-REG/lexar_lsd256crbna1000_pro_1000x_uhs_2.html Anamorphic adapter: SLR Magic 1.33x .50 https://www.bhphotovideo.com/c/product/1195988-REG/slr_magic_slra50_1_33x_anamorphot_50_1_33x.html

Exclusive Panasonic AU-EVA1 "Hands On" event at avt plus media service. Hamburg/Germany August 30 2017. Please subscribe for the latest information and filmmaker tips Please join the Panasonic EVA1 Facebook Group https://www.facebook.com/groups/panasonicaueva1/ Preorder the Panasonic AU-EVA1 here: https://shop.avtplus.de/kameras/digital-cinema-kameras/panasonic-au-eva1

A german TV commercial I produced and directed for Rebelle… 13 seconds of pride ;-) Release. Relove. Rebelle Second Hand Designer Fashion bei rebelle.com Customer: REBELLE - StyleRemains GmbH Agency: Media Division Director: Nikolas Moldenhauer DoP: Jakob Süss 1st AC: Sebastian Keim Gaffer: Mirco Lenke Styling & Make-Up: Felippa Schalla Models: Diana Sar, Julia Johanson Voice: Deborah Mock (voxhaus.de) Camera: RED Dragon Lens: Zeiss Location: Hafenstudio Hamburg

Here is your moment of zen riding with dolphins at cost of the greek islands. Panasonic GH5 with 12–35 25/50/100 FPS internal Vlog Graded with Filmconvert in Premiere CC

The finalized specs of the Panasonic AU-EVA1. The Good, the Bad, and the Ugly + my verdict. I forgot one let down… only 8bit 4K 60fps internal. Discuss, mock, adore… in the EVA1 Facebook Group: https://www.facebook.com/groups/panasonicaueva1 You find the press release here: http://www.media-division.de/EVA1_press.pdf And the brochure here: http://www.media-division.de/AU-EVA1_Brochure.pdf EVA1 Website: http://business.panasonic.com/AU-EVA1.html

This is Part 3 of a 3 Part Tutorial in the Filmmakers Compendium. PART 3: Fixing it in post. Adding motion blur to high shutter footage. Shutter concepts and more. PART I https://youtu.be/mFp_ebMl9H0 PART II https://youtu.be/axzJddSIgoM PART III https://youtu.be/OnrCxeA_L5k

This is Part 2 of a 3 Part Tutorial in the Filmmakers Compendium. PART 2: The "right" Sutter Speed What is the best speed and how to avoid flicker from lights or monitors. Hoe to use creative shutter speed for emotional impact. PART I https://youtu.be/mFp_ebMl9H0 PART II https://youtu.be/axzJddSIgoM PART III https://youtu.be/OnrCxeA_L5k

This is Part 1 of a 3 Part Tutorial in the Filmmakers Compendium. PART 1: The Basics All you need to kow about Shutter Speed: Why is shutter needed for smooth motion, what is motion resolution and how does „motion blur“ effect the perception of movement. PART I https://youtu.be/mFp_ebMl9H0 PART II https://youtu.be/axzJddSIgoM PART III https://youtu.be/OnrCxeA_L5k

J. Johannsen & Sohn is your partner in Northern Germany and Europe for towage, mooring, line handling, stevedoring and cargo securing J. Johannsen & Sohn also offes technical management of ships, safety and security concepts for the offshore industry, as well as casualty management in maritime emergencies. J. Johannsen & Sohn… growing for you into the next generation of shipping. Production notes. A-Cam: Panasonic GH5 B-Cam: Panasonic GH4 Recorder: Atomos Shogun Inferno Arials: DJI Mavic Pro NLE/Grading: Adobe Premiere Pro FX: After Effects Concept/production/post: Nikolas Moldenhauer for Media Division GmbH Hamburg Germany www.media-division.de Selected Arials of "Dolwin" in Rostock by Sebastian Krauleidis www.sebastian-krauleidis.de Music "Bluerise" by Oliver Michael – licensed through ArtList

The new Panasonic AU-EVA1 Facebook Group… join in now, we got cookies!!!! https://www.facebook.com/groups/1901910450021643

A short introduction to a real estate project in Hamburg, Germany. Camera: GH4 Drone: DJI Mavic Pro NLE: Adobe Premiere CC FX: Adobe After Effects CC Music: Oliver Michael – Taken From a Void (licensed through Art List)

A apocalyptic journey through the Australien wasteland (actually through the not so wasted Rømø of Denmark)… Enjoy! Filmed with GH4 in 4K internal recording with V-Log Lens: Panasonic 12-35 Stabilizer: Came Single NLE/Grade: Premiere CC Drone: 3DR Solo / Hero 4 & PeauProductions Lens

A trip trough light, motion, and fun… putting the new Panasonic GH5 to the test. Please like and subscribe! Thank you!!! Location Hamburg, Germany / spring city fair "Dom" Camera Setup: Panasonic GH5, Panasonic 12-35 @f2.8 (except sunglasses closeup Sigma 18-35/metabones speedbooster @f1.2), SLR Magic 1,33 50 Anamorphot, Atomos Shogun Inferno (except internal on rides) / ProRes HQ Camera Settings: 4K 25fps / 50fps ISO 400–1600 V-LOG / NR -5 / S -5 Dual IS activ Post NLE/Grade: Adobe Premiere CC 2017 FX: Adobe After Effects CC 2017

GH5 and GH4 step up to battle for the slow motion champion of their class. Has the GH4 a chance against his updated brother? How much will the quality degrade going from 120 fps to 180 fps on the GH5? Come in and find out. Camera Setup: GH4/GH5, Metabones Speedbooster Ultra, Sigma Art 18–35, Tiffen Vari ND Camera Settings (both cams): ISO 400, f5, 180° shutter Vlog internal 1080p 60/96/120/180 VFR conformed to 24 fps

This is the main trailer for a whole set of videos used to promote the StyleAward by the German issue of the OK! Magazine. Illustartions where originaly produced for print media. We animated each illustartion using Adobe AfterEffects. The resulting animations where put togeher in a rollercoster ride through 3D space. This trailer supports the website of the event and is shown on the event itself in Berlin.

A stadion commercial for Colorado Denim with German federal league soccer players. Camera: Red Dragon Lens: Arri Master Prime NLE: Adobe Premiere FX: Adobe After Effects

A wonderful cruise with the "Paul Gauguin" on the shores of French Polynesias Society Islands. Filmed with GH4 in 4K internal recording with V-Log. Lens: Sigma Art 18-35 Arial and underwater shots on GoPro Hero4. Lens: PeauProductions 3.97mm Drone: 3DR Solo NLE: DaVinci Resolve FX: After Effects

Advertising an app for autogenic training. Edit: Adobe Premiere Color: Davinci Resolve FX: Adobe After Effects Camera: Panasonic GH4 Slider: Rhino

James Edition is the largest online marketplace for all things luxury. Buy, sell, enjoy... simple and worldwide. Shot in Sainte Maxime in the south of France 2016. Car: Ferrari California T Yacht: Cranchi Mediterranee 50 HT Camera: GH4+Atomos Flame Lens: Sigma 18-35 Art & Panasonic 12-35 Gimbal: Came Single Drone: DJI Mavic Pro